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| | 291 |
 | | In 1909 at 291 were seen the first American exhibitions of the caricatures of Marius De Zayas, the first one-man shows of Maurer, Marin, and Hartley, and the first showing of the lithographs of Toulouse-Lautrec. |
 | | Practically speaking, 291 was therefore never quite a group, it was more a protective association."35 This is not to say that Stieglitz did not, in cases, set himself up as an arbiter of how a painter should paint. |
 | | He put it this way in the catalogue to his 291 exhibition, held in the spring of 1913: "within the frames there must be a balance, a controlling of these warring, pushing, pulling forces."ill Marin was long closely associated with Maine. |
| 291.com /291history/Davidson.html (12735 words) |
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