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| | 11/11/04: Not Even Nominated Part Fourteen |
 | | Four years later, Williams scored the inevitable sequel, The Lost World: Jurassic Park, giving the film an entirely new, more sinister and less triumphant main melody, at times evoking Max Steiner's immortal King Kong, and for 2001's underrated Jurassic Park III, Don Davis adapted Williams themes while contributing a new main theme of his own. |
 | | Despite the somber ending, the film was a surprising if modest hit, and Elfman's score was one of his finest, effortlessly capturing the drama and the period (post Civil War) with none of his trademark musical mannerisms, and the film's production company, Regency, later used a snipped of the score as its logo music. |
 | | Elfman wrote not only the film's incidental music but wrote the music and lyrics for the film's songs and was the singing voice of the film's hero, Jack Skellington (whose dialogue was voiced by Chris Sarandon). |
| www.filmscoremonthly.com /articles/2004/11_Nov---Not_Even_Nominated_Part_Fourteen.asp (514 words) |
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