1792 in art - Factbites

1792 in art - Factbites
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Topic: 1792 in art

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	John Linnell Online
		John Linnell at the National Gallery of Art, Washington D.C. Sailboats on Southampton River, 1819
		John Linnell at the Metropolitan Museum of Art, New York City
		All images and text on this John Linnell page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/linnell_john.html

	John Linnell Online
		All images and text on this John Linnell page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
		John Linnell at the National Gallery of Art, Washington D.C. Sailboats on Southampton River, 1819
		John Linnell at the Metropolitan Museum of Art, New York City
	www.artcyclopedia.com /artists/linnell_john.html (257 words)

	wikien.info: Main_Page
		Years: 1791 1792 1793- 1794- 1795 1796 1797 Decades: 1760s 1770s 1780s - 1790s - 1800s 1810s 1820s Centuries: 17th century - 18th century - 19th century 1794 in art 1794 in literature 1794 in music 1794 in rail transport 1794 in science List of state leaders in 1794 List of religious..
		Years: 1792 1793 1794- 1795- 1796 1797 1798 Decades: 1760s 1770s 1780s - 1790s - 1800s 1810s 1820s Centuries: 17th century - 18th century - 19th century 1795 in art 1795 in literature 1795 in music 1795 in science List of state leaders in 1795 List of religious leaders in 1795 C..
		Years: 1790 1791 1792 - 1793- 1794 1795 1796 Decades: 1760s 1770s 1780s - 1790s - 1800s 1810s 1820s Centuries: 17th century - 18th century - 19th century 1793 in art 1793 in literature 1793 in music 1793 in science List of state leaders in 1793 List of religious leaders in 1793 C..
	www.alanaditescili.net /browse.php?title=1/17/179 (2735 words)

	Sumerian and Babylonian art -> Babylonian Art on Encyclopedia.com 2002
		Babylonia was not to be reborn until Nebuchadnezzar divided the Assyrian lands with the Medes in 612 BC Under his rule the Babylonians developed to perfection one of their most striking arts: the great polychrome-glazed brick walls modeled in relief, the foremost example of which is the Ishtar gates of Babylon.
		A diorite head, wide-eyed, bearded, and hatted, found at Susa (1792-50 BC; Louvre), is generally taken to be a portrait of Hammurabi.
		BC, Babylonia under Hammurabi rose to power and dominated Mesopotamia.
	www.encyclopedia.com /html/section/sumerian_babylonianart.asp (703 words)

	John Linnell / The Storm (The Refuge) / 1853
		This image is one of over 118,000 from The Art Museum Image Consortium Library (The AMICO Library™), a growing online collection of high-quality, digital art images from 39 museums around the world.
		John Linnell / The Storm (The Refuge) / 1853
		Visit www.davidrumsey.com/amico for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amico@luna-img.com.
	www.davidrumsey.com /amico/amico662260-111891.html (703 words)

	John Linnell: View of Kensington Gardens: description Object Page Timeline of Art History The Metropolitan Museum of Art
		Linnell recorded this view at his most revolutionary moment: the period immediately following his move (in 1811) to an area of London surrounded by open fields, when he acquired a camera obscura, converted to a nonconformist Christian sect, and, influenced by William Paley's Natural Theology (1802), sought direct proof of God's creation in the landscape.
		For Linnell, the meticulous representation of nature became a moral imperative.
		To achieve it, he developed a distinctive technique, involving small touches of pure color, that anticipates the work of his protégé and son-in-law Samuel Palmer and, ultimately, the paintings of the Pre-Raphaelite Brotherhood.
	www.metmuseum.org /TOAH/hd/bwtr/hod_2000.238.htm (703 words)

	Linnell and Linnell (1994) Blake, Palmer, Linnell and Co.: The life of John Linnell
		Art, Victorian; Art, Modern; 19th century; Great Britain; Linnell, John; Blake, William; Palmer, Samuel; Influence
		Linnell and Linnell (1994) Blake, Palmer, Linnell and Co.: The life of John Linnell
		Blake, Palmer, Linnell and Co.: The life of John Linnell
	www.getcited.org /pub/100066518 (703 words)

	John Linnell: View of Kensington Gardens: enlarged view Object Page Timeline of Art History The Metropolitan Museum of Art
		John Linnell: View of Kensington Gardens: enlarged view
	www.metmuseum.org /TOAH/hd/bwtr/hob_2000.238.htm (703 words)

	John Linnell: View of Kensington Gardens (2000.238) Object Page Timeline of Art History The Metropolitan Museum of Art
		Linnell recorded this view at his most revolutionary moment: the period immediately following his move (in 1811) to an area of London surrounded by open fields, when he acquired a camera obscura, converted to a nonconformist Christian sect, and, influenced by William Paley's Natural Theology (1802), sought direct proof of God's creation in the landscape.
		For Linnell, the meticulous representation of nature became a moral imperative.
		To achieve it, he developed a distinctive technique, involving small touches of pure color, that anticipates the work of his protégé and son-in-law Samuel Palmer and, ultimately, the paintings of the Pre-Raphaelite Brotherhood.
	www.metmuseum.org /toah/hd/bwtr/hod_2000.238.htm (170 words)

	John Linnell [1792-1882] - Featured Artist Lot on Artfact.com
		Linnell's resort to Turner for the sky of this picture may have been partly the result of Turner's own choice of a Homeric subject for Ulysses deriding Polyphemus, shown at the Royal Academy in 1829 (London, National Gallery).
		The unusual subject (for Linnell) is the result of the commission from Joseph Gillott, the Birmingham pen-manufacturer and collector of contemporary British art, and in particular the works of J.M.W. Turner (another possible reason for the particularly Turnerian sky).
		The picture had the distinction of being selected for the remarkable Art Treasures exhibition held at Manchester in 1857, in which works by both contemporary artists and the Old Masters were displayed.
	www.artfact.com /features/artistLot.cfm?iid=xSNzr3a8 (689 words)

	Amazon.ca: John Linnell : A Centennial Exhibition, Fitzwilliam Museum, Cambridge and Yale Center for British Art: Books
		This book catalogues a centennial exhibition of Linnell's paintings and drawings held in 1982-3, first at the Fitzwilliam Museum, Cambridge, and then at the Yale Center for British Art, New Haven.
		She explains how at different stages in his career he fused his religious and artistic principles, producing latterly a popularly understood, morality landscape'.
		John Linnell : A Centennial Exhibition, Fitzwilliam Museum, Cambridge and Yale Center for British Art
	www.amazon.ca /exec/obidos/ASIN/0521289238 (398 words)

	Princeton - News - Nineteenth-Century British Art Featured at Art Museum
		The portrait, the most widespread genre of art in Britain since the Renaissance, forms a sub-theme of the exhibition, with examples by Sir Francis Grant (1803-1878), Sir George Hayter (1792-1871), and the Comte d'Orsay (1801-1852).
		History painting, still dominant in Europe during most of the nineteenth century, is represented by Abraham and Isaac by David Scott (1806-1849); Job and the Messengers by John Linnell (1792-1882); and Parable of the Lost Sheep by Atkinson Grimshaw (1836-1893).
		Charity, by John "Spanish" Phillip (1817-1867) also testifies to the British love of travel, showing beggars at the door of a church in the artist's beloved Spain.
	www.princeton.edu /pr/news/99/q4/1007-artmus.htm (789 words)

	John Linnell / Portrait of a Gentleman / 1846
		This image is one of over 118,000 from The Art Museum Image Consortium Library (The AMICO Library™), a growing online collection of high-quality, digital art images from 39 museums around the world.
		John Linnell / Portrait of a Gentleman / 1846
		Credit Line: The John De Laittre Memorial Collection, Gift of Mrs.
	www.davidrumsey.com /amico/amico6105293-99238.html (274 words)

	History of Art by H.W. Janson and Anthony F. Janson, 6/E Chapter 3 -- Instructor's Manual
		The Assyrian Empire came to an end in 612 BC when a coordinated effort of the Babylonians, the Medes (from northern Persia) and the Palestinians destroyed all the major cities of the Empire, including the royal city of Nineveh.
		After the Assyrian empire fell in 612 BC, the city of Babylon witnessed one final brief flowering between 612 and 539 BC, when it was conquered by the Persians.
		The administrative center of this empire was the palace of Assurnasirpal II at Nimrud.
	cwx.prenhall.com /bookbind/pubbooks/janson5/chapter3/custom3/deluxe-content.html (1060 words)

	John Linnell (1792-1882) - Wikipedia, the free encyclopedia
		John Linnell ( June 16, 1792 - January 20, 1882) was an English landscape painter.
		Linnell was a naturalist and a rival to John Constable.
		He had a taste for Northern European art of the Renaissance, particularly Albrecht DÃ¼rer.
	en.wikipedia.org /wiki/John_Linnell_(1792) (1060 words)

	Art 101 Lecture 6
		1792 - 1750 BC Upper part of stele inscribed with the Law Code of Hammurabi.
		1350 - 612 BC Fugitives Crossing River, from the Northwest Palace of Ashurnasirpal II, Nimrud (Calab), Iraq.
		1760 B.C. Diorite, height of stele approx, 7'; height of relief 28".
	www.msjc.edu /art/djohnson/art101/101lecture6.html (302 words)

	ITALIAN LANGUAGE AND LITERATURE
		The rise of a literature, both written and spoken, in the vernacular began in the 13th century; a period of great political and civil revival in the Italian cities and a lively renaissance in art and culture after the difficult centuries following barbarian domination.
		Italian culture and literature experienced a revival in the second half of the 18th century as a result of the spread of the ideals of the Enlightenment.
		The prose of the 14th century was characterized by an explosion of religious literature, primarily aimed at the education and religious instruction of the people.
	www.crs4.it /Letteratura/Misc/Storia.html (5711 words)

	CATHOLIC ENCYCLOPEDIA: Italian Literature
		To the Romanticists belongs the noblest figure in Italian literature of the nineteenth century, the great Catholic writer, Alessandro Manzoni (1785 1873), whose life was ruled and his art inspired, by religion and patriotism alone.
		Political considerations colour most of the literature of the middle of the century, whether it be the historical writings of Cesare Balbo (1789-1853), the satirical and patriotic poems of Giuseppe Giusti (1809-50), the revolutionary lyrics of Gabriele Rossetti (1783-1854), the tragedies of Giovanbattista Niccolini (1782-1861), or the once admired romances of Francesco Domenico Guerrazzi (1804-73).
		Also in religious literature we have the ascetical letters of B. Giovanni Dominici (died 1419), a strenuous opponent of the pagan tendencies of the classical revival, and the vernacular sermons (1427) of St. Bernardine of Siena.
	www.newadvent.org /cathen/08245a.htm (5894 words)

	Literature
		In the early Colonial period the struggle for existence precluded authorship as a conscious art and brought forth a pragmatic literature that described the new country for a curious English people, chronicled the daily life of the colonists, catalogued laws, and finally evolved into formal history.
		Literature sustained a loss in 18o8 when John Daly Burk, a gallant young Irishman, was killed in a duel ten years after his coming to Virginia.
		The Reconstruction literature of Virginia, however, which endured well into the twentieth century, was characterized by a nostalgia for the past and a romantic idealism that evaded facts.
	xroads.virginia.edu /~HYPER/VAGuide/literature.html (3892 words)

	Linnell The John Linnell Portrait Page. Last Update 3/14/2000. Visitors Since 18 November 2000. Literatur
		John Linnell [English Romantic Painter, 1792-1882] Guide to pictures of works by John Linnell in art museum sites and image archives worldwide.
		John Linnell Senior was a landscape and portrait painter.
		John Linnell has finally graced TMBG fans with a solo project, and it's a doozy.
	www.99hosted.com /names2931.html (3892 words)

	StrongBrains - Literature
		Literature is the art whose medium is language.
		Literature stylizes human experience by presenting characters and actions concretizing abstractions.
		This is the first work of literature to emphasize volition and personal values.
	www.strongbrains.com /art/literature (1018 words)

	John Linnell
		John Linnell was born in 1792 and died in 1882 and studied under John Varley.
		Original painting of farming life at harvest time in countryside landscape Reaping 1855 by artist John Linnell, showing farm hands cutting hay at harvest time.
		Produced as a giclee canvas print by art pictures.
	www.artpictures.co.uk /gisd2592.htm (1018 words)

	Fitzwilliam Museum
		Although the two men later fell out, Linnell was an important influence on Palmer early on in his career, and he was later to record in a notebook “… by the time I had practised for about five years I entirely lost all feeling for art … But it pleased God to send Mr.
		At least as significant and notable as Linnell’s own artistic work, however, were his activities as a patron and adviser to other artists.
		John Linnell, having studied at the Royal Academy Schools in London, prospered as a painter of portraits and landscapes.
	www-cm.fitzmuseum.cam.ac.uk /pharos/collection_pages/19th_pages/PD.22-1950/TXT_BR_PDC-PD.22-1950.html (1018 words)

	john_linnell
		pictures biography information gallery galleries John Linnell [English Romantic Painter, 1792-1882] Guide to pictures of works by John Linnell in art museum sites and image archives worldwide.
		artist, has kindly shared with readers of the Victorian Web his scanned text of The Life of John Linnell, published in London by Bentley and Son in 1892.
		They Might Be Giants John Linnell is one-half of They Might Be Giants, the quirky Brooklyn duo who have spread their offbeat pop mastery over almost two decades and grown up from nerd-rock outsiders to...
	john_linnell.networklive.org (1018 words)

	Amazon.co.uk: Books: John Linnell: A Centennial Exhibition, Fitzwilliam Museum, Cambridge and Yale Center for British Art (Fitzwilliam Museum Publications)
		This book catalogues a centennial exhibition of Linnell's paintings and drawings held in 1982-3, first at the Fitzwilliam Museum, Cambridge, and then at the Yale Center for British Art, New Haven.
		She explains how at different stages in his career he fused his religious and artistic principles, producing latterly a popularly understood, morality landscape'.
		John Linnell: A Centennial Exhibition, Fitzwilliam Museum, Cambridge and Yale Center for British Art (Fitzwilliam Museum Publications)
	www.amazon.co.uk /exec/obidos/ASIN/0521289238 (1018 words)

	result
		LINNELL, JOHN (1792-1882) A shepherd with his flock and harvesters in a Surrey landscape, 46.3cm x 60.9cm, o/c, s, dos.
		LINNELL, JOHN (1792-1882) Figures resting in a wooded landscape, 30cm x 43cm, o/p, s, d.
		LINNELL, JOHN (1792-1882) The rise of the river, 36.5cm x 52cm, o/c, s, d.1857, dos.
	www.antiquesbulletin.com /information/artprices/result.php?page=21&atoz=l (1018 words)

	Ruskin MP I Notes
		Born in London, son of a carver and gilder and general art dealer.
		Linnell's daughter Hannah married Samuel Palmer in 1837.
		Studied under John Varley with William Henry Hunt and William Mulready.
	www.lancs.ac.uk /users/ruskin/empi/notes/hlinnell01.htm (1018 words)

	Bolton Museums, Art gallery and Aquarium
		John Linnell was born in London, the son of a woodcarver and picture dealer and started copying paintings when he was eight years old.
		Linnell became a brilliant sketcher and painted in both watercolours and oils, but gave up portrait painting to concentrate on landscape painting in 1847.
		In this painting Linnell presents his vision of country life and nature - as an ideal and sentimental vision unrelated to the harsh realities of a rural existence in the mid-nineteenth century.
	www.boltonmuseums.org.uk /html/art_oil_linnell.asp (154 words)

	John Linnell (painter) - Wikipedia, the free encyclopedia
		John Linnell (June 16, 1792 - January 20, 1882) was an English landscape painter.
		Linnell was a naturalist and a rival to John Constable.
		He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer.
	en.wikipedia.org /wiki/John_Linnell_(1792) (101 words)

	International Civic Heraldry USA States KENTUCKY
		Literature : seal from http://www.heraldryclipart.com, the largest site with heraldic art
		The images above show the seals from 1792.
		The State has no proper arms but uses a seal.
	www.ngw.nl /int/usa/kentucky.htm (29 words)

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Topic: 1792 in art

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