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| | Ercole de' Roberti - Biography (Site not responding. Last check: 2007-10-25) |
 | | Roberti's Bentivoglio portraits in the Gallery are close in style to Cossa, with their bright enamel coloring, brittle textures, complicated and stylized draperies, and elegantly artificial anatomy. |
 | | Somewhat further from Cossa in manner--although some saw the hand of the older master in particulars--is Roberti's San Lazzaro altarpiece of the second half of the 1470s (originally in Ferrara, destroyed in Berlin, 1945); it brilliantly exemplified the lively, decoratively mannered Ferrarese style that developed during the third quarter of the fifteenth century. |
 | | The composition of the altarpiece, with the enthroned Madonna placed aloft in an architectural setting, is based on the vertical, airy sacra conversazione altarpieces recently introduced in Venice, and the handling shows that Roberti was aware of the warm, unifying light, broader figures, and soft draperies of Giovanni Bellini. |
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