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| | Brass Quintets |
 | | The finale, marked 'con brio', is a hilarious mini-rondo that jumbles together jazz and the music hall, and always manages to snatch its little march tune from the jaws of chaos. |
 | | The chamber music of Robert Schumann, the German Romantic composer most admired by progressive Russians of that era, is the model for this piece's vigorous counterpoint, volatile moods, lyricism, and classic form. |
 | | The carefree Paris of the 1920s, of Stravinsky and Les Six, gave Bozza all the melodiousness and wit he needed to fashion music that was both sparkling, idiomatic for the instruments, and challenging to the player. |
| www.marco-paulo.com /CD-CenterCity.htm (1177 words) |
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