
	Where results make sense

Topic: ADR Editor

Related Topics

ADR Editor

D Reaper ADR 02

D Reaper ADR 07

D Reaper ADR 01

ADR Recordist

Hugo Award for Best Professional Editor

Pico text editor

sound editor

source code editor

digital audio editor

Text Editor and Corrector

level editor

In the News (Sun 27 May 12)

EXECUTIVE POWER

Iran

ANALYSIS

Pakistan

Family compact

	The ADR Editor (Site not responding. Last check: 2007-11-02)
		ADR is an acronym for automatic dialogue replacement.
		In this process the actors are called back during the post-production process to re-record dialogue that wasn't recorded properly during the shoot.
		The editor supervises this process and matches the newly recorded lines to the actor's mouth on film.
	tms.ecol.net /movies/whotadr.htm (47 words)

	Imdb Glossary letter: A (Site not responding. Last check: 2007-11-02)
		Assistants may be permitted by the editor to do some creative work, such as commenting on the editor's work; cutting temporary ("temp") sound effects and music into the track; and sometimes even editing scenes.
		ADR is frequently used to replace production track of poor quality (e.g., due to high levels of background noise) or to change the delivery or inflection of a line.
		ADR can also be used to insert new lines of dialogue which are conceived during editing, although such lines can only be placed against picture in which the face of the actor speaking is not visible.
	www.imdb.com /Glossary/A (1927 words)

	JAMS - The Resolution Experts
		My interest in ADR arose because in 1985 -1986 I was counsel to a group of clients who participated in a fairly substantial mediation and arbitration process that took place as part of the Johns Manville bankruptcy proceeding.
		As a result of that experience I became very interested in ADR and how valuable it was in resolving that case.
		The use of ADR is stronger in New York and New Jersey than in Boston or Washington, but we have only begun to scratch the surface.
	www.jamsadr.com /j_pub/show_article.asp?id=14 (2219 words)

	Making movies
		ADR is the process of re-recording lines of dialogue in sync to the moving picture and “guide track” before the actor’s eyes and ears, which is then digitally manipulated to match the lips on the screen so perfectly that theatre audiences believe no changes were made to the original production tracks.
		ADR was created by the RCA Corporation, which allows an interlocked projector and production guide track to be backed up to the start of the line, and then played forward as many times as needed to get a good take.
		ADR is recorded on a sound stage designed for just that purpose, which is acoustically engineered for recording dialogue in sync to picture.
	www.fromscripttodvd.com /adr_fixed.htm (4202 words)

	adr - Microformats
		adr is a 1:1 representation of the adr property in the vCard standard (RFC2426 (http://www.ietf.org/rfc/rfc2426.txt)) in XHTML, one of several open microformat standards.
		This specification introduces the adr microformat, which is a 1:1 representation of the aforementioned adr property from the vCard standard, by simply reusing the adr property and sub-properties as-is from the hCard microformat.
		The following sites have published adrs, outside their normal context of hCards, and thus are a great place to start for anyone looking for examples "in the wild" to try parsing, indexing, organizing etc., in addition to hCard examples in the wild.
	microformats.org /wiki/adr (1221 words)

	ADR-Necessary Evil or Saving Grace
		ADR, in the end, is as big or small a part of the post-production puzzle as the supervisor and director decide it needs to be.
		The ADR stage becomes the place where they can, according to Waddell, add something "just slightly different from the original quality, which can bring points out of a scene that you never knew existed." Because of the degree of technique required to match tone, pitch, emotion and sync, not all actors can do it.
		Matt Wood became a supervising sound editor on Star Wars: Episode I. This "battlefield promotion" was based, to a certain extent, on his creation of a semi-mobile ADR studio, with digital picture, beeps, streamers, mix-board routing and Pro Tools sessions to record into, all on his Powerbook G3.
	mixonline.com /mag/audio_adrnecessary_evil_saving/index.html (3545 words)

	CRInfo: The Conflict Resolution Information Source - Court ADR
		Courts and ADR proponents are no longer in the position of "reinventing the wheel," but rather improving it with innovative approaches.
		In the end, it was up to the editors to select the resources that we thought were the most well-written, cogent, and applicable to the task at hand.
		Court ADR approaches range from mandatory programs operated by courts in which all cases of a particular type are handled by court staff, to a court simply encouraging the private use of alternatives, but instituting no rules, program, budget, tracking, or staff to assist in that use.
	www.crinfo.org /recommendations/topic.jsp?id=555&nid=2622 (2067 words)

	ADRWORLD Acquisition.htm
		ADR Report 's final newsletter was distributed in late January.
		Subscribers were given the opportunity to convert their subscription of ADR Report to ADRWorld.com's online subscription for no additional charge.
		The extensive library allows users to access state and federal ADR statutes, rules of the courts, private sector and international rules, as well as policy documents and the site's news archives.
	www.adr.org /sp.asp?id=21980 (357 words)

	Ken Bryant Ken Bryant Mediation Gov't ADR Articles (Site not responding. Last check: 2007-11-02)
		This document was created by the Federal ADR Council, a group of high level government agency officials chaired by the Attorney General.
		We have learned that organizations best design and develop ADR programs by knowing an organization’s conflict resolution culture, we see that evaluation can and should be a reflective feedback mechanism for ADR program development, and that evaluation belongs at the beginning of ADR program design.
		Originally, ADR was used mostly to resolve disputes involving employees who were covered by collective bargaining agreements.
	www.mediate.com /california/pg215.cfm (1285 words)

	Government ADR Section (Site not responding. Last check: 2007-11-02)
		The challenges within government offices to provide ADR with the highest level of neutrality, confidentiality, credibility, usership, effective results, and voluntariness echo the same efforts seen in the private sector.
		ADR refers to an array of structured settlement techniques designed to resolve disputes in lieu of litigation.
		The Air Force ADR Program, and the problem-solving mindset that it fosters, are designed to support a number of strategic transformations underway in the Air Force today, states an Air Force press release.
	www.mediate.com /government (2323 words)

	Editors Guild Magazine - Tech Tips
		Like the Lartec system used in Los Angeles, the VS-Link software is a means of taking an ADR cue list created by an ADR editor and importing it so that ADR mixers do not have to spend his or her time entering in number after number.
		The downside (and thanks to the first law of thermodynamics, there is always a downside) is that using the system takes a bit of preparation on the part of the ADR editor.
		But not all ADR mixers working with the system are adept at operating the sorting features, so my "overkill" preparation was not in vain.
	www.editorsguild.com /v2/magazine/archives/1105/techtips_wipes.htm (1268 words)

	drj.htm
		Contributors are the foremost experts in areas such as international trade, business, commercial finance, labor relations, construction, the courts, insurance, employment, real estate, intellectual property, health care, computers and high tech.
		ADR News covers cutting-edge developments in all aspects of the field.
		We wish to expand our ADR coverage in all sectors - construction, technology, labor/employment, commercial, and health care, both domestic and international.
	www.adr.org /sp.asp?id=22154 (246 words)

	Audio Post FAQ's (Site not responding. Last check: 2007-11-02)
		Once the underscore is recorded, and the source music gathered, the Music Editor will usually be the person who edits or supervises the final synchronization of all music elements prior to the mix.
		Although the film editor may have been assembling the "editor's cut" during the shooting period, the first formal edit period is generally referred to as the director's cut, and it is when the first full assembly of the film is refined.
		During the mix, the edited production dialogue and ADR, sound effects, Foley and Musical elements that will comprise the soundtrack are assembled in their edited form, and balanced by a number of mixers to become the final soundtrack.
	filmsound.studienet.org /AudiopostFAQ/audiopostfaq.htm (4605 words)

	Adventures in Pro Tools Part 4
		The picture editor makes the first cut, and then the project moves on to the dialogue editor.
		The ADR (automatic dialogue replacement) recorder has an actor come to the ADR stage to re-record the actor's voice while looking at the picture to make sure that it matches the performance on screen.
		That happened because they were trying to make two completely different languages pretend to be similar (or the ADR editor was very sleepy).
	www.videosymphony.com /news/news_mar_2005_04.html (742 words)

	'Aviator' sounds like a winner
		Editor and mixer Walter Murch presented the MPSE's inaugural Filmmaker's Award to George Lucas.
		The "Daggers" winners included supervising sound editors Roger Savage and Tao Jing; supervising foley editor Jo Mion; supervising ADR editor Wang Yu Hong; sound editors Steve Burgess, Vic Kaspar, Ron Feruglio, Paul Pirola, Andrew Neil and Glenn Newnham; and foley editors Mario Vaccaro and Blair Slater.
		The "Incredibles" team was comprised of supervising sound editors Michael Silvers and Randy Thom; supervising foley editor Suzanne Fox; sound effects editors Terry Eckton, Kyrsten Mate and E.J. Holowicki; ADR editor Steve Slanec; foley editor Al Nelson, and music editor Stephen M. David.
	www.hollywoodreporter.com /thr/crafts/article_display.jsp?vnu_content_id=1000828444 (514 words)

	Norman Brand
		Brand is a member of the National Academy of Arbitrators; a Fellow of the College of Labor and Employment Lawyers; past President of the California Dispute Resolution Council, a panelist on the National Employment Mediation Service, and a member of the American Association for the Advancement of Science.
		He is active in the ABA sections on ADR, Labor and Employment Law, and Science and Technology.
		For four years he wrote a bi-monthly column on ADR for the Daily Journal.
	www.sbcadre.org /brand.htm (305 words)

	Mark Relyea (Site not responding. Last check: 2007-11-02)
		Attended the College of Saint Rose in Albany, New York.
		Haute tension (2003) (sound effects editor: United States version)
		To Face Her Past (1996) (TV) (adr supervisor)
	www.imdb.com /name/nm0718849 (121 words)

	Roster of Neutrals T to Z (Site not responding. Last check: 2007-11-02)
		Member, ADR Advisory Group, Served on ABCNY Judiciary and ADR Committees, ABCNY Arbitration Committee 2003- Articles on mediation and arbitration.
		Editor and part author, Donovan Leisure ADR Practice Book (John Wiley and Sons 1990 and 1994).
		Editor, Yale L.J. Yale Law School, Assistant in Instruction, 1974-75.
	www.courts.state.ny.us /comdiv/ADRNeutrals-T-Z.htm (1806 words)

	Michelle Pazer
		The Island - (ADR Editor / 2005 / Released / DreamWorks SKG)
		We Were Soldiers - (ADR Editor / 2002 / Released / Paramount Pictures)
		Gladiator - (ADR Editor / 2000 / Released / DreamWorks SKG)
	www.hollywood.com /celebs/detail/id/3315095 (634 words)

	Journalists Needed (Site not responding. Last check: 2007-11-02)
		The Editor and Associate Editor work hard to find content and have done so for eight editions.
		The choice is yours, as is the byline on the piece you contribute.
		If you are interested in becoming a Report journalist, please email the Associate Editor at editor@campus-adr.org.
	www.campus-adr.org /cmher/reportevents/Edition3_1/Journalists3_1.html (194 words)

	[No title]
		It is an interpreted object-oriented scripting language and has a full range of sophisticated features such as first-class functions, garbage collection, and exception handling.
		This document describes how to write modules in C or C++ to extend the Python interpreter with new modules.
		The Python interpreter is easily extended with new functions and data types implemented in C. Python is also suitable as an extension language for highly customizable C applications such as editors or window managers.
	jones.ling.indiana.edu /~pythncl/Python.bib (1656 words)

	AWN Headline News (Site not responding. Last check: 2007-11-02)
		Music editor Nicholas Carr won his second Golden Reel for SPONGEBOB music, while the Hacienda Post sound team of supervising sound editors Timonthy Borquez and Jeffrey Hutchins, in addition to dialogue editors Tony Ostyn and Daisuke Sawa won for their sound work on the series.
		Supervising sound editor Tom Syslo, a multiple Golden Reel winner, was on hand to pick up his award for Best Sound Editing: Direct to Video, awarded for THE ADVENTURES OF TOM THUMB AND THUMBELINA, along with supervising dialogue editor Eric Freeman.
		Fellow Hacienda Post editors Borquez and supervising ADR editor Eileen Horta were also part of the winning direct to video team.
	news.awn.com /index.php?newsitem_no=8263 (985 words)

	UK screen - John Crumpton : DV Director, Producer, Sound Designer, Sound Editor, Writer
		I have been working in the film and television industry since graduating with a first class degree in Fine Art in the mid 1970s.
		For the last twentyyears I have been employed as a freelance sound editor by all the major terrestrial broadcasters, and have worked on a wide range of dramas, documentaries and comedies.
		I have more recently specialised in dialogue and ADR editing, as I enjoy working with actors, writers, and directors as part of the creative process.
	www.ukscreen.com /crew/johncump (333 words)

	CAADRS Staff
		She also has been an adjunct faculty member in the schools of law at DePaul University, Loyola University and Northwestern University.
		Yates is co-editor of ADR Handbook for Judges, published by the ABA, and the first Illinois Institute for Continuing Legal Education ADR Handbook.
		She is currently one of two ABA representatives to the redrafting effort for the Model Standards of Conduct for Mediators..
	www.caadrs.org /about/staff.htm (527 words)

	CRInfo: The Conflict Resolution Information Source - Editor Recommendations
		CRInfo Version IV now includes short lists of recommended resources ("Editor's Picks") on 200 topics from CRInfo's panel of 10 outside editors.
		His educational background includes a Licenciatura in American History at the Complutense University at Madrid, and an MS in Conflict Analysis and Resolution at ICAR, George Mason University.
		Duane is Webmaster for Victim Offender Mediation Association, an Advanced Practitioner member of the Association for Conflict Resolution, a member of the American Society of Victimology, and Administrator of Victim Offender Reconciliation Program of the Central Valley, Inc., founded in 1982.
	www.crinfo.org /recommendations/editors.jsp?nid=1061 (1069 words)

	Real Image - Digital audio video film and DTS cinema sound.
		Frequently working also with the Music Supervisor the Music Editor will take timings for the Composer, (usually during a spotting session)in order to notate the specific locations in the film where underscore or source music will punctuate the narrative.
		The Dialogue Mixer, (also called the Lead Mixer or Gaffing Mixer) commands the mixing stage; his partners in the mix are the Effects Mixer and the Music Mixer.
		The Dialogue editor(s) will begin preparing the production audio for final mixing, and the ADR editors can commence editing in the ADR lines, once they have been recorded.
	www.real-image.com /audio/audiopostproduction.asp (2048 words)

	Reelmind.com
		After working as a Feature Film Sound Editor since 1973, Victoria Rose Sampson is pursuing her writing and directing career by having just completed her second short film "Click Three Times" (30 minutes, 35mm, color) starring Isabel Sanford and Kelly Boczek.
		She was the film editor on independent feature "Sandtrap" a 35mm film starring Sam Bottoms.
		She is a member of Women in Film, IFP/West, Cinewomen, and AFI's Directing Workshop for Women Salon Group (The Alliance of Women Directors.) She is a member of The Academy of Motion Picture Arts and Sciences, the Motion Picture Sound Editors (MPSE) and belongs to Motion Picture Editors Guild, Local 700 of the IATSE.
	reelmind.com /pages/media/asf_viewer.php?speed=1&movie_id=35&ck=20353 (398 words)

	AWN Headline News (Site not responding. Last check: 2007-11-02)
		Rydstrom told AWN he preferred cutting sound on animated movies because the editor has total control; he can create the sound from scratch.
		Lucas repeated his claim that “sound is 50% of the motion picture experience” and went on to thank sound editors for often inspiring his creativity as a picture editor.
		The work would be so much better if sound editors could start at the same time as the picture starts.” He told the attendees to pursue sound, and filmmaking, “only if you love it.
	news.awn.com /index.php?ltype=top&newsitem_no=13225 (2171 words)

	[No title]
		supervising foley editor supervising foley editor William Jacobs (II)....
		assistant adr editor (as John P. Morrisey) Ed Murray....
		assistant adr editor (as Kelly Justin Quinn) Giedra Rackauskas....
	www.chez.com /dfincher/a3cast.html (254 words)

	Academy of Television Arts & Sciences
		• Eileen Horta, a governor in the Sound Editors Peer Group, and the group of sound professionals who worked on the HBO movie Warm Springs were nominated in the category of Outstanding Sound Editing For A Miniseries, Movie Or A Special.
		From TNT’s The Grid, the nominees are supervising sound editor Mark Friedgen; ADR editor Devon Curry; sound editors Joy Ealy, Bob Costanza, Mike Dickeson, Gary Macheel, Mark Steele, Anton Holden and Charlie Kolander; music editor Tom Trafalski; and Foley artists Tim Chilton, and Jill Sanders.
		For HBO’s The Life and Death of Peter Sellers, the honorees are supervising sound editor Tim Hands; sound effects editor Geoff Rubay; sound editor James Mather; dialogue and ADR editors Victoria Brazier and Zack Davis; dialogue editor Laura Lovejoy; ADR editor Anna MacKenzie; and Foley artists Felicity Cottrell and Ruth Sullivan.
	www.emmys.org /news/2005/july/newsemmynom0714.php (583 words)

Try your search on: Qwika (all wikis)