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Topic: Accademia Filarmonica of Bologna

	Accademia Filarmonica di Bologna
		The Accademia Filarmonica of Bologna was founded in 1666 by the nobleman Vincenzo Maria Carrati who housed it in his family home (Palazzo Carrati, presently located in Via Guerrazzi,13).
		Right from its foundation the Accademia adopted the form of a guild or corporative association with the aim of safeguarding the prestige and professionality of its members,this made possible thanks to the high protection of the cardinal of Bologna, Pietro Ottoboni (1713) and the approval by Pope Clement XI of the academy’s statute (1716).
		The Accademia’s opinion was often required on musical and theoretical matters and being a member of it was a greatly aimed for professional goal.
	www.accademiafilarmonica.it /ENG/pages/accademia/index.htm (846 words)

	Philharmonic Academy of Bologna - Wikipedia, the free encyclopedia
		Accademia Filarmonica di Bologna (The Philharmonic Academy of Bologna) - is a music education institution in Bologna, Italy.
		Saint Anthony of Padua was chosen as its patron saint and the image of an organ bearing the motto Unitate melos was chosen as its coat of arms.
		At the beginning of 21st century the Accademia was headed by M. Fulvio Angius.
	en.wikipedia.org /wiki/Accademia_Filarmonica (184 words)

	DoveSong.com -- 17th Century Spiritual Music in Bologna
		Still to this day, Bologna has not been fully recognized as the important music center that it once was and few musicians and music lovers realize the important music and the incredible composers who blossomed there during its musical heyday.
		He left Bologna in 1674 to live at the Este court in Modena and in 1684 became the maestro di capella at the ducal chapel.
		He was born in Bologna, the son of an organ builder and went to Rome to study with Abbatini, Benevoli, and Carissimi.
	dovesong.com /Positive_music/archives/baroque/17th_Century_Bologna.asp (882 words)

	Grace Cathedral: Calendar: Concerts
		Andrea Macinanti was born in Bologna in 1958.
		He was chosen to represent Bologna, Capital of Culture 2000, at the Festival of Reykjavik (Iceland).
		He is a member of the Accademia Filarmonica di Bologna and the Royal College of Organists of London.
	www.gracecathedral.org /calendar/detail.php?eid=775 (316 words)

	Rossini e l'Accademia (engl)
		The Accademia Filarmonica of Bologna has welcomed with great pleasure the invitation by the Fondazione Rossini in Pesaro to collaborate to the preparation of the exhibition for “La Cenerentola” at the Casa Rossini in Pesaro (10-31 August 1998), on the occasion of the performance of Rossini’s famous masterpiece at the Rossini Opera Festival.
		During the years, the Rossinian events organized by the Accademia Filarmonica of Bologna have been innumerable: with the publication of this booklet, on the occasion of the exhibition for La Cenerentola, we intend to express our concrete interest and participation in the prestigious initiative in Pesaro, for which we heartily thank the Fondazione Rossini.
		The publication contains three essays: The autograph of Rossini’s Cenerentola in the Archives of the Accademia Filarmonica in Bologna, by Giuseppe Vecchi; Rossini and the Accademia Filarmonica of Bologna, by Luigi Verdi; The Accademia Filarmonica of Bologna and its history, by Romano Vettori.
	www.luigiverdi.it /engl/rossini_e_accademia-ingl.htm (280 words)

	Il Farinelli a Bologna (engl)
		Il Farinelli a Bologna, a cura di Luigi Verdi, Centro Studi Farinelli, Bologna 1998.
		During his brilliant career, Carlo Broschi named Farinelli (1705-1782) performed in Bologna several times: the first time, in the summer 1727, when he was only 22 years old, he interpreted the role of Ceraste in Antigona by Orlandini, competing in skill with Antonio Bernacchi, a master of the Bolognese chant school.
		Back to Bologna in 1731 with Farnace by Porta and in 1733 with Siroe by Hasse, Farinelli was conferred the Bolognese citizenship in October 1732 and a month later he purchased an estate outside Porta Lame, with the intention of building a villa where to spend his old age after retiring from the scenes.
	www.comune.bologna.it /iperbole/farinelli/inglese/testi/farinelli_a_bologna-ingl.htm (321 words)

	Giuseppe Fausto Modugno's Curriculum Vitae (Site not responding. Last check: 2007-10-13)
		Born in Bologna in 1960, Giuseppe graduated ‘cum laude’ in piano studies at the age of 20 at the city’s Conservatoire.
		He is artistic adviser at the Accademia Filarmonica in Bologna (www.accademiafilarmonica.it) and artistic secretary for the ‘Orchestra Mozart’ directed by Claudio Abbado (www.orchestramozart.com).
		For years he has been passionately involved, both at the Accademia Filarmonica and in other prestigious musical academies, in preparing series of conferences and concert-conferences which he frequently gives on composers and on the historical and aesthetic background to major classical works.
	www.modugno.org /eng/career.htm (572 words)

	la notre histoire
		The Quartetto di Sassofoni Accademia was founded 1984.
		Due to the fine level of execution, its wide range of repertoire and its many concerts (over 600 held since 1984) it is considered at an international level among the most active italian groups of is king.
		Their apparerences in Italy for important italian musical institutes have included: Accademia Filarmonica di Bologna, Filarmonica Laudamo di Messina, Istituzione Universitaria dei Concerti in Rome, Società dei Concerti "B. Barattelli" in L'Aquila, Roman Philarmonic Accademyetc.
	www.accademiasax.com /francese/storia/biography.html (887 words)

	Accademia Filarmonica di Bologna-
		By the archive/library of the Accademia is hosted the Study and Research Department run by A.M.I.S (Antiquae Musicae Italicae Studiosi) whose purpose is to study and publish documents and musical works regarding the Accademia's history.
		The work of publication of studies and materials for an history of the Accademia Filarmonica continues as well.
		Degree-dissertations and specialization, as well as doctoral thesis presented to the Universities of Bologna, Milan, Cremona, Florence, Zurich, Hamburg, etc. It's a quite interesting patrimony of firsthand accounts on researches carried out on the basis of musical and archive documents, many of which in possession of the Accademia.
	www.accademiafilarmonica.it /ENG/pages/studi/index.htm (616 words)

	the violin > musicians > 1. Composers (page 1/5)
		There are many legends even today on the life of Corelli, though in reality very little is known about him.
		Admitted to the famous Accademia Filarmonica of Bologna at the age of 17, he is thought to have settled in Rome in 1671.
		Amongst his protectors was Queen Christine of Sweden, and later, as from 1690, Cardinal Pietro Ottoboni, a nephew of the Pope.
	library.thinkquest.org /27178/en/section/3/1.html (760 words)

	Inaugurazione (engl)
		The Centro Studi Farinelli was inaugurated on 21 March 1998 at the Accademia Filarmonica of Bologna with a study meeting devoted to "Farinelli and the musical culture of 18th century" and a concert of "Farinelli's Arie" by sopranist Angelo Manzotti accompanied by harpsichordist Maria Pia Jacoboni.
		He was awarded the honorary title of Philarmonic Academician in 1730 and the Bolognese honorary citizenship in 1732; in the same year he purchased an estate out of Porta Lame, where he had a magnificent villa built.
		The afternoon concert at the Accademia Filarmonica, closing the event, was attended by an overflowing audience and marked the success of Angelo Manzotti, one of today's greatest interpreters of Farinelli's repertoire.
	www.comune.bologna.it /iperbole/farinelli/inglese/testi/inaugurazione-ingl.htm (244 words)

	Biblioteca comunale dell'Archiginnasio - Bologna
		Con la promozione della mostra Rossini a Bologna (29 febbraio - 1° aprile 2000), l'Accademia Filarmonica intende rendere omaggio a questa straordinaria figura di musicista, del quale ricorre proprio nel 2000 il 50° anniversario bisestile della nascita, essendo il compositore nato il 29 febbraio.
		La mostra, particolarmente esauriente e dettagliata, ripercorre le varie tappe della presenza di Rossini a Bologna attraverso l'esposizione di riproduzioni di lettere, manoscritti musicali, disegni, stampe e fotografie, così da tratteggiare un variegato quadro d'insieme.
		Ma la vera protagonista della mostra è Bologna, con la sua storia, i suoi palazzi, le sue vie, la sua gente, in un periodo turbolento di transizione che va dall'ascesa di Napoleone Bonaparte all'unità d'Italia.
	www2.comune.bologna.it /bologna/archigin/mostre/rossini.htm (314 words)

	[No title] (Site not responding. Last check: 2007-10-13)
		The journal was published in Bologna by Umberto Pizzi, an editor active from the early years of the twentieth century, who also sold musical scores and instruments.
		The journal’s guiding spirit, editor and principal collaborator was Francesco Vatielli (Pesaro 1876-Portogruaro 1946), who held a prominent position in national musical life of the time and who was one of the first Italian musicologists to write on the history of Italian instrumental music of the seventeenth and eighteenth centuries.
		The following section is dedicated mostly to reproductions in facsimile of precious documentary sources, such as the autograph of Mozart’s Quaerite primum, KV 73v—composed in 1770 for admission to the “Accademia Filarmonica” in Bologna—autographs of Tartini, portraits of musicians, and letters of composers.
	www.ripm.org /journals/CUL.php (496 words)

	CUBEC - Paola Molinari (Site not responding. Last check: 2007-10-13)
		She studied at "G.B. Martini" Conservatory in Bologna, and attended specialization courses with Alfred Cortot in Paris and Lausanne, and obtained the "Licence de concert" at the Ecole Normale de Musique in Paris.
		Now she teaches at the Accademia Filarmonica in Bologna in collaboration with maestro Sergio Bertocchi.
		She taught at the G.B. Martini Conservatory in Bologna, she has been répétiteur for many years at the Teatro Comunale in Bologna and Teatro La Scala in Milan, she collaborated with many conductors such as Riccardo Muti, Riccardo Chailly, Vladimir Delman, Roberto Abbado, and many others.
	www.belcanto.it /testo.asp?ID=645 (203 words)

	Wagner in Bologna (engl)
		On the occasion of the staging of Der Fliegende Hollander by Richard Wagner, opening the 2000-2001 lyrical season of the Teatro Comunale of Bologna, the Accademia Filarmonica, ranging Wagner among its most prestigious members, has awarded Eva Wagner Pasquier, the great composer’s great-granddaughter, with the honourary membership (29 November 2000).
		In order to commemorate this event, the Accademia Filarmonica of Bologna has promoted the publishing of an illustrative brochure on Wagner’s short staying in Bologna (4- 5 December 1876), on the basis of scarcely known or unpublished original proofs.
		In Bologna I have found some true friends, some eminent people indeed, and a whole set of things which could have persuaded me to take up my residence among such excellent and earnest friends, who were so favourable to my leading idea in art, had it not been too late for me by now”.
	www.luigiverdi.it /engl/wagner_a_bologna-ingl.htm (274 words)

	Journal of Seventeenth-Century Music \| Vol. 8 No. 1 \| Communication (Site not responding. Last check: 2007-10-13)
		The reliability of all these Philharmonic manuscripts is suspect, since they were written as much as fifty years after Corelli’s arrival in Bologna, and all from the particular bias of an official historian of the Accademia Filarmonica, but if any of them is to be believed it must be the earliest.
		The Accademia Filarmonica at Bologna still owns its chamber organ from that period; of Corelli’s patrons, Queen Christina kept two in the upper room of her palace where her academies where held, and Benedetto Pamphilij’s country villa at Cecchignola had an organo di legno.
		Yet there is no denying the absolute consistency of the specifications in the last decade of the seventeenth century and this can only suggest a fundamental change of practice: in the chamber, the primacy of the organ as the instrument of accompaniment was being usurped by the harpsichord.
	sscm-jscm.press.uiuc.edu /jscm/v8/no1/allsop.html (1638 words)

	Mozart a Bologna (engl)
		Mozart a Bologna, tra Accademia Filarmonica e Villa Pallavicini.
		Villa Pallavicini Bologna, as seat of the Istituto di Studi Avanzati of the Bologna's University.
		The aggregation to the Accademia Filarmonica of Bologna was a particularly important title for composers all over Europe and could be obtained by taking a demanding examination, which consisted in realizing one four-voice antiphon from the Roman gradual psalms.
	www.luigiverdi.it /engl/mozart_a_bologna-ingl.htm (187 words)

	DoveSong.com -- 17th Century Spiritual Music in Bologna
		Facciata della Chiesa di San Petronio nella Piazza grande di Bologna, incisione in rame, 1757.
		Vitali was born in or near Bologna (or possibly Cremona) and studied under Cazzati.
		Giovanni Paolo Colonna was a fantastic composer, organist, and maestro di cappella at San Petronio, the great cathedral in Bologna.
	www.dovesong.com /Positive_music/archives/baroque/17th_Century_Bologna.asp (882 words)

	Accademia Filarmonica di Bologna - Wikipedia
		L'Accademia Filarmonica di Bologna è una istituzione musicale fondata a Bologna nel 1666 da Vincenzo Maria Carrati con l'intenzione di raccogliere musicisti «acciò havere filo et unione da non disunirsi e rendere buon suono».
		L'accademia raccolse precedenti esperienze di accademie bolognesi (come l'antichissima Accademia degli Accesi, poi dei Ravvivati e infine dei Riaccesi, e soprattutto l'Accademia dei Floridi, poi dei Filomusi e dei Filaschisi), con lo scopo di salvaguardare il prestigio musicale e la professionalità dei suoi membri.
		Antifona "Quaerite primum regnum Dei": esercizio d'esame del giovane Mozart, allievo di Padre Martini, 9 ottobre 1770, Bologna
	it.wikipedia.org /wiki/Accademia_Filarmonica_di_Bologna (644 words)

	CORELLI, Arcangelo :Gilder-MusicWeb Dictionary of composers (Site not responding. Last check: 2007-10-13)
		He started his studies at a very early age, and was admitted to the Accademia Filarmonica in Bologna in 1670.
		In 1675 he went to Rome, playing as a theatre violinist, and by 1679 was directing the orchestra at the Teatro Capranica, earning very high fees.
		He was admitted to the exclusive Accademia dei Arcadi.
	www.musicweb.uk.net /Classpedia/Corelli.htm (157 words)

	Amazon.com: "Accademia Filarmonica": Key Phrase page (Site not responding. Last check: 2007-10-13)
		On the other hand, the copy of the 1559 edition at the Accademia Filarmonica of Verona has the words "La Peccorina" written in a sixteenth-century hand on the original bindings,...
		When Mozart reached Bologna he was elected a member of the Accademia Filarmonica, of which he became maestro di cappella in 1771, and he received from Padre Martini a formal testimonial.
		Among the most important are the Accademia Filarmonica di Roma (Rome Philharmonic Academy), founded in the nineteenth century and reorganized in 1946; the Accademia Musicale Chigiana (Chigiana Musical...
	www.amazon.com /phrase/Accademia-Filarmonica (573 words)

	..:: marco lazzara ::.. (Site not responding. Last check: 2007-10-13)
		Marco Lazzara started his musical studies whilst still a child and precociously obtained diplomas in piano, organ, harpsichord and operatic singing, perfectioning himself for three years at the Accademia Chigiana of Siena.
		Since his debut in 1989, national and international critics have shown great interest in him, for his particular vocal register, his musicianship and his versatility in music styles which have allowed him to interpret not only baroque repertoire but also romantic and contemporary repertoires.
		He has been elected academician of the R. Accademia Filarmonica of Bologna.
	www.marcolazzara.com /en (360 words)

	Alibris: Bologna
		Being the substance of his examination before the fathers of the Inquisition at Bologna, in Italy: giving an account of an unknown country, in the deserts of Africa, the origin and antiquity of the people...
		Il Concerto Palatino della signoria di Bologna : cinque secoli di vita musicale a corte (1250-1797)
		In 1994, in recognition of the increasing importance and distinct artistry of illustration for nonfiction children's books, the organizers of the Bologna Book Fair's annual illustrators' exhibit established a separate exhibit for thistype of artwork.
	www.alibris.com /search/books/subject/Bologna/page/6&matches=267 (432 words)

	HOASM: Giovanni Battista Bassani (Site not responding. Last check: 2007-10-13)
		He was a member of the Accademia della morte in Ferrara (1667) and of the Accademia filarmonica in Bologna from 1677.
		Maestro di cappella at the Confraternità del finale in Modena from 1677; at the court of Duke Alessandro II from 1680; at the Accademia della morte in Ferrara from 1684; and at the cathedral in Ferrara from 1686.
		In 1712 he went to Bergamo, where he taught music and directed at S. Maria Maggiore.
	www.hoasm.org /VD/Bassani.html (134 words)

	Journal of Seventeenth-Century Music \| Vol. 6 No. 2 \| Review (Site not responding. Last check: 2007-10-13)
		While it is true that church and chamber sonatas were mutually influencing, Allsop simply goes too far in arguing that an otherwise meaningless distinction was reified in the writings of oltremontani.
		Other than this mention of his membership in the records of the Accademia Filarmonica itself, there is no evidence of Corelli’s involvement with the organization.
		Corelli himself never mentions it in his published music, and there is no composition in the archives of the Accademia Filarmonica by Corelli that would have served as part of the materials required for admission at the rank of composer.” (Allsop, Arcangelo Corelli, 25).
	sscm-jscm.press.uiuc.edu /jscm/v6/no2/barnett.html (2893 words)

	Mozart's Bologna Accademia Filarmonica test piece K86 - MozartForum
		Mozart's Bologna Accademia Filarmonica test piece K86 - MozartForum
		Mozart's test piece for the Bologna Accademia Filarmonica is K86/73v "Quaerite primum regnum Dei".
		In short it appears Wolfgang's composition might not have met the Accademia's strict style requirements, and Martini helped his pupil.
	www.mozartforum.com /VB_forum/showthread.php?t=279 (238 words)

	Museo internazionale e Biblioteca della musica di Bologna
		GIUSEPPE F. Tutti i concerti si terranno il sabato alle ore 17.00 presso la Sala Mozart dell'Accademia Filarmonica (via Guerrazzi 13).
		Ogni volta un autore diverso viene osservato nei suoi rapporti con il mondo che lo circondava, scoprendo i quadri della sua epoca, le letture che faceva e le amicizie che stringeva con artisti e intellettuali a lui vicini.
		Il convegno si terrà presso la Sala Mozart dell'Accademia Filarmonica (via Guerrazzi 13).
	www.museomusicabologna.it /xmozartaccademia.htm (427 words)

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