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| | The Nick Schager Film Project: Los Olvidados (1950): A |
 | | The film, which earned Buñuel a much-deserved Best Director prize at 1950’s Cannes film festival, begins with the director’s voiceover proclaiming that the film does not seek to posit solutions to the (then-burgeoning) problem of youthful delinquency, and it holds true to that promise. |
 | | Still, despite its unwillingness to succumb to preachy sentimentality, Buñuel’s film is heartbreakingly sympathetic to its pint-size ne’er-do-wells, whose troublesome antics are positioned as the unavoidable consequence of unloving and uncaring upbringings. |
 | | The film’s ever-present farm animals come to represent innocence (Pedro’s murder of a hen while at reform school is a confused psychological repetition of his mother’s abuse), while milk, championed as a holy, revitalizing agent by numerous characters, becomes a symbol of the maternal love the kids have been denied. |
| www.nickschager.com /nsfp/2004/03/los_olvidados_1.html (757 words) |
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