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| | French Drawings (Site not responding. Last check: 2007-11-02) |
 | | The French Academic Tradition, as embodied in the system of architectural instruction at the Ecole des Beaux-Arts and realized in its greatest competition, the Grand Prix de Rome, maintained its hegemony as the recognized method of instruction in France from the 1600s until the 1920s. |
 | | The French drawings that survive in the Study Collection are primarily envois, drawings sent back to the Ecole for review by French Grand Prix de Rome winners, and they include works by Emmanuel Brune, a pupil of Questel and a 1863 Grand Prix de Rome winner. |
 | | French drawings collected after Ware's departure for Columbia University in 1881 include works by Albert Tournaire, Grand Prix 1888; Benjamin Chaussemiche, Grand Prix 1893; Alfred Recoura, Grand Prix 1894, and Leon Chifflot, Grand Prix 1898. |
| web.mit.edu /museum/ware/french.html (447 words) |
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