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| | The Film Tribune - Rose-Marie (1936) (Site not responding. Last check: 2007-09-18) |
 | | With this in mind, it is not surprising that several film adaptations of stage material often looked static and stagy, but audiences did not seem to mind, as the play/musical had also been a success on the stage, with even less artistic possibilities, because of limitations in sets and direction. |
 | | In the 1936 version of the film, Herbert Stothart, working as a musical director at Metro Goldwyn Mayer, where the film was made, added new music to the film, but the rest of the operetta was completely changed, from the plot to the selection of musical numbers. |
 | | However, while the films of MacDonald and Eddy would perform phenomenally at the box-office during the 1930's, the style of their vehicles -- operatic, superficial, stilted, melodramatic, overly innocent and naive as it is -- would lose its appeal with the advent of the Second World War, and would become subjected to criticism and parody. |
| www.filmtribune.com /rosemarie.html (2944 words) |
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