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| | Rebels: Painters and Poets of the 1950s |
 | | Although by the early 1950s most of the Abstract Expressionists had developed their signature styles, Harold Rosenberg's December 1952 essay "The Action Painters," in Art News, nevertheless dispensed additional credibility, for it provided the artists and their patrons the verbal framework with which to articulate the philosophical underpinnings and significance of this new style. |
 | | While the remaining Abstract Expressionists continued to paint, exhibit frequently, and receive favorable critical attention (not to mention increasing prices for their work), in retrospect it is apparent that by the mid-to-late 1950s, their aesthetic leadership, albeit not their public popularity, was on the wane. |
 | | Thus while advanced art in the latter half of the twentieth century has appeared in numerous guises, much of it antithetical to Abstract Expressionism, it has nevertheless been made by artists who have sought to emulate the adventurousness and aesthetic risk-taking that made the Abstract Expressionists the leaders, in their time, of the international avant-garde. |
| www.npg.si.edu /exh/rebels/painters.htm (1992 words) |
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