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| | Amazon.com: The Visible Word: Experimental Typography and Modern Art, 1909-1923: Books: Johanna Drucker (Site not responding. Last check: 2007-10-13) |
 | | She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. |
 | | Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. |
 | | modern art practice, typographic manipulation, typographic experimentation, typographic work, experimental typography, typographic practice, absent signified, typographic experiments, signified value, typographic form, acoustic image, visual manipulation, signifying activity, linguistic value, modernist criticism |
| www.amazon.com /Visible-Word-Experimental-Typography-1909-1923/dp/0226165027 (1333 words) |
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