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| | CGFA- Bio: Titian |
 | | They are based on Roman literature and adapt figures from ancient sculpture and from Michelangelo, but render these vividly sensuous and contemporary, uniting them with an equally powerful and beautiful natural world. |
 | | This late style, an astounding phenomenon in the context of Renaissance art, had its final manifestation in the Pietà intended for Titian's own tomb chapel; the work was left unfinished at his death and is now in the Accademia in Venice. |
 | | His work, which permanently affected the course of European painting, provided an alternative, of equal power and attractiveness, to the linear and sculptural Florentine tradition championed by Michelangelo and Raphael; this alternative, eagerly taken up by Peter Paul Rubens, Diego Velázquez, Rembrandt, Eugène Delacroix, and the impressionists, is still vital today. |
| cgfa.dotsrc.org /titian/titian_bio.htm (1316 words) |
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