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| | Encyclopedia of the Documentary Film |
 | | These early genres of documentary film were quickly assimilated into existing modes of popular culture and entertainment, and initially appeared in venues which used other, non-filmic, forms of performance, such as acrobatics, song, and dance. |
 | | This potential was not lost on early film theorists, who soon began to see documentary film as the principal means through which a genuine form of film art could be created, against the background of the accelerating domination of the medium by the mass-produced Hollywood feature film. |
 | | However, from the 1970s onward, documentary film theory tended to adopt the concerns and intellectual orientations of theorists within the semiotic, structuralist, post-structuralist and postmodernist camps of film theory. |
| www.routledge-ny.com /ref/documentary/introduction.html (2529 words) |
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