
	Where results make sense

Topic: 1970 in art

Related Topics

1970 in music

Grammy Awards of 1970

Football World Cup 1970

1970 s

1970 in sports

UK general election, 1970

1970 in film

1970 Austrian Grand Prix

1970 South African Grand Prix

Timeline of trends in music 1970 1979

1970 elections

Little Belt Bridge 1970

In the News (Mon 6 Jul 09)

Northern Trust

Marvin Harrison

Peter Chernin

Gary Locke

Match Play

Penelope Cruz

Mickey Rourke

AR Rahman

Danny Boyle

Hugh Jackman

	Art History - Famous Artists - Master Index
		The art history index of famous artists leads to imagery and indepth information such as biographies to over 22,000 artists.
		Over 200,000 images from museums are directly accessible via this wealth of art historical information database.
		Direct links to images in museum collections, links to indepth art news, general links as well as the best collection of search engine results have been compiled for over 22,000 artists.
	wwar.com /artists (161 words)

	Irish Nationalism and Art II: 1900 - 1970
		With a hold on the art education in the capital the nationalists were able to influence teaching in the art colleges and schools throughout the Free State.
		Art colleges throughout the country (and even in the Dublin suburb of Dun Laoghaire) had been discreetly modernising their curricula and teaching methods, and employing teachers from abroad, many of them émigrés.
		Art is not averse to being an instrument for promoting by illustration the cause of religion, morality or patriotism; and some of the finest works of art have been produced in these causes.
	www.jesuit.ie /studies/articles/2002/Barrett.htm (6416 words)

	Art (Site not responding. Last check: )
		Prerequisite: Art 161, 162, or 164, or consent of the instructor.
		Prerequisites: Art 271 and 272, or consent of the instructor.
		Prerequisite: Art 281 and 282, or 292 and 295, or consent of the instructor.
	web.reed.edu /academic/catalog/art.html (4273 words)

	[No title]
		The art is expressed through architectural elements like doors, baskets, costumes and textiles, furniture and furnishings, jewelry and beadwork, graphic arts, masks, pottery, musical instruments, sculpture (metal, stone, terracotta, wood), tools and equipment, toys and entertainment, and weapons and armaments.
		African art cannot be appreciated or understood apart from its religious context, for the two are utterly inseparable.
		And so it is that African art speaks a language of its own, an earthy and vigorous language of ritual and ceremony and prayer promoting the well being of community and individual.
	espanol.lycos.com /info/african-art.html (738 words)

	Conceptual art Summary
		Conceptual art, sometimes called idea art, is art in which the concept(s) or idea(s) involved are considered the real substance of the art, in distinction to the traditional expectation of a made art object to be the criterion.
		In traditional terms this could not be said to be art because it was not made by an artist, it was not made with the intention of being art, and, being a commonplace object, it did not possess the expected visual properties of art.
		Conceptual art also reacted against the commoditization of art; it attempted a subversion of the gallery or museum as the location and determiner of art, and the art market as the owner and distributor of art.
	www.bookrags.com /Conceptual_art (2761 words)

	[No title] (Site not responding. Last check: )
		The art is expressed through architectural elements like doors, baskets, costumes and textiles, furniture and furnishings, jewelry and beadwork, graphic arts, masks, pottery, musical instruments, sculpture (metal, stone, terracotta, wood), tools and equipment, toys and entertainment, and weapons and armaments.
		Individual survival and cultural continuity, the fertility of humans and the flocks, the fecundity of fields and crops, the control of wild animals and sidease: these are foremost in the artist's mind.
		And so it is that African art speaks a language of its own, an earthy and vigorous language of ritual and ceremony and prayer promoting the well being of community and individual.
	www.lycos.com /info/african-art.html (738 words)

	Great Buildings Online - Master Buildings List 2007.0222
		Academy of Arts and Sciences, by Kallman McKinnell and Wood, at Cambridge, Massachusetts, 1977 to 1981.
		Portland Museum of Art, by Henry N. Cobb, at Portland, Maine, 1978 to 1982.
		Residence in Cadenazzo, by Mario Botta, at Cadenazzo, Switzerland, 1970 to 1971.
	www.greatbuildings.com /buildings.html (11336 words)

	1970 in art - Encyclopedia, History, Geography and Biography
		See also: 1969 in art, other events of 1970, 1971 in art, list of years in art.
		This encyclopedia, history, geography and biography article about 1970 in art contains research on
		1970 in art, Events, Awards, Works, Births, Deaths, 1970 and Years in art.
	www.arikah.com /encyclopedia/1970_in_art (103 words)

	Phoenician Art
		Phoenician art served many purposes which include religious, trade or others but was meant to appeal to a visual impact and communicate ideas.
		Further, Phoenician art is often conservative in nature and the same motifs are reproduced in similar ways for centuries.
		Some of the art was confined to a more purely Phoenician, ritual context and reflects religious beliefs and documents cultic practices we are only beginning to comprehend.
	phoenicia.org /art.html (3487 words)

	Reclaiming Our Art
		Nevertheless, the achievements of the 1970's women's art movement were enormous and it is one of the most influential movements of that decade.
		Nochlin's basic argument is, given in her own words,.as we know, in the arts as in a hundred other areas, things remain stultifying, oppressive, and discouraging to all those-women included-who did not have the good fortune to be born white, preferably middle class, and, above all, male.
		Morse's argument on the physical aspects of art making as well as her other claims on why women are absent in art history texts, all tie in with the necessity of the consideration of gender.
	www.ic.arizona.edu /ic/mcbride/ws200/reclaimingourart.html (1890 words)

	Victoria Centre for Art Therapy
		Art therapy is the process of creating visual images and responding to them within a safe, contained and supportive environment and relationship with a therapist to express and explore inner conflicts, feelings, and thoughts for the purpose of emotional healing and growth.
		She holds a Ph.D. in Psycho-sociology from University of Montreal, has training in Primal Therapy from Psycho-cellular Therapy Institute in Montreal, and is trained under Dr. John Davis in Jungian Analysis and the use of art in psychotherapy.
		The art therapy studio is located in a quiet, bright, comfortable and safe building on Cedar Hill X Rd, two blocks west of Shelbourne Street.
	www.geocities.com /victoriacentreforarttherapy (297 words)

	glbtq >> arts >> Contemporary Art
		From one perspective, contemporary art is the art of the immediate present.
		They conceptualized art history as linear and progressive and, by mid-century, declared abstraction to be modernism's consummate form.
		Lesbian art of the 1970s was inseparable from the women's movement and was allied in expression to the work of non-lesbian women artists who pursued feminist agendas.
	www.glbtq.com /arts/contemp_art.html (687 words)

	ArtLex on Abstract Expressionism
		Trio, 1970, intaglio, National Gallery of Art, Washington, DC.
		Art critics have described Twombly's paintings as akin to painted palimpsests.
		Action Painting, aleatory and aleatoric, expressionism, Expressionism, flat, isms and -ism, and nonobjective art.
	www.artlex.com /ArtLex/a/abstractexpr.html (2499 words)

	AMAM - Collecting the Vanguard: Art From 1900 - 1970
		The Allen Memorial Art Museum's collection of 20th-century art is one of the finest of any undergraduate academic institution in the United States.
		During that period, the growth of the collection was concentrated on the areas of Asian and earlier European art.
		By the late 1970s, the collection of modern and contemporary art had grown to such an extent that the college commissioned the architectural firm of Venturi, Scott Brown to build an additional gallery for contemporary art, and named it in Johnson’s honor.
	www.oberlin.edu /amam/exhibit_vanguard.html (631 words)

	center
		Having studied art in New York since 1970, taught art there as a professor, established himself as an artist, he is rather unfamiliar to the art arena of Seoul.
		Although he is a professional painter, his remarkable intelligence can be seen from the career of his study in Yale School of Art and that of his teaching in Visual Arts School.
		His paintings feature vivid and powerful strokes so much for abstract works, dynamic contrast of colors shown in the expression of details, wide open manipulation of the surface, and abstract figures that remind one of various objets, added to originally abstract shapes, spots and traces of scratches.
	www.kcaf.or.kr /art500/kimwoong/ebio.htm (175 words)

	Carter - Various Media - The Saatchi Gallery
		Exploring the relationship between the legacy of artistic identity and the queer closeting predominant in the mid-20th century, Carter presents the masculine body as generic symbol and signifier.
		Often evolving his drawings from three dimensional models, Carter’s sculpture 1949, Self Portrait of a Homosexual 1965, 1970 poses as a synthetic ‘original’ in his ongoing practice of artistic ‘cloning’.
		Overt in its sexual subject matter, the title of this work points to key eras in art history where gay politics began to be included (retrospectively) as part of critical discourse.
	www.saatchi-gallery.co.uk /artists/carter.htm (1634 words)

	Against criticism: the artist interview in Avalanche magazine, 1970-76 Art Journal - Find Articles
		Within the art world, however, the artist interview manifested a different set of public concerns in the pages of Avalanche, a magazine founded by Willoughby Sharp and Liza Bear in 1968 to document performance- and conceptual-art practices.
		Published thirteen times between 1970 and 1976, the magazine suggested how the quintessential publicity form of the interview might instead function in the formation of a radical counterpublic, namely the politicized alternative-arts community centered in SoHo in the early 1970s.
		Given this background, we can understand the publication of Avalanche within a broader transformation in the reception of art during this period in which the art magazine served as a necessary new physical support--or medium--for the public circulation of the various dematerialized practices of 1960s art.
	findarticles.com /p/articles/mi_m0425/is_3_64/ai_n15777246 (533 words)

	Art:21 . William Wegman . Biography . Documentary Film \| PBS
		William Wegman was born in Holyoke, Massachusetts, in 1943.
		He graduated from the Massachusetts College of Art, Boston, in 1965 with a BFA in painting, then enrolled in the Masters painting and printmaking program at the University of Illinois, Champaign-Urbana, receiving an MFA in 1967.
		Man Ray became a central figure in Wegman’s photography and videos, known in the art world and beyond for his endearing deadpan presence.
	www.pbs.org /art21/artists/wegman/index.html (222 words)

	PJ ART GALLERY (Site not responding. Last check: )
		His Works of Art appeal to a wide cross section of the Community.
		Predominately they echo his former life which was spent working as a Stockman, Shearer, Station Hand, Fencer, Buffalo and Crocodile Hunter etc. Peter's paintings are distinguished by special observations of his subject which allows him to achieve a realism which reflects a sensitivity and respect for the Rural Countryside as well as The Australian Outback.
		Over the years Peter's Art has been purchased by the Australian Government to be presented to visiting Heads of State.
	www.pjart.com /artists_profile.htm (264 words)

	Iqqaipaa: Celebrating Inuit Art, 1948-1970 - Eiteljorg Museum of American and Western Art - Absolutearts.com
		Iqqaipaa: Celebrating Inuit Art, 1948-1970, is a travelling exhibition produced by the Canadian Museum of Civilization, Hull, Quebec, and is presented locally by Roche Diagnostics Corp. and co-sponsored by Bank One Indiana N.A. The exhibit opens June 9 and runs through Sept. 30, 2001.
		This is a fascinating glimpse of a culture unknown to most Americans, said John Vanausdall, president and CEO of the Eiteljorg Museum.
		The 110 sculptures and 22 prints in Iqqaipaa: Celebrating Inuit Art, 1948-1970 present an impressive range of materials and artistic styles: a walrus tusk with delicate engravings of Arctic wildlife, the timeless theme of mother and child, depictions of dancing bears, whimsical creatures and shamanic pieces.
	www.absolutearts.com /artsnews/2001/06/09/28680.html (677 words)

	History of the West Virginia Art and Craft Guild
		The spirit endured and was to have a lasting inpact on the state’s arts and craft movement.
		It was there that the exhibitors formed a guild to promote and upgrade the native arts and crafts.
		Through education, directories, exhibitions, new friendships and the marketing at and sponsorship of The Mountain State Art and Craft Fair, the Guild works to achieve the goal of preserving and promoting the creative lifestyle in West Virginia and a standard of excellence for the creations.
	www.wvartcraftguild.com /wvartcraftguild/History (383 words)

	Open Directory - Arts:Digital:Net Art (Site not responding. Last check: )
		Net.Art is a conceptual, signal based art form with its roots in the early video art of the 1970's.
		Steve Dietz of the Walker Art Center in Minneapolis suggests ``computability, connectivity and interactivity'' as definitive qualities of Net art.
		Net-art is a unique form of art, and straightforward photo or non-interactive galleries will not be added to this category.
	dmoz.org /Arts/Digital/Net_Art/desc.html (402 words)

	1970: Art - Archive Article - MSN Encarta
		1970: Art - Archive Article - MSN Encarta
		Cross references refer to Archive articles of the same year.
		Realism, hard-edge abstraction, and minimal sculpture were being produced in almost equal proportions and with varying degrees of success, and no one area seemed to point unmistakably to the future.
	encarta.msn.com /sidebar_1741580677/1970_Art.html (147 words)

	surrealism. The Columbia Encyclopedia, Sixth Edition. 2001-05
		), literary and art movement influenced by Freudianism and dedicated to the expression of imagination as revealed in dreams, free of the conscious control of reason and free of convention.
		The movement was founded (1924) in Paris by André Breton, with his Manifeste du surréalisme, but its ancestry is traced to the French poets Baudelaire, Rimbaud, Apollinaire, and to the Italian painter, Giorgio de Chirico.
		In art the movement became dominant in the 1920s and 30s and was internationally practiced with many and varied forms of expression.
	www.bartleby.com /65/su/surreali.html (346 words)

	ArtLex on Minimalism
		It is sometimes called ABC art, minimal art, reductivism, and rejective art.
		Halley's style and period of Minimalism is generally known as Neo-Geo.
		"Minimal art was the first art form to come out of the universities rather than the artists' ghetto.
	www.artlex.com /ArtLex/m/minimalism.html (1072 words)

	Lewis Glucksman Gallery (Site not responding. Last check: )
		The art pack has been devised in consultation with many of the contributing artists, museum and gallery professionals nationally and internationally, staff and postgraduate students of the Education Department, UCC, practising teachers and the Glucksman's team of freelance art facilitators.
		The collections of the Arts Council of Northern Ireland and the Arts Council/An Chomhairle Ealaíon were both established with the aim of providing practical support for contemporary artists in the north and south of Ireland.
		One of the 20th century's greatest art historians, Erwin Panofsky, wrote a book proposing that Dürer was caught on the horns of a dilemma, because he could never find a way to blend the techniques he acquired on his trips to Italy with the skills he had learned as a student in Germany.
	www.glucksman.org /exhibitions_archive.htm (6114 words)

	National Gallery of Art Past Exhibitions 1970
		William Blake's Graphic Art from the Rosenwald Collection
		Nineteenth- and Twentieth-Century Paintings from the Smith College Museum of Art
		American Paintings from the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, New York
	www.nga.gov /past/exhy1970.shtm (67 words)

	Markus Luepertz
		Painter and sculptor Markus Lupertz attended the School of Applied Arts in Krefeld and the State Art Academy in Duesseldorf from 1956 to 1961.
		In 1976 he became professor at the State Academy of Visual Arts in Karlsruhe, and in 1986 was named director of the Duesseldorf Academy.
		In 1970 his compositions began to take on the character of still lifes, being based on objects such as soldiers' helmets, snail shells, coats, and painter's palettes.
	www.artchive.com /artchive/L/luepertz.html (484 words)

	Delaware Art Museum
		In 1931, the Wilmington Society of the Fine Arts, the DAM's founding organization, received the donation of a plot of land about 350 by 250 feet on the Park Drive (now called Kentmere Parkway) for a museum site that would become its permanent home.
		The gift was for the purpose of building a wing, "adjacent to and connected with" the present Art Center building, to provide adequate space for the rapidly expanding Educational Program.
		Ground was broken for the addition to the Art Center building on July 22, 1955 with Victorine and Samuel Homsey as architects.
	www.delart.org /HFS_library/inst_archives/architectural_collection.html (725 words)

	Tate Modern \| Symposia \| Open Systems: Rethinking Art c.1970 (Site not responding. Last check: )
		Formerly, she was a curator at The Art Institute of Chicago where she worked closely during the 1970s and 80s with artists from the Conceptual period.
		Her forthcoming book Art Beyond the Pleasure Principle, due to appear in 2005, is a series of case studies applying psychoanalysis to the interpretation of twentieth-century and contemporary art.
		The latter offers a radical reinterpretation of the innovative art of the late 1950s and 1960s, focusing on the tendency toward repetition and seriality that occurred at the moment of modernism's decline and continues to shape contemporary art.
	www.tate.org.uk /modern/eventseducation/symposia/opensystemsrethinkingartc.1970symposiumfasttrack3608.htm (2143 words)

Try your search on: Qwika (all wikis)