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	Art
		Art Brut Art Brut is an informal Adolf Wolfli, Heinrich Anton Muller and Aloïse Corbaz.
		Art of murder The idea of the Art of Murder is an expression of the modern notion that esthetics, is amoral, that murder...
		Art Phipps Art Phipps is a Jackie McLean.
	www.brainyencyclopedia.com /topics/art.html (6747 words)

	History and Philosophy of Art Education
		Put more simply, art education can be seen as an economic necessity or, conversely, as a 'disinterested' study for its own sake contributing to the cultural well-being of individuals and collectively to the nation.
		Both Art and Art Education have their own 'public traditions', inheritance and community which can be seen and analysed from a sociologist's point of view as sub-cultures with powerful hierarchies, rewards and sanctions.
		All of these contradictory orientations are interwoven in and through the history of art and design education and have given rise to a wide variety of practices and conceptions of what the art curriculum is for.
	homepages.gold.ac.uk /arted/Advp/hist.html (865 words)

	Cincinnati Art Museum: Cincinnati Wing Virtual Tours (Site not responding. Last check: 2007-10-16)
		Traditions in visual arts are the result of artists passing their knowledge and skills to younger generations.
		In the nineteenth century, Cincinnati became a leading center for art education through the determined efforts of local artists and a number of organizations including the Art Academy of Cincinnati and the Cincinnati Art Museum.
		Art education in Cincinnati continues to influence the visual arts scene.
	www.cincinnatiartmuseum.com /cincywing/tour_education.shtml (506 words)

	Albert Bierstadt (Site not responding. Last check: 2007-10-16)
		Determining at an early age to become a painter, he returned to Düsseldorf in 1853 to study art at its famed academy, developing the grandiose style which characterized much of his later work.
		Based on sketches he made during one of his trips abroad, Storm on the Matterhorn was completed in 1886 in New York and amply demonstrates the artist's love of the sublime as well as the technical skill and imaginative power that so greatly appealed to the viewers of his day.
		Text and image are the property of Joslyn Art Museum and may not be reproduced without written permission from Joslyn Art Museum.
	www.joslyn.org /permcol/american/pages/bierstad.html (242 words)

	SparkNotes: Vincent van Gogh: The Art Business (1872–1876)
		Vincent worked in the art trade with Goupil and Company for six and a half years in total, although we only have documentation of about four of those years.
		Soon afterward, in 1873, Vincent was transferred to London on a promotion, stopping in Paris to visit the art museums there, and Theo took his brother's position in The Hague offices of Goupil.
		His interest in art history and literature (particularly Shakespeare) grew, and his informal education led to the formation of rudimentary opinions about the role and value of art.
	www.sparknotes.com /biography/vangogh/section2.rhtml (717 words)

	Glasgow School of Art
		In the same year Art 91D classes for day school teachers commenced which were later known as the Art 55 classes.
		For the new diploma design classes were to be taught at the School of Art and the construction classes at the Glasgow and West of Scotland Technical College.
		In 1924 the Glasgow School of Art became a university teaching institution when the University of Glasgow set up a BSc in Architecture which was to be taught at the School of Architecture.
	epona.lib.ed.ac.uk:1822 /isaar/C0746.html (889 words)

	Edmund Henry Garrett, (1853-1929) - Lawrence J. Cantor and Company
		Edmund Henry Garrett was born in Albany, New York on October 19,1853 and died in Nedham, Mass.
		There is no reference to his initial art education, which for a young artist, in the United States, was limited.
		Garrett was a member of the Boston Art Club, which started in 1840, and the Copley Society.
	fineoldart.com /browse_by_essay.html?essay=277 (305 words)

	artnet.com Magazine News - artnet.com Magazine News - new this month in u.s. museums
		Tour: The show originated at the Museum of American Folk Art and is scheduled to appeared at the High Museum of Art, Atlanta, (Nov. 20, 1999-Feb. 26, 2000) and the African American Museum in Dallas, (Mar. 18-May 14, 2000).
		The summer season kicks off with the exhibitions "0044," "Animal.Anima.Animus," "Anna Oppermann: Being different (Why is she so different?) 1970-1986," "David Reed: Motion Pictures" and a project by Claude Leveque; an outdoor DJ showcase every Saturday from 4 to 9 starting July 10; and a film and performance series alternating Thursdays beginning July 23.
		Tour: The exhibition originated at the Whitney Museum of American Art, traveled to the Los Angeles County Museum of Art, and goes to the Art Institute of Chicago (Oct. 16, 1999-Jan. 9, 2000).
	www.artnet.com /magazine_pre2000/news/warrobinson/warrobinson6-3-99.asp (1793 words)

	Nineteenth-Century Art Worldwide: Spring 2002 (Site not responding. Last check: 2007-10-16)
		The "Art Union" was a nineteenth-century institution of art patronage organized on the principle of joint association by which the revenue from small individual annual membership fees was spent (after operating costs) on contemporary art, which was then redistributed among the membership by lot.
		On the charge that AUL prints were taken from inferior art, the records show that of the thirty-four prints (and sets) offered between 1838 and 1859, eighteen were from paintings by academicians, eighteen were historical subjects, six were landscapes (including one by Turner in 1858), and nine were genre images (including two by Frith).
		The AUL was dedicated to an idealistic radical reform of the London art world and the agency of its middle-class subscribers in it yet, ironically, it had little impact on the London art world.
	www.19thc-artworldwide.org /spring_02/articles/sper.html (8135 words)

	Backward Glance
		Blanchard Gummo '25, professor of art from 1932-74 and a recognized regional artist, researched the tradition of art at Bucknell in 1944.
		Willard Smith was hired as a professor of English, and he nurtured the growth of theatre arts through Cap and Dagger, which became coed in 1931.
		For alumni interested in the arts, Bucknell affords the privilege of returning and savoring one's place in the past.
	www.departments.bucknell.edu /communications/BucknellWorld/1996-9/glance.html (1342 words)

	SparkNotes: Vincent van Gogh: Family and Childhood (1853–1871)
		Vincent Willem van Gogh was born on March 30, 1853, in the town of Groot- Zundert in Brabant, a region of The Netherlands close to the Belgian border.
		The Tilburg school had a well- respected art teacher, but Vincent showed no inclination toward art as a child, and his eccentricities did not manifest themselves in a particularly creative or artistic manner.
		Any creative potential was apparently completed sublimated or not yet developed–a few of his early drawings survive, and although they show a modest talent for realistic rendering and copying the works of others, they are in no way outstanding or unusual for a child of his age.
	www.sparknotes.com /biography/vangogh/section1.html (530 words)

	1853 in art Definition / 1853 in art Research
		[click for more], 1854 in art, list of years in art.
		March 30 - Vincent van GoghVincent Willem van Gogh (March 30, 1853 - July 29, 1890) was a Dutch painter, generally considered one of the greatest painters in European art history.
		He produced all of his work (some 900 paintings and 1100 drawings) during a period of only 10 years before he succumbed to mental illness (possibly bipolar disorder) and committed suicide.
	www.elresearch.com /1853_in_art (144 words)

	emfarrell home page (Site not responding. Last check: 2007-10-16)
		This new publication by the Textile Museum in Washington, D.C., complements a current exhibit at the museum exploring the use and meaning of the kimono in America, but the volume is more than an exhibition catalogue.
		The first section, "The Kimono in American Art and Fashion, 1853-1996", includes an essay by Nancy A. Corwin, curator of European and American Decorative Arts at the Spencer Museum of Art, University of Kansas, on Japonisme in U.S. culture.
		The importance of collectors of Japanese artifacts, such as Frank Lloyd Wright, as well as the influence of Orientalism on the Arts and Crafts and Dress Reforms movements, fashion designers including Paul Poiret and others, and the incorporation of the kimono into Western theater and dance, are all covered, with accompanying illustrations.
	home.earthlink.net /~emfarrell/kimono.html (372 words)

	ARC :: Howard Pyle (1853-1911) :: Page 1 of 1
		He was a pupil of the Art Students League, New York, and first attracted attention by his line drawings after the manner of Albrecht Dürer.
		His brilliant work as an illustrator made him one of the foremost of American artists, his drawings to illustrate American colonial life, particularly in New England and New Amsterdam, being especially noteworthy; and he published a number of books of fiction, written and illustrated by himself.
		At his home in Wilmington, Delaware, he established a school of art, instruction being gratuitous, and many successful American illustrators were educated there.
	www.artrenewal.org /asp/database/art.asp?aid=2723&order=s (322 words)

	Index: Art History - Bowles
		Art: Michelangelo, The Madonna and Child with Saint John and Angels ('The Manchester Madonna"), unfinished.
		The art examples fabrics and other commonly available materials may be used to create exciting new art.
		Arts Journal, The Daily Digest of Arts & Cultural Journalism.
	www.members.aol.com /GRBowles/art-hist/west-index.html (2048 words)

	Ferdinand Hodler Online
		Ferdinand Hodler at the Detroit Institute of Arts, Michigan
		Ferdinand Hodler in the Los Angeles County Museum of Art Database
		Fin de Siècle: Symbolist Art from the Age of Decadence
	www.artcyclopedia.com /artists/hodler_ferdinand.html (187 words)

	ARC :: Sir Frank Francis Bernard Dicksee (1853-1928) :: Page 1 of 2
		Born in London on November 27 1853, he was trained at the Royal Academy Schools, where he won gold and silver medals, and exhibited his first picture in 1876.
		Less than a month ago, in opening the Guildford Exhibition, he deplored what he called the cult of ugliness, and said that art should be retained on sound and wholesome lines in two ways, by knowledge and by the exercise of the feeling of sincerity.
		The determined stand for what he saw as sanity in art was made the keynote of the occasion when in 1926, he was nominated by the new Chancellor of Oxford University, the late Lord Cave, for the honorary degree of DCL.
	www.artrenewal.org /asp/database/museum_template.asp?artist=29 (1808 words)

	artists illustrating boys fashions: Vasily Perov
		Vasily Perov was educated in the provincial Arzamass School of Art.
		In 1886 Vasily Perov was awarded the title of member of the Petersburg Academy of Arts.
		The School was run by Alexander Stupin (1776-1862), a classicist painter whose School was the first such provincial art school in Russia where atistic life was centered on St. nPetersburg and to a lesser extent Moscow.
	histclo.hispeed.com /art/ind/art-perov.html (1197 words)

	The Modern Use of Victorian Periodical Art Criticism
		In addition to giving an idea of what the Victorian public read about the arts, these periodical writings indicate broad trends that affect the taste of artist and audience alike.
		Brook's The Awakened Conscience, in which a family of tramps remorsefully look at a young child saying his prayers, was noticed by the Art-Joural, 15 (1853), 150, and both noticed and engraved by the Illustrated London News, 22 (1853): 388-89.
		Thus, after praising Poynter's version of the prodigal son theme, the reviewer remarks that William Gale and W. Poole exhibited similar subjects the same year; and turning to the notices of the 1861 exhibition we discover ourselves that J. Horsley had painted a well-received painting on the same theme.
	www.victorianweb.org /victorian/authors/ruskin/finearts/criticism6.html (735 words)

	AIM25: Royal College of Art: ROYAL COLLEGE OF ART ARCHIVES
		In 1853 the School moved to South Kensington where it became the much enlarged National Art Training School, part of the development of the area by the Royal Commission for the Exhibition of 1851.
		The title Royal College of Art was conferred in 1896 with the emphasis on art and design practice.
		Royal Commission for the Exhibition of 1851 Archive: Kensington Gore and the Royal College of Art correspondence, plans, leases and leaflets, 1832-1987, also Commissioners' Reports on RCA Court, 1966-1979; South Kensington Redevelopment Scheme, 1933-1972, including expansion of RCA, 1961-1966; Board of Management records relating to schemes to establish computer-aided design courses at RCA, 1979-1990.
	www.aim25.ac.uk /cats/40/3057.htm (440 words)

	1853 Folk Art of Chickens in Frame
		Description: These are wonderful orginial old Folk Art hand colored chromatic prints dated 1853 by artist Harrison Weir.
		The rooster print is signed Harrison Weir Dee 1853.
		While the other is signed Harrison Weir 1853.
	www.antiqnet.com /detail,1853-folk-art,621514.html (105 words)

	Vincent Van Gogh: 1853-1890 (Big Art Series) (Site not responding. Last check: 2007-10-16)
		This flows smoothly, perhaps because Van Gogh put so much of himself into his art: his moods are clear from what he depicted and how he depicted it.
		Once he turns to art, he is almost immediately remarkably capable.
		Well,now that you know my opinion, order this book if you are tight with money; other wise you may consider the complete painting if the quality of the picture and the text is as good as this book.
	www.textkit.com /0_3822872253.html (525 words)

	ARC :: Edmund Blair Leighton (1853-1922) :: Page 1 of 2
		Edmund Blair Leighton was born on the 21st September 1853, the son of the artist Charles Blair Leighton.
		Leighton was, as might be expected from his historic genre paintings a collector of old musical instruments, art, and furniture.
		Mr Blair Leighton was born in London, on September 1st 1853, his father being that Charles Blair Leighton, portrait and subject painter, whose exhibits at the Royal Academy and other London galleries covered the period between 1843 and 1855.
	www.artrenewal.org /asp/database/art.asp?aid=844 (736 words)

	Reciprocal Partners Directory
		To present and sell their original authentic art works to worldwide art collectors, art lovers or dealers etc. Our aim is to provide solely original pieces.
		• artarchiv.net - artarchiv is a network for artists,Â galleries and institutions, a marketplace for original contempory art, targeting the community of art enthusiasts, educators, students, collectors and investors.
		• CurtisGraphics Fine Art Prints - Each print is signed, numbered and has the CurtisGraphics seal printed on it to distinguish it from pirated prints of inferior quality and accompanied by a letter of authenticity.
	4cellular.info /partners/Art-11.html (696 words)

	Amazon.ca: Books: Masters of Art: Van Gogh (Site not responding. Last check: 2007-10-16)
		The more expert art historian might prefer van Gogh's drawings, of which approximately 20 are reproduced here in fl and white.
		I received this Vincent Van Gogh art book as a gift over 10 years ago and I think it's a wonderful book with some great pictures of Van Gogh's art and I think This book is very well put together.
		I don't have the edition the previous reviewer had because the pages in my book are like the pages in any other hardcover art book and do not fold out but it sounds like an interesting edition.
	www.amazon.ca /exec/obidos/ASIN/0810917335 (447 words)

	ArtLex on English Art
		Needlework Framed Picture, third quarter of the 17th century, silk on canvas, 13 x 20 1/2 inches (33 x 52.1 cm), Metropolitan Museum of Art, NY.
		Palm House at Kew Gardens, London, England, 1844-48, a greenhouse of glass and iron for the Royal Botanic Gardens, length 363 feet, width 100 feet, height 66 feet.
		See feminism and feminist art, menhir, and negative space.
	www.artlex.com /ArtLex/e/english.html (1149 words)

	Secrets of the Dark Chamber: 19th C. Texts on the Daguerreotype
		The daguerreotype was a dual product of science and art, and the role of science—chemistry and optics—in its history cannot be underestimated.
		John Ross Dix, from Amusing and Thrilling Adventures of a California Artist While Daguerreotyping a Continent Amid Burning Deserts, Savages, and Perpetual Snows, And a Poetical Companion to the Pantoscope of California, Nebraska and Kansas, Salt Lake and the Mormons.
		Learn about the transitions of a country and this new art form.
	americanart.si.edu /Helios/secrets/secrets_secretstoc.html (675 words)

	John Twachtman: An American Impressionist - High Museum of Art - Absolutearts.com
		Twachtman's house and garden and the distinctive features of his property-a brook, a pool, a bridge and a cascade-provide the subject matter for many of his paintings.
		Prior to coming to Atlanta, the exhibition was presented at the Cincinnati Art Museum in the summer of 1999 and at the Pennsylvania Academy of the Fine Arts in Philadelphia in the fall of 1999.
		The exhibition was selected by Judy L. Larson, now Executive Director of the Art Museum of Western Virginia.
	www.absolutearts.com /cgi-bin/news/elaborate.cgi?find=1245 (499 words)

	William Trost Richards (Site not responding. Last check: 2007-10-16)
		William Trost Richards was a member of the PAFA (1853); Association of Advanced Truth in Art (1868); Royal Academy, London; National Academy (1871, honorary) and the American Watercolor Society.
		A year later a storm at sea caught the painter’s attention and he began to study the structure of waves and how weather effects the sea and shore.
		In the late 1860s two notable art collectors gravitated to William Trost Richards’s work: the Reverend Elias Lyman Magoon, who in 1864 sold his collection to Matthew Vassar for the newly constructed Vassar College Art Gallery and George Whitney, who gave Richards financial security.
	www.shannons.com /williamtrostrichards.htm (834 words)

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