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	24p - Wikipedia, the free encyclopedia
		In particular, 24P HD already provides a reasonably viable alternative to the film format and may replace it altogether in the future.
		Many 24p productions, especially those that are made only for TV and video distribution, actually have a frame rate of 23.97 FPS (more precise, 24*1000/1001).
		They are still called 24p for simplicity, and because of that in many cases saying "24p" implies that the frame rate is actually 23.97 FPS.
	en.wikipedia.org /wiki/24p (1872 words)

	Videomaker Magazine Is 24P for Me?
		24p might be better for locked-down shots and talking heads, while 60i might be better for pans, zooms and football games.
		You might think that shooting 24p would be a great advantage to indie filmmakers who want to transfer their video to the large screen.
		A 24p camera will not magically transform you into a filmmaker, but the affordable option to shoot 24p is a wonderful development for consumer video.
	www.videomaker.com /scripts/article_print.cfm?id=9341 (1261 words)

	[No title]
		Similarly, with 24p you can create the same feel, but you lose something tangible with the move to digital, and there are those that argue no matter how much you play around with frame rates, interlacing, and filters, film and digital are and will always remain things apart.
		It's not meant to be comprehensive overview of 24p, so much as a meaningful discussion from the perspective of professionals who have been working in the field for a long time, and an exploration of the place of 24p in commercial videography today.
		With 24p, you can produce a DVD at any time in the process, and if you don't intend to make a film, like most event videographers, then it is a cheaper option.
	www.emedialive.com /Articles/PrintArticle.aspx?ArticleID=8679 (2872 words)

	24p production
		Beyond the application of the Sony's CineAlta 24p HD camera for image acquisition, Star Wars: Episode II is being screened at more than 100 theaters equipped for digital projection.
		One area where there seems to be growing consensus is the desirability of the “p” component of 24p.
		Paralleling the 24p camera announcements at NAB, Panasonic and Apple announced they are collaborating on two important technologies for the professional video industry.
	nabnewtools.broadcastengineering.com /24p (2248 words)

	24P and FILMLOOK® FAQ
		24P, or more accurately 24 frame progressive image video, is a method of capturing images very similar to the way a film camera does, by recording images 24 times per second without the artifacts an interlaced video camera can introduce.
		When shooting 24P video it is sometimes necessary to engage in some color correction or color enhancement in order to make minor adjustments in exposure level, gamma, or color balance.
		Despite the hype surrounding 24P cameras, it is still a video image that is being recorded by the camera.
	www.filmlook.com /FAQ.24.html (691 words)

	High Definition 24P Primer (Site not responding. Last check: 2007-10-12)
		There are some differences, but creating a good 24P project is subject to many of the same rules as creating a good film project.
		It also has some characteristics that are not in film: it does not have grain, it currently doesn't have the latitude of speed and exposure that film offers, and because it is electronic, it is very easy to work with.
		A good 24p project does not throw out all of the lessons that have been learned producing on film over many decades, but adds functionality that only a digital medium can provide.
	www.highdef.org /library/24PPrimer.htm (1534 words)

	MacAddict Forums / 24p video compatibility with standard miniDV
		In order to edit on a 24p timeline, the footage captured on a dvx100 must be reverse-telecined from 60i back to 24p.
		The only difference is, when you work on a true 24p timeline, you can transfer to film without doing a reverse telecine, or you can create a 24p DVD (with the appropriate compressor), which can be viewed on progressive scan DVD players, monitors, displays.
		The movie is in 24p (therefore no interlacing) and the stuff in the behind-the-scenes is usually in 60i (short for 60 fields interlaced).
	www.macaddict.com /forums/topic/14847 (1147 words)

	[No title]
		Lumbard cites the ease of cutting 24p with both film and native 24p video as two of the reasons for the format's growth.
		While 24p has been mainly thought of as a medium for recorded and edited programs, an unexpected phenomenon, Chiolis said, has been the incorporation of 24p in live television events such as the recent MTV Music Awards, where 24p segments were intercut with 1080/60i.
		Even as 24p TV production is on the rise, commercial spot producers, at least on the national level, have shown a reluctance in adopting the technology.
	www.tvtechnology.com /features/news/n_episodic_TV.shtml (1393 words)

	24p: the AG-DVX100 and digital filmmaking
		The first 24p frame is written to two fields of 60i video, the next is written to three, the next to two, and the next to three again, as shown in the graphic.
		24p Advanced footage can be turned into pure 24p footage more cleanly than 24p standard footage, because every frame in the pure 24p timeline is pulled from a whole frame in the 24p Advanced footage, whereas the C frame in 24p Standard footage is split across two different source frames as discussed above.
		Running the 24p Advanced footage from a “perfectly synced” FCP capture through DVFilm's Maker with zero frames delay correction and loading into a 24p FCP sequence shows an apparent advance of two frames, or four fields – just as Marcus van Bavel at DVFilm observes.
	www.adamwilt.com /24p/index.html (10036 words)

	POV-24P Primer - Part 1
		I’m referring to 24P, the new high definition format that has been a hot topic of discussion since it was unveiled last year.
		24P allows you to finish your project in a single 24 frame-per-second environment and create a single master that can be used to produce everything else you’ll need: all the HD formats, NTSC, PAL, and yes, film.
		In addition, there is no drop-frame timecode in the 24P world, which means the actual clock running time on tape is not accurate, just like non-drop timecode for NTSC formats.
	www.nextpix.com /v1_1/salon/pov_24hd1.html (2927 words)

	24p DV cameras and digital video cameras
		In 24p mode, the shadow detail is truly impressive, with little if any hue shift apparent in brightly saturated objects — a familiar nagging problem for DV cinematographers, especially in the reds.
		NLE 24p support is (for the moment, at least) poor or nonexistent.
		In the 24p advanced mode, images are also scanned progressively at 24fps, but the conversion of frames to 60i is handled somewhat differently (see chart on page 24).
	videosystems.primediabusiness.com /ar/video_rest_us/index.htm (1535 words)

	24p mini-DV
		Converting 24p to 59.94i is very difficult technically speaking, but converting 23.976p to 59.94i (NTSC) is relatively simple and comparatively cheap.
		The original 24p frames are "tagged" during the recording, so they can be identified and recovered later in post.
		Apparently, the Panasonic 24p camcorder puts data-markers in the DV data stream to mark the split frames where the extra fields are added by the 3:2 process.
	www.jkor.com /peter/24pdv.html (3084 words)

	Panasonic Professional Video Products - Applications: DV
		Most prime time television episodic programs are shot in 24p - either 35mm film or HD video - and therefore a very large audience exists that equates the "24p look" with very high production values.
		This is again because the AG-DVX100 provides a built in "telecine" process which converts the 24p video signal captured by the CCD based imager to an NTSC compatible signal for editing and monitoring.
		In order to maintain complete compatibility with existing non-linear NTSC based editing systems, the precise 24p image capture rate of the AG-DVX100 is 23.976fps, which is commonly known as 23.98fps.
	www.panasonic.com /business/provideo/app_dv_24qaboutdv1.asp (2143 words)

	Avid 24p - The Basics
		Therefore, 24p benefits projects where image material originates in a progressive form at 24 fps, or possibly 25fps (i.e., film or 24p video).
		When capturing the NTSC 24p images, an ordinary telecine (film transfer) tape is used, with 2-3 pulldown.
		Avid 24p systems, other than the AvidDS HD, are not HD devices and are displaying current broadcast standards (720x486/NTSC and 720x576/PAL) with varying degrees of compression, ranging from 35:1 to 1:1 (uncompressed).
	www.zerocut.com /tech/p24.html (1191 words)

	24p In Final CDut Pro HD
		After editing video at 24p, it can be turned directly into a 24p DVD which allows you to achieve a higher quality end result as the MPEG2 compression has less frames to compress per second, or you can add 3:2 pulldown back to the video to allow it to be delivered on conventional video tape.
		If you are using the 24p Advanced mode, the flags that tell Final Cut Pro which frames to remove are embedded in the DV data stream coming of tape, and this information is passed to Final Cut Pro no matter which deck or DV camera you choose to use to capture from.
		As part of the Standards Conversion http://www.nattress.com package, there is a plugin which directly converts 24p Advanced footage (as long as it hasn’t had it’s pulldown removed) to 24p Normal footage, and is a quick way to fix footage shot in the wrong mode.
	www.kenstone.net /fcp_homepage/24p_in_FCP_nattress.html (4506 words)

	DVX100 Support - DVFilm Maker
		Use this option for standard interlaced NTSC shot at 1/60th sec shutter speed, where you wish to edit at 24P for the purpose of transfer to film or to author a 24P DVD.
		Use this option for NTSC which was shot in 24P normal mode with a standard 3:2 pulldown, or with video that originated on 24 frames/sec film, where you wish to edit at 24P for the purpose of transfer to film or to author a 24P DVD.
		The 2:3:3:2 pulldown is not as smooth, but this the best way to archive a 24P final cut if you have to bring it back in later for more editing.
	www.dvfilm.com /maker/24P.htm (996 words)

	24p Editing with Panasonic mini-DV
		When I talk about "24p" in this discussion, it is just a short hand way of referring to what is actually 23.976p, which is the true frame rate of the Panasonic camcorder.
		So when you work with 24p material on the timeline, you will be editing (and viewing) the original 24p frames only.
		Editing in true "24p" is all a bit academic unless you can display it later.
	www.jkor.com /peter/24editing.html (1835 words)

	Videomaker Magazine Test Bench: Panasonic AG-DVX100 3CCD 24p Mini DV Camcorder
		There is a significant but small pause while the camera switches into the progressive modes (24p, 24p advanced and 30p).
		The 24p supporters and the 24p skeptics came together for a pint at the pub later and agreed: this camera shoots beautiful images.
		You can shoot in 24p or 30p or 60i or whatever you'd like, so this is the one camera that can please everyone.
	www.videomaker.com /scripts/article_print.cfm?id=9410 (1149 words)

	24P Sound Speech (Site not responding. Last check: 2007-10-12)
		I just completed a project in 24P and, after a pre-production meeting of all concerned (as discussed below), we decided to shoot with clapstick slate and no timecode slating.
		All syncing was done the old-fashioned way by eye, visual syncing, as circled takes were dubbed to the circled takes HD master from the original HD camera tapes and original DAT audio tapes.
		Remember that timecode from the 24P camera is 23.976 frames per second, not 24.
	www.zcleve.com /24p_sound_speech.htm (2109 words)

	Panasonic AG-DVX100 camera review and 24p miniDV camcorder reviews by Steve Mullen and Panasonic DVX100 camcorders and ...
		Generally, 24p modes will be shot with the CINE-LIKE matrix, while 60i and 30p will be shot with NORMAL matrix.
		The 2:3:2:3 pulldown used in 24P mode provides the same “judder” as is found when film is transferred to NTSC video.
		In 24P mode, adjust MASTER PED between zero and -5 to alter the contrast of your simulated film.
	digitalcontentproducer.com /mag/video_panasonic_agdvx (2028 words)

	Animation and 24P
		One thing you don't want to do is mix 24p animations (with 3:2 pull-down for 29.97 FPS video) with natural 29.97 interlaced clips (like shot video).
		Likewise, you don't want to mix a 29.97 FPS interlaced animation with clips that were shot on film that keep their 24p dynamics with 3:2 pull-down.
		The only time mixing 24p and 29.97 FPS interlaced media seems to work is when the production is shot on 24p (film) and the ending credit crawl (rendered at 29.97 with interlacing) move upward.
	www.kenstone.net /fcp_homepage/animate_24p.htm (2153 words)

	John Skidgel’s Blog » Producing 24p Video
		Blog Video: I remember when I first read about 24p video three years ago and seeing a lot of diagrams that explained the cadence, or pull down pattern associated with it.
		He discusses how films get shown at festivals, the acceptance process and why shooting on 24p and fininishing on film is an advantage.
		I’ve been writing a book in my spare time on producing 24p video which will be published by CMP Books later this year.
	www.skidgel.com /blog/?cat=16 (360 words)

	The 24p Wave?
		Although the arrival of 24p high-definition camera technology in the last year has garnered technical Emmys and intrigued episodic television producers, it has hardly flooded into production.
		Probably, some producers are still confused because it's a bit more expensive to rent [24p] camera packages, and they don't understand where their savings will come from.
		The big change for film-style TV shows evolving into 24p production, of course, is the addition of video engineers to their crews.
	digitalcontentproducer.com /mag/video_wave_2/index.html (3973 words)

	24P Camera Tests
		Tested during the Winter of 2002, the Sony and Panasonic 24P camera stills available on this site were intended to demonstrate camera capabilities in areas such as color saturation, color desaturation, deep fls, compressed fls and expanded highlights.
		One may ask, why not lower the image to zero and get a 100% image and the simple answer is that such a dramatic manipulation would likely introduce noise into the picture and could "stretch" the fls to distortion levels.
		In High Definition Video, highlight level menus are often referred to as the "knee." The knee on 24P cameras can be manipulated for "film-like" responses or to provide a very short highlight curve resulting in compressed highlights.
	www.bourbonhd.com /24P_camera_tests.html (435 words)

	Panasonic AG-DVX100 - Wikipedia, the free encyclopedia
		Panasonic has created a complete line of cameras which support recording in 24p, which is an analog of how film cameras record frames, for independent film production.
		Progressive video is rare on cameras at this price point (MSRP 3,995 USD, though the camera can be had for around 3,500 USD street price) and is different from other consumer and prosumer cameras, which typically record in interlaced video.
		As HD is becoming more popular among prosumers, Panasonic has meanwhile released the Panasonic AG-HVX200, a 24p camcorder that records full 1080p HD video on P2 chips, making it one of the first professional solid state memory based camcorders on the prosumer market.
	en.wikipedia.org /wiki/Panasonic_AG-DVX100 (534 words)

	Amazon.com: 24P: Make Your Digital Movies Look Like Hollywood: Books: Pete Shaner,Gerald Everett Jones (Site not responding. Last check: 2007-10-12)
		It includes an 8-page color insert and offers an insider's view of the complete chronological sequence of professional film-style production, carefully examining how to apply the new technology from the craftsman who is most involved in or most responsible for each phase -- from the producer and cinematographer to the director and editor.
		I'll stick to Focal Press books in the future such as "High Definition and 24P Cinematography" or "Cinematography theory and practice" which both exibit the type of detail and technical expertise that I expect to learn something from.
		More to the point for the 24p thing, he also shot the first 24p HD feature ever, Nicolas, with the same camera Lucas later used for Episode II.
	www.amazon.com /24P-Your-Digital-Movies-Hollywood/dp/1592005993 (2294 words)

	What's With This 24p Stuff, Anyway? (Site not responding. Last check: 2007-10-12)
		It’s 24p, that is, 24 frames per second, presented progressively.
		For years, there has been interest in marrying video and film in such a way that they would both use the same frame rates.
		Meanwhile, the ground is ripe for this transition to 24p.
	www.digitalvideoediting.com /Htm/Articles/chazz24p_editorial.htm (824 words)

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