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E. A. Poe Society of Baltimore |
 | | But Isabella, — who, before seeing Angelo, had been willing to sacrifice herself for her father's sake, and who, since seeing him, had entertained hopes of escaping the hateful match through means of a plot entered into by herself and Zippa, — is now in despair. |
| | We have already mentioned an inadvertance, in the fourth act, where Isabella is made to escape from the sanctuary through the midst of guards who prevented the ingress of Angelo. |
| | In the third scene, too, of the first act, the imagination of the spectator is, no doubt, a little taxed, when we find Angelo, in the first moments of his introduction to the palace of Isabella, commencing her portrait by laying on color after color, before he had made any attempt at an outline. |
| www.eapoe.org /WORKS/criticsm/lewr3907.htm (3476 words) |
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