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Topic: 1910 in film


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In the News (Sun 18 Aug 19)

  
  Danish Film   (Site not responding. Last check: 2007-10-13)
Nordisk film was often noted for its dramtic style of acting and Nielsen's versatility was especially shown from film to film, her portraying a different character with each new role.
In its use of interiors, the film appropriates private spaces into the public sphere, Dreyer later remarking that mise en scene could be used in the presentation of character, that the surroundings in which the character was shown could deepen the viewer's knowledge of and relation to the character during exposition.
Filming at Film Fyn was ushered in with Henning Carlsen's Fly Birdie Fly and The Sun King (Solkongan), a film by Thomas Villum Jensen.
scottlord.aaawebpage.com /danishfilm.html   (2387 words)

  
 Timeline of Influential Milestones and Turning Points in Film History
Herein is a detailed timeline of the key film milestones, important turning points, and significant historical dates or events (organized by decade) that have had a significant influence on the world body of cinema and shaped its development.
The rare and restored German film Night and Ice (aka In Nacht und Eis) was one of the earliest disaster films.
D.W. Griffith's expensive follow-up film to The Birth of a Nation (1915) was the monumental historical and dramatic epic Intolerance, told with parallel cross-cutting between its four stories, symbolically linked by the image of Lillian Gish rocking a child.
www.filmsite.org /milestones1910s.html   (2098 words)

  
 Exhibition - Moving Images / Professional Film
The 35-mm film introduced by Edison with double-sided four-hole perforation became the standard film material for the professional producer.
The camera exposes three films at the same time; these are combined in a special printing process to make the final copy.
Films on the lives and work of the Berlin pioneers Max Skladanowsky and Oskar Messter and also excerpts from production techniques of 1946 give an impression of the film industry of the past.
www.dtmb.de /Rundgang/Filmtechnik/txt_eng/body3.html   (283 words)

  
 The Making of an American Citizen   (Site not responding. Last check: 2007-10-13)
The husband is domineering and uncouth, the wife long-suffering and explicitly associated with a beast of burden.
The film models a chivalrous society in which leadership is wholly invested in alpha males, their "yeoman" counterparts, and institutions such as the court and the prison.
Since a woman directed the film, we might speculate that the film models a fantasy of revenge against bullying men, which preempts any imaginative identification with the low-status males.
faculty.washington.edu /nelgee/newsletter/2004/0800/farrellfilm.htm   (556 words)

  
 The Silent Western
These films were simple in content, focusing on everyday events like a baby crying, trolley cars moving, or a tree branch swaying in the wind: they simply capitalized on the sense of novelty the public felt when they saw pictures which could move.
In the first part of the film, the viewer is watching footage shot from the front of a moving train, in the manner of earlier actuality and travelogue films.
The power of film was not lost on the scores of journalists, intellectuals, social workers, clergymen, and filmmakers who hailed the medium as a new "universal language." Film fused with millenialist thought as some made the claim that film would restore man to a position he had not known since before the Tower of Babel.
xroads.virginia.edu /~HYPER/HNS/Westfilm/movie.htm   (1999 words)

  
 1910 Thanhouser Film Homepage   (Site not responding. Last check: 2007-10-13)
Although the notice begins by noting that Stowe's story is "too well known to require much description," it luckily goes on to describe the film in some detail -- revealing in the process how much freedom adapters had to vary this well known story.
For example, the script follows an idea that first showed up in some of the theatrical "Tom Shows," bringing Simon LeGree (as the article calls Legree) into the story from the start; it is from LeGree, not Haley, that Eliza escapes carrying Harry.
George Harris and Cassy might have been left out entirely, but this is the only film version that included Senator and Mrs.
jefferson.village.virginia.edu /utc/onstage/films/thanhouserhp.html   (207 words)

  
 MOTION PICTURE FILM, 1910-83, 6,631 reels   (Site not responding. Last check: 2007-10-13)
Films of John F. Kennedy, his family, and others, produced by, and donated to the library by newsreel companies, filmmakers, and individuals.
Films of political speeches, rallies, campaign spot ads, and other footage from state and national campaigns, such as Stevenson-Eisenhower, 1956, as recorded or collected by the Democratic and Republican National Committees.
Films by White House staff cameramen of President Kennedy's official activities, ceremonies at the White House, trips, vacations, and leisure time activities with family and friends.
www.cs.umb.edu /~serl/jfk/ORIG/motionpic.html   (356 words)

  
 Northwest Film Projects / Clearview Productions
The film, which was financed primarily by private investors, grew out of a film production class taught by Devlin at Centralia Community College.
The film’s cast and crew is composed largely of amateurs, and, Devlin said, the project has been a learning experience for all involved.
If the film does well, they will receive royalties, otherwise they’ll be paid minimum wage for their work.
www.northwestfilm.com /olympiannov1499.htm   (853 words)

  
 Birt Acres 1854 - 1918, film pioneer
A portion of this early film is in the Museum of Modern Art in New York.
Acres made trips to Hamburg, Kiel and Berlin where he filmed the opening ceremony, which was performed by the Kaiser; a review of the troops; later on a visit to Berlin, a charge of German Lancers and finally, the Kaiser leading a procession through the streets of Berlin.
In January 1896, almost at the same time as the Lumieres gave their first film show in London, he gave a public show before a meeting of the Royal Photographic Society, of which he was a member.
members.chello.nl /a.wichmann2/acres/acrestotal.htm   (1736 words)

  
 Subjectivity Lecture
This effect was noted and articulated by Soviet director and film theoretician Lev (Leo) Kuleshov, who was appointed head of the newsreel section at the Moscow film studios early in the post-revolutionary period.
Films (militant documentary directors) who have the desire or the will to influence the course of events or that motivate the spectators to become more conscious or active in their social lives.
This identification (diegetic secondary identification) identification with the represented Identifying with a character in a fiction film Due to the spectator’s ability to identify with the subject of vision.
www.csus.edu /indiv/s/starkj/subjectivity.html   (1295 words)

  
 Film Studies   (Site not responding. Last check: 2007-10-13)
OFCS is the professional association for film journalists, scholars and historians who publish their reviews, interviews and essays exclusively or primarily in the online media.
Begun in 1974, The Film Music Society is concerned with the survival and preservation of film music manuscripts and related materials.
The NFPB was established by the National Film Preservation Act of 1996 to ensure the survival, conservation and increased public availability of America's film heritage, and to this end, one if its functions is to advise on the annual selection of films to the National Film Registry.
www.gwu.edu /gelman/guides/arts/filmstudies.html   (3335 words)

  
 1910s
(film) 1910- Boston bans films in schools because of the risk of fire.
(film) 1910- A distinction between theatrical and non theatrical films begins to be made.
(film) 1914: The Educational Motion Pictures Bureau, Inc. (a company, not a government agency, despite its name) is formed; it is the first production company to issue syllabi to accompany its films.
www.arches.uga.edu /~mlmiller/timeline/1910s.html   (371 words)

  
 Arthurian Film
Donner's film, which was shelved by the studio for several years before being dumped for television release, is one of the silliest films ever made about the Arthurian legend.
The charges leveled against the film are generally that the lead roles were miscast, that the direction was ponderous, and that, at nearly three hours, the film was too long.
Clearly, Zucker intends his film to be an Arthuriad for the 1990s, but the film fails to capture the spirit of the original legend or to make a case for its contemporary translation of the oft-told story of the Arthur-Lancelot-Guinevere love triangle.
www.lib.rochester.edu /camelot/acpbibs/harty.htm   (11005 words)

  
 1910 Vitagraph Film Homepage
George Harris does not appear and the northern movement toward freedom in Canada is almost entirely omitted; it ends with Eliza crossing the ice, shown in reel 1.
Only one print of the 1910 Vitagraph version seems to have survived: designed for European distribution, its titles are in Danish, and it is in The National Film and Television Archive, in London.
The version available in the archive through the link at left is digitized from a re-release of the film by another company (the Empire Safety Film Company) in the late 1920s, around the time of Universal's big budget Uncle Tom.
jefferson.village.virginia.edu /utc/onstage/films/mv10hp1.html   (364 words)

  
 1910 in film - Wikipedia, the free encyclopedia
The newsreel footage of the funeral of King Edward VII of the United Kingdom is shot in Kinemacolor, making it the first color newsreel.
A Danish documentary film, Den Hvide Slavehandel, marks the first time film is used to study prostitution.
Kalem Studios director Sidney Olcott becomes the first American to make a motion picture outside of the United States.
en.wikipedia.org /wiki/1910_in_film   (120 words)

  
 1910 in film
See also: 1909 in film, other events of 1910, 1911 in film, list of 'years in film'.
A Danish documentary film, Den Hvide Slavehandel[?], is the first time film is used to study prostitution.
The text of this article is licensed under the GFDL.
www.ebroadcast.com.au /lookup/encyclopedia/19/1910_in_film.html   (133 words)

  
 1910 film of Snow White found in Britain - PittsburghLIVE.com
A forgotten 1910 film of "Snow White" and other old films have been saved in Britain after being earmarked for destruction.
The film footage was found by the staff of London's Huntley Archive, stored in aircraft hangars in the south of England.
The 1910 French film adaptation of Snow White, entitled "The Little Snow White," is color tinted and has been described as lavish as the Walt Disney animated version made in 1937 -- except the seven dwarfs are played by children with makeshift beards.
www.pittsburghlive.com /x/tribune-review/entertainment/s_320123.html   (181 words)

  
 InfoDome - Subject Guide for Film Resources
Containing over 200,000 films and television programs, and 27 million feet of newsreel footage, this is the largest university-held moving image archive in the world.
Film reviews are not included, but articles devoted to extended analysis of one or two films are included and organized alphabetically by title.
Features the "100 greatest films of all time;" another 100; essays about film history by decade and genre; reproductions of vintage film posters; memorable roles, scenes, lines, and images; and additional resources.
infodome.sdsu.edu /research/guides/film.shtml   (2971 words)

  
 Home
The film was released in 1953 with very limited distribution.
This 1910 film was once thought to be lost forever and turned to dust.
During the course of the film, we witness a
www.elusivedvd.com   (436 words)

  
 Images - In Focus
The emergence of the star system--the highlighting of individual film players--from the successful battle (1908-15) of the independent producers against the Edison-led monopoly, the MPPC (the Motion Picture Patents Company), soon resulted in the the even more inclusive structure of control that was the studio system.
The creation of fan materials, and particularly fan magazines, which started around 1910 and rose to a flood by the 1920s, typically blurred the distinction between individual/actor and the characters he or she played, between the real person and the "reel" person.
The use of "star presence," starting in the mid-1910s, as a major device for selling films to theater owners and to the public both restricted the individuality of the stars once their persona was fixed and allowed, through practices like block booking, studio heads to exploit stars beyond the films in which they actually appeared.
www.imagesjournal.com /issue03/infocus.htm   (391 words)

  
 Digital Collection - Edge of Settlement
This promotional picture was from the 1910 silent film, "Ononko's Vow," which was filmed in Deerfield by Edison Films, one of the largest makers of movies at the time.
For five days in March, 1910, a film company came from New Jersey, the company's headquarters, to Deerfield, something that attracted crowds of spectators.
In this scene, Ononko, the son of an Indian who saved a Deerfield man during the Bloody Brook battle of 1675, follows through on his father's vow by saving the son of that man. He has led him and his young wife to the "edge of settlement" - back to Deerfield - and to safety.
www.memorialhall.mass.edu /collection/itempage.jsp?itemid=15743   (136 words)

  
 Using Vintage Ansco Roll Film Cameras   (Site not responding. Last check: 2007-10-13)
This is because that film was made for a variety of Ansco cameras.
They don't sell film, but see their Film page for links to sources of regular-8 and super-8 movie film.
These rolls are shown in the table with a slash between the film numbers and number of exposures.
www.vintagephoto.tv /anscofilmtable.shtml   (1289 words)

  
 Generations - Person Page 10
Veronica was enumerated in the 27 April 1910 census with her parents at 508 W. 45th Place, Chicago, Cook County, Illinois.
Loretta was enumerated in the 27 April 1910 census with her parents at 508 W. 45th Place, Chicago, Cook County, Illinois.
Catherine was enumerated in the 27 April 1910 census with her parents at 508 W. 45th Place, Chicago, Cook County, Illinois.
members.cox.net /irish.roots/p10.htm   (3614 words)

  
 KODAK: Chronology of Motion Picture Films - 1889 to 1939
The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
The availability of this flexible film made possible the development of Thomas Edison's motion picture camera in 1891.
KODACHROME Film was introduced and became the first commercially successful amateur color film initially in 16 mm for motion pictures.
www.kodak.com /US/en/motion/about/chrono1.shtml   (606 words)

  
 Fort Lee Film Commission  |  Fort Lee, NJ
The Cliffhanger Film Festivals are an annual series of spring and fall film festivals, celebrating Fort Lee’s role as birthplace of the motion picture industry.
Sally Dumaux, King Baggot biographer, assisted the UCLA film archive in obtaining funds for the restoration of this film.
Fort Lee Film Commission liaison Tom Meyers has been invited to the Universal archive in Los Angeles to view their archive of historic photos and research additional information on Fort Lee’s role in the history of the oldest and largest studio in operation today.
www.fortleefilm.org /work.html   (1003 words)

  
 LA Weekly: Film: Akira Kurosawa - 1910-1918
Those present knew he wasn't being clever; the applause accorded his words expressed a recognition that he was speaking the plain truth.
Born in 1910 into a samurai family, schooled as a visual artist, thrust by a propitious career twist into the Toho film studios of the 1930s, he worked his way up from horse handler to film editor to screenwriter.
In celebrating Kurosawa's life, one remembers not film, but moments, so indelibly stamped that they're not "cinematic" at all but have the character of memories: The droplets of rain, flying from the feathered arrows of The Seven Samurai as they battle thieves in the middle of a monsoon.
www.laweekly.com /ink/98/42/film-feeney.php   (1366 words)

  
 Frankenstein Films   (Site not responding. Last check: 2007-10-13)
When Nazis steal Frankenstein's heart during World War II and transport it to Japan, the heart somehow ends up in the body of a young boy who then transforms into a Godzilla-sized version of the Frankenstein monster and demolishes Tokyo.
Silliness reigns, but the film also reflects Japanese bitterness about the atomic bombing of Hiroshima, fears about the results of human use of technology, and residual feelings of cultural inadequacy and fantasies of conquest that remain after Japan’s WWII defeat.
Some film historians claim that in such movies, robots are modern versions of the Frankenstein monster.
www.olemiss.edu /courses/engl205/frankenfilm.html   (954 words)

  
 Kino Film: A Christmas Past
Evoking the Victorian charm of Currier and Ives prints, these picturesque comedies and tender dramas were produced as cinematic Christmas cards offered to moviegoers of the silent era
Included in this collection of archival rarities, most of which were produced at Thomas Edison's studios, are the 1910 version of Dickens's immortal A Christmas Carol, a heartwarming melodrama by D. Griffith (A Trap For Santa), as well as the first screen version of Clement Moore's 1822 poem "'Twas the Night Before Christmas."
These films have been digitally mastered from original 35mm elements and are accompanied by a wistful new score by Al Kryszak -- performed by a variety of instruments including harp, violin, and Christmas handbells -- which beautifully enhances the delicate shadings of each of these rare and fascinating treasures.
www.kino.com /video/item.php?film_id=632   (205 words)

  
 Film/Classic: The Wizard of Oz   (Site not responding. Last check: 2007-10-13)
Then, it was made into a silent film in 1910 (as the short film The Wonderful Wizard of Oz with 9 year old Bebe Daniels as Dorothy), again in 1921, and in 1925 (with comedian Oliver Hardy of Laurel and Hardy fame portraying the Tin Woodsman).
Many of the film's characters played two roles - one in Kansas and their counterparts in the Land of Oz, the locale of the young hero's troubled dreams.
The scenes in bleak Kansas were shot in drab sepia tone, with brilliant, vibrant, 3-strip Technicolor used for the fantasy scenes in the journey to Oz.
www.thecityreview.com /oz.html   (3362 words)

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