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| | Table of Contents and Excerpt, Malone, Country Music, U.S.A. |
 | | The period, in short, witnessed a changing of the guard in country music, the virtual disappearance of the last generation of musicians whose music, with a few exceptions, reflected southern blue-collar origins. |
 | | Furthermore, public perceptions of country music around the world are still clearly influenced by visions of southern mountaineers, cowboys, or Celtic minstrels, and even the most intelligent performers are still prone to assertions of romantic nonsense concerning their music's alleged Celtic or Appalachian ancestry. |
 | | My contention that country music actually comes from the people who write and perform it may be little more than a romantic conceit, but my emphasis continues to be on singers, songwriters, musicians, and the music they have made, and not on the large and complex industry that produces, advertises, and markets the music. |
| www.utexas.edu /utpress/excerpts/exmalc2p.html (767 words) |
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