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Topic: 1930s in film


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In the News (Thu 20 Nov 08)

  
  The Jagiellonian University Film Studies - Alicja Helman, "Polish Film Theory"
In contrast to their Silesian colleagues, the authors of Film i kontekst refer to the very matter of film, analyzing motifs characteristic of cinema in a series of analyses.The authors` basic intention was to locate the filmic motifs within general tradition and to reveal the mechanisms of cultural transformations.
She is convinced that the complexity of the object of film study must be reflected in the complexity of the system of the studies as such.
Treating film mythology as a form of social mythology, Marszalek stresses the coexistence of film myths with stereotypes which together contribute (by means of conceptual collocations and standard symbolic representations) to the emergence of synthetic images, unique ready-made forms which facilitate the identification of reality.
info-poland.buffalo.edu /uj/ujfilm/Film1.htm   (9594 words)

  
 KSR4: Henson - Iris Barry: American Film Archive Pioneer   (Site not responding. Last check: 2007-11-06)
Until the mid 1930s, however, film was not acknowledged as an art form and was considered expendable after its commercial value was exhausted, a situation that resulted in the irrevocable loss of many films and enormous gaps in America's film heritage.
Iris Barry's legacy to American film archives is pervasive in that she was able to remedy the failure of film producers, government, and the public to recognize the significance of preserving motion pictures, and to elevate film to the status of art, thus ensuring that film is available for study in perpetuity.
Film historian Richard Griffith comments that in a study Barry made of D.W. Griffith's early films made between 1908-1913, she ascertained that the director "had in 4 short years discovered and laid down all the basic principles of the cinema" (Barry, 1965/1940, p.
alexia.lis.uiuc.edu /review/winter1997/henson.html   (3844 words)

  
 List of years in film - Wikipedia, the free encyclopedia   (Site not responding. Last check: 2007-11-06)
The first great epic of American film, The Birth of a Nation is produced by D. Griffith.
1925 - Lon Chaney's greatest film, The Phantom of the Opera is released by Universal with colour sequences.
Science fiction films such as Star Wars, Episode I - The Phantom Menace and The Matrix are released.
www.leessummit.us /project/wikipedia/index.php/List_of_years_in_film   (1195 words)

  
 New Statesman: Silent witness: since the 1930s, documentary film-making has been a powerful platform for political ...   (Site not responding. Last check: 2007-11-06)
These films, never before shown in a cinema, are being screened together at the National Film Theatre under the title "In Fact: what the newsreel de not show (film and video activism 1930-2003)".
When socialist film societies in the 1920s applied to municipal boroughs for permission to show Sergei Eisenstein's Battleship Potemkin to their members, they were stonewalled.
Although this is a silent film, and we cannot hear what he is saying, we see the ripples of applause run through his audience, creating an electrifying effect.
www.findarticles.com /p/articles/mi_m0FQP/is_4653_132/ai_108266115   (1323 words)

  
 Science Fiction on Film   (Site not responding. Last check: 2007-11-06)
This is the first great sound picture in the field and the first film to show a utopian future that includes the promise of space flight.
This film is also famous for the line of dialogue "Gort, Klaatu barrada nicto," the first alien language on film.
Due to the huge success of this film, the market for and interest in science fiction as film and as literature skyrocketed into the stratosphere again, rejuvenating and expanding the entire field.
www.nv.cc.va.us /home/ataormina/scifi/media/filmhist.htm   (1151 words)

  
 1980s in film - Wikipedia, the free encyclopedia
The 1980s produced many significant films both in Hollywood and worldwide.
The decade saw the continued rise of the blockbuster, and the increasing emphasis in the American industry on film franchises, especially in the action and horror genres.
1900s 1910s 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s
en.wikipedia.org /wiki/1980s_in_film   (193 words)

  
 FilM StudieS: CourseS : SprinG 2002   (Site not responding. Last check: 2007-11-06)
The course considers the relationship between film art and literary tradition through close analysis of original screenplays and adaptations of fiction, drama, and autobiography.
Although Hitchcock's brilliance is evident even in his earliest films, it took more than thirty years of filmmaking for him to develop into the director of Vertigo (1958), Psycho (1960), and The Birds (1963), when he was in his late fifties and early sixties.
This course is designed to introduce basic concepts in contemporary film theory and to analyze their applications to the study of film, to specific filmic texts, and to cultural studies in general.
www.ric.edu /filmstudies/sprng02.html   (769 words)

  
 Articles - Film stock   (Site not responding. Last check: 2007-11-06)
Film stock is the term for photographic film on which films are recorded.
Film is also classified according to its width and the arrangement of its sprocket holes—a range of gauges from 8mm to 70mm or more, single-perf or double-perf configurations.
Motion picture film is known to be a highly unstable medium: improperly preserved film can deteriorate in a period of time much faster than many photographs or other visual presentations.
gaple.com /articles/Filmstock?mySession=6d33e05b45030984f9ed59c3a37f...   (559 words)

  
 Archie Publications - The Great Escape: Film And The 1930s
This text workbook is intended for use in a genres film course for the period of the Great Depression.
Film Genres: Individual chapters on the major film types prevalent in the 1930s including horror, gangster, musical, romance, and comedy.
The concept of the book is to provide the background to the decade so that the study of the films is not done in a vacuum.
www.statespride.com /shop/Shop.cfm?StoreID=125019&content=Details&ItemID=3389   (375 words)

  
 Film History of the 1930s
The 1930s decade (and most of the 1940s as well) has been nostalgically labeled "The Golden Age of Hollywood" (although most of the output of the decade was fl-and-white).
The 30s was also the decade of the sound and color revolutions and the advance of the 'talkies', and the further development of film genres (gangster films, musicals, newspaper-reporting films, historical biopics, social-realism films, lighthearted screwball comedies, westerns and horror to name a few).
Special-effects processes were advanced by the late 1930s, making it possible for many more films to be shot on sets rather than on-location (e.g., The Hurricane (1937) and Captains Courageous (1937).) In 1937, the Disney-produced Snow White and the Seven Dwarfs (1937) was the first feature-length animated film - a milestone.
www.filmsite.org /30sintro.html   (1525 words)

  
 An Ethnographic Surrealist Film
No anthropological film from the 1930s provides such a comparable, almost encyclopedic, portrait of a given region or demonstrates such a subtle understanding of ethnographic film style.
The surrealist movement in poetry, literature, and film overlapped with the emerging discipline of modern anthropology in France.
By leaving the traces of this process in the film, however, the director undermines the illusion and exposes the artifice of montage.
www.dartmouth.edu /~jruoff/Articles/EthnographicSurrealist.htm   (6969 words)

  
 University of Notre Dame : Film, Television, and Theatre
Sponsored by the Nanovic Institute for European Studies and the Department of Film, Television, and Theatre.
The film was recently named the Grand Jury Prize Winner at the Hollywood Black Film Festival and the 2002 Festival Award from the Pan African Film Festival.
She was also a theater and film casting director for seven years and handled all casting for Magic Theater.
www.nd.edu /~ftt/ftttalksS2002.shtml   (631 words)

  
 Agnes Varda's Cinematic Geographies
Kelley Conway is an assistant professor of Film in the Department of Communication Arts and the author of Chanteuse at the City Limits: The Realist Singer in 1930s French Film and Culture (University of California Press, forthcoming).
He is responsible for the daily film and media exhibition program and has for the past two years co-coordinated the Museum-wide series, Projects, devoted to the work of emerging artists.
Geneviève Van Cauwenberge is a professor of film and communication at the Université de Liège and the Université Libre de Bruxelles in Belgium.
www.varda.wisc.edu /partic.htm   (577 words)

  
 1930s Czech film star Zdenka Sulanova dies at 84 - 11-08-2004 - Radio Prague
In a series of fl and white films she looked frail and very young for her age and it was her disarmingly vulnerable beauty and her crystal soprano than made the audiences adore her.
The last of these films was made in 1940 during the German occupation, and Binovec was later accused of collaboration.
During the thaw of the 1960s, Zdenka Sulanova was allowed to get a job in the Film Institute and be at least closer to her former profession, if not in front of the camera.
www.radio.cz /en/article/56953   (757 words)

  
 JFS - Rene Ray   (Site not responding. Last check: 2007-11-06)
The Countess had been a star of British films in the 1930s such as The Passing of the Third Floor Back, and she went on to work on the London stage during the Second World War.
Having appeared in over 40 films she retired to Jersey, and the Film Society was very pleased when she agreed to become patron.
René Ray died in 1993, but shortly before her death she gave a marvellous introduction to The Four Feathers, a stirring British adventure film of the 1930s, in which she described the excitement of working in the British film industry in its heyday.
www.mnlg.com /jfs/people/rr.php   (161 words)

  
 Exclamation Mark's B-Movie Reviews: Film Reviews 1930s   (Site not responding. Last check: 2007-11-06)
Mark says: The audience that viewed this film for the first time in 1931 had some advantages going in that we don't have the privilege of today.
From the DVD case: Thousands of monstrous bats fill the night sky of a terrified village, while residents are murdered in their beds, drained of all their blood.
The major flaw of this film is the ending, which is disappointing, to say the least.
exclamationmark.typepad.com /blog/film_reviews_1930s   (1780 words)

  
 Film   (Site not responding. Last check: 2007-11-06)
Filled with classic film clips, the program reveals that Hitchcock's famous cinematic techniques for instilling suspense and terror were the result of his detailed planning of each scene at the script stage.
Films examined are: Buy Your Own Cherries (1904), Dead Boys Home For the Holidays (1903), Rescued by Rover (1904), Tramp and the Baby's Bottle (1900), Modern Pirates (1906), A Free Ride (1903), When Extremes Meet (1905), A Desperate Poaching Afiray (1903), Muggins V. (1909), Attack on a Mission Station (1900), and The Flying Dispatch (1912).
Films chosen show examples of the collectivization of domestic tasks and childcare, the abolition of a sexual division of labor in the home, and other chosen "social reforms".
www.pbcc.cc.fl.us /faculty/media/film_cat.htm   (6592 words)

  
 The Technicolor Mikado Film
This film was a landmark in Gilbert and Sullivan history, the first time that a complete Savoy Opera was filmed for the silver screen.
I have in front of me the programme for the première of this film and can confirm it was 12th January 1939 at The Leicester Square Theatre and was given in aid of the Boy Scouts Appeal Fund in the presence of the then Duke and Duchess of Kent.
In the film as distributed on home video, there is no placard, but there are set encores for "Here's a how de do" and "The flowers that bloom in the spring." It is not clear how many others may have been filmed that are no longer in distribution.
www.concentric.net /~oakapple/gasdisc/mikfilm.htm   (2434 words)

  
 Film History
If you're interested in the history of film by genre type, visit the section on Film Genres, or by non-genre film category, visit the section on Non-Genre Film Categories.
The Talkies, the Growth of the Studios and 'The Golden Age of Hollywood'
The Cold War and Post-Classical Era, the Era of Epic Films and the Threat of Television
www.filmsite.org /filmh.html   (222 words)

  
 The Art Institute of Chicago: Art Access
French for "fl film": a style of American cinema (often in fl-and-white, but also fl in mood) that developed during and after World War II.
Related to the crime and gangster sagas of the 1930s, classic film noir emphasizes the brutal and dark sides of human nature.
Film noir is marked by expressionistic lighting and disorienting visual scenes.
www.artic.edu /artaccess/AA_Modern/pages/MOD_glossary2.shtml   (538 words)

  
 History/Film   (Site not responding. Last check: 2007-11-06)
History and Film is a conjunction of growing importance not only for Film and Media studies, but also for historians.
This film studies bias was also reflected in the conference - The Third Australian History and Film Conference held in Perth in 1985 - from which these papers were drawn.
The 3rd Australian History and Film Conference, was sponsored by the Australian Film and Television School, Rural & Industries Bank (WA), Film and Television Institute (WA), The Australian Film Commission, Murdoch University, Western Australian College of Advanced Education, Curtin University of Technology and the University of Western Australia.
wwwmcc.murdoch.edu.au /ReadingRoom/hfilm/contenth.html   (236 words)

  
 Film Studies
Russell Merritt teaches courses in national cinemas, animation, film styles and genre, specializing in topics that cross disciplinary lines.
This program, originally created for Film 50 in Spring 2000, has since then been performed at the Castro, the San Rafael Film Center, the Telluride Film Festival, the Los Angeles Film Festival and the Giornate de Cinema Muto in Italy.
Most recently it has played at Emory University in Atlanta and is scheduled for the Aspen Film Festival and the Museum of Modern Art, New York.
filmstudies.berkeley.edu /faculty_bios/merrit.html   (437 words)

  
 1933 in film - Wikipedia, the free encyclopedia   (Site not responding. Last check: 2007-11-06)
Ecstasy, a Czechoslovak film, shocks audiences when actress Hedy Lamarr is seen naked in the film.
The Private Life of Henry VIII becomes the first British film to win an American Academy Award.
February 15 - Pat Sullivan, director/producer of animated films, alleged co-creator of Felix the Cat
www.northmiami.us /project/wikipedia/index.php/1933_in_film   (364 words)

  
 british film industry in 1930s: syllabusessays.com- syllabus essays, syllabus term papers, syllabus research papers   (Site not responding. Last check: 2007-11-06)
On syllabusessays.com there are hundreds of free essay abstracts written by your fellow college students on british film industry in 1930s.
All of the essay abstracts on british film industry in 1930s can be instantly downloaded from syllabusessays.com.
If you can't find the right free essay on british film industry in 1930s, we will be happy to provide you with a custom essay that you need.
syllabusessays.com /term-papers/736/british-film-industry-in-1930s.html   (433 words)

  
 FilM StudieS: CourseS   (Site not responding. Last check: 2007-11-06)
This course will study the history of film from the 1930s to the present.
We will focus on the major developments that transformed the American film industry and international cinema, starting shortly after the transition to sound film.
Important films, genres, movements, and directors from the U.S., Europe, Asia, and Africa will be studied.
www.ric.edu /filmstudies/syl.221.html   (165 words)

  
 screenonline: Gielgud, John (1904-2000) Biography
Not many actors rack up film credits over eight decades, and perhaps especially not when it takes them half their lives to believe fully in film as an actor's medium.
By the end of his life (and he was still acting in his last year, crossly changing his agent at 96 because of a failure to cast him in a TV version of
(1900-1981) was a playwright and (mainly radio) producer who appeared in a few films - he was stagestruck from the first.
www.screenonline.org.uk /people/id/461020/index.html   (559 words)

  
 American Laughter: Immigrants, Ethnicity, and 1930s Hollywood Film Comedy   (Site not responding. Last check: 2007-11-06)
Beginning with a pre-history of American comedy that ranges from the Spanish explorers to Moss Hart, the author then discusses the refashioning of slapstick, team, and romantic comedy by an immigrant Hollywood for a predominantly urban, ethnic audience.
With observations on more than three hundred films - many of which have never been studied - the three main chapters uncover an unexamined immigrant and ethnic aesthetic in the films of Chaplin, the Marx Brothers, and William Powell and Myrna Loy.
In the process, Winokur employs a broad range of contemporary concepts in film history and culture studies, while intertwining subjects as diverse as Balkan politics, Art Deco, the Jewish landsmanshaft, psychoanalysis, vaudeville, Sicilian peasant life, orientalism, the stage Irishman, and `body' criticism.
isbn.nu /0312123426   (454 words)

  
 BBC News | FILM | Superhero poster fetches over £18,000
A rare poster advertising the 1930s film classic Flash Gordon fetched £18,800 when it went under the hammer in London on Tuesday.
And a poster from the 1932 film The Mummy, which starred Boris Karloff, sold for £3,760.
The collection encompassed every film genre and many were used to advertise now prized classic movies.
news.bbc.co.uk /1/hi/entertainment/film/1855778.stm   (199 words)

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