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| | Film-Philosophy |
 | | films that begin with an ongoing event or action, representations of the act of writing, films which predict the future, the appeal and effects of popcorn cinema, films that deal with genocide, post-gaming interactive 'uncinema', Antonioni and the aesthetic of boredom, and definitions of 'pretentiousness'. |
 | | DVD frame/sequence grabs, ownership/copyright, Dogme films, the (subliminal) influence of Counter Culture on movies, whether film is inherently a conservative medium because of its usual dependence on individual protagonists, USA: The Movie, and films that begin with an ongoing event or action. |
 | | male beauty, the face in cinema, and the theme of the 'forest', downloading movies, films that are 'structured' according to a soundtrack of a film that already exists, films that introduce key characters as they wake up, revenge movies, and films where the actor is located both within and outside the narrative. |
| www.film-philosophy.com |
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