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| | MSN Encarta - Bernini, Gianlorenzo |
 | | Bernini's sculptural groups of the 1620s, however, such as the Abduction of Proserpina (1621-1622, Galleria Borghese, Rome) present the spectator with a single primary view while sacrificing none of the drama inherent in the scene. |
 | | From the 1620s also date Bernini's first architectural projects, the façade for the church of Santa Bibiana (1624-1626), Rome, and the creation of the magnificent baldachin (1624-1633), or altar canopy, over the high altar of St Peter's Basilica. |
 | | This project, a masterful feat of engineering, architecture, and sculpture, was the first of a number of monumental undertakings for St Peter's. |
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