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| | Dorothy Dunnett - NICCOLO RISING |
 | | And as the chameleon artificer of all this, Nicholas incurs the ambiguous interest of the Bruges patrician Anselm Adorne and the Greco-Florentine prince Nicholai Giorgio de' Acciajuoli, both of whom steer him toward a role in the rivalry between Venice, in whose interest Acciajuoli labors, and Genoa, original home of the Adorne family. |
 | | In this first novel the contested product is alum, the mineral that binds dyes to cloth, blood to the body, conspirators to a conspiracy--in this case, to keep secret the news of a newly found deposit of the mineral in the Papal States while Venice and her allies monopolize the current supply. |
 | | Acciajuoli and Adorne are father-mentor figures Nicholas can respect, resist, or join on roughly equal intellectual terms--whereas the powerful elder males of his blood, his mother's uncle, Jaak de Fleury, and his father's father, Jordan de Ribérac, steadily rip open wounds first inflicted in childhood. |
| www.randomhouse.com /vintage/dunnett/niccolo/rising.html (621 words) |
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