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Topic: Aesthetic relativism

    Note: these results are not from the primary (high quality) database.

Cultural Relativism Those who hold to cultural relativism hold that all religious, ethical, aesthetic, and political beliefs are completely relative to the individual within a cultural identity. Cultural relativism is the view that all beliefs are equally valid and that truth itself is relative, depending on the situation, environment, and individual. Relativism often includes moral relativism (ethics depend on a social construct), situational relativism (right or wrong is based on the particular situation), and cognitive relativism (truth itself has no objective standard). www.cultural-relativism.com   (570 words)

Relativism [Internet Encyclopedia of Philosophy] In contemporary philosophy, the most widely discussed forms of relativism are moral relativism, cognitive relativism, and aesthetic relativism. Relativism is sometimes identified (usually by its critics) as the thesis that all points of view are equally valid. Critics of relativism typically dismiss such views as incoherent since they imply the validity even of the view that relativism is false. www.utm.edu /research/iep/r/relativi.htm   (570 words)

Postmodernism Utopian ideals of universally applicable truths or aesthetics give way to provisional, decentered, local petit recits which, rather than referencing an underlying universal truth or aesthetic, point only to other ideas and cultural artifacts, themselves subject to interpretation and re-interpretation. While postmodernism is distinct from nihilism and relativism (which are often considered to be forms of modernism), postmodernism shares with them a distrust toward totalizing claims about truth, ethics, or beauty. However, where nihilism and relativism are serious about this distrust and decentering, the decentering in postmodernism is more self-consciously ironic, as nihilism and relativism are viewed, themselves, as attempts to describe the world at its "center" and in its totality. www.sciencedaily.com /encyclopedia/postmodernism   (570 words)

2000 Rocky Mountain Division Meeting Report Tastes." He argued that natural and moral beauty are the objects of taste and that there is nothing in Hume that leads to relativism in aesthetic judgements. She presented "Hume's 'Of the Standard of Taste': A Beginners Guide to Evaluating Political Art and the Art of Other Cultures" in which she defended Hume against the charge that use of the rational in his "Of the Standard of Taste" is inadequate to allow one to make aesthetic judgements. There were three papers that discussed Hume's aesthetics. www.aesthetics-online.org /reports/rocky-00.html   (570 words)

THE WORLD QUESTION CENTER 2005 Such aesthetic relativism is decisively refuted, as Hume understood, by the cross-cultural appeal of a small class of art objects over centuries: Mozart packs Japanese concerts halls, as Hiroshige does Paris galleries, while new productions of Shakespeare in every major language of the world are endless. Beneath such explanations is a denial of intrinsic aesthetic merit. Such veins of explanation often include no small amount of cynicism: why do people go to the opera? www.edge.org /q2005/q05_4.html#provine   (5220 words)

Philosophy of Art Monroe Beardsley, "The Refutation of Relativism", Journal of Aesthetics and Art Criticism, 41, 1983. Description: This module aims to give a good grounding in the philosophy of art, examining such issues as the nature and definition of art; different conceptions of the aesthetic; aesthetic realism and anti-realism; theories of representation; art and value; conceptions of creativity. George Dickie, "The New Institutional Theory of Art" in George Dickie, Richard Sclafani and Ronald Roblin (eds), Aesthetics: A Critical Anthology, 2nd ed. www.st-andrews.ac.uk /~bng/ReadList3.htm   (865 words)

Terrance MacMullan Locke argues that a trans-cultural communication of aesthetic values is vital for culturally diverse democratic societies for whom cross-cultural exchange and understanding is necessary in order to avoid conflict among different cultural groups. This essay explores Alain Locke’s aesthetics and his claim that the cross-cultural communication of aesthetic values is essential for a viable, culturally diverse democratic society. This passage reveals that for Locke “[t]he belief in a value relativism was of course a rejection of all absolutes, theological as well as metaphysical.” www.american-philosophy.org /archives/2005_conference/final_papers/macmullan.htm   (4475 words)

Dinu Luca, "Knack Stories" Revisited The answers to these questions are indeed multiple, and the differences between them are particularly subtle: Zhuangzi's skepticism, his relativism, perspectivism, contextualism and anti-foundationalism, as well as his naturalism, mysticism, primitivism, antirationalism, aestheticism, idealism, monism or romanticism, all of them in various shapes and sizes, have been offered as as many solutions. Confronted with this polyphony, it is no wonder that the educated watcher that the Prince shows himself to be has the immediate awareness of the profound aesthetic act that he is witnessing and, sighing with admiration, he questions the butcher: THOMPSON, KIRILL O. "Daoist Cultural Reality: The Harmony of Aesthetic Order." Journal of Chinese Philosophy 17. chinesestudies.tripod.com /luca.html   (5709 words)

rock action This analyzation included the aesthetic aspects: the light at Jesus's back, the window separating the men at the table from Jesus and Paul, the indeterminate nature of the lighting in the rest of the painting, and so on. The problem is: relativism says that, in light of these human defeats, we must not try to correct our errors; we must simply assume that there can be no error, or that we are perpetually at its mercy. However, his reevaluation of what was before a primarily aesthetic exercise in light of its historical exercise was everything I had been trying to say months earlier. rock-action.blogspot.com   (6388 words)

Moral Subjectivism Revisited He defines subjectivism as the view that "what makes an action right is that a person approves of it." But this is a form of relativism, not subjectivism. When we disagree about whether rock music is pleasing we do not say that, because this is a matter of taste, we are therefore all 'aesthetically infallible' or that the idea that whether something is aesthetically good or bad is a matter of taste does not constitute an 'adequate aesthetic theory'. Subjectivism claims that there is no objective fact of the matter over whether a specific action is right or wrong; therefore it does not claim that anything makes an action right or wrong--including personal approval. www.infidels.org /library/modern/keith_augustine/moral2.html   (1327 words)

The Claremont Institute: No Relativism on this Warren Court I beg reconsideration of the judgments of the Warren Court, that is, of Spencer Warren, who sternly accused them of "aesthetic relativism." But first we need to scope out the esoteric message. The Spencer Warren Report's major point in defending the '50s was not that it represented some height of Western Civilization, as Bottum presents, but rather that its movies showed visually (i.e., aesthetically) a decency that is lacking in current popular entertainment. First of all, this East Coast-West Coast Straussian business obfuscates and is itself a case of "geographic relativism." Let's use the term Jaffanese American (or Declaration of Independence conservative) rather than "West-Coast Straussian." I do not know that Warren belongs to either "gang" (as The New Republic once put it). www.claremont.org /writings/030124masugi.html   (1327 words)

Essentialism and Relativism in Gaelic and Sorbian Language Revival Discourses Sorbian culture is defended as a set of ethical and aesthetic commitments, as a source of dignity, mental growth and community. Gaelic and Sorbian form enclaves in extremely influential, Germanic languages and are closely related to official languages of neighbouring countries (Irish in the case of Gaelic, Polish and Czech in the case of Sorbian). The Sorbian language and more broadly Sorbian culture were publicly denigrated as backward and undesirable, and outspoken Sorbian intellectuals found themselves accused of betraying their fatherland. www.arts.ed.ac.uk /celtic/poileasaidh/seminarwebversion2.html   (1327 words)

disinformation lee smolin: the new einstein? Smolin agrees--the aesthetic discipline and intellectual rigor that is required by post-quantum physics may be the perfect antidote to the extreme relativism and subtle reductionism of some postmodern exponents. Smolin explains why he perceives the structure of space-time as lattices, the possibility for region variations and the implications for cosmology. Smolin noted that when a black hole reached a state of infinite density/gravitational field, not only was the space beyond its event horizon unobservable, but also time essentially stopped. www.disinfo.com /archive/pages/dossier/id461/pg1   (2661 words)

Tom Lewis: "Philosophical Realism & the Aesthetic in Michael Sprinker's Literary Criticism" Moreover, what keeps Bhaskar from falling back into idealism or empiricism, despite his acknowledgment of epistemic relativism and the distinction it brings between real objects and objects of knowledge, is his view that "it is the nature of objects that determines their cognitive possibilities for us" (Bhaskar 25). Bhaskar's work holds a natural attraction for anyone as committed as Michael was to Althusserian theory, for it accommodates the Althusserian distinction between "real objects" and "objects of knowledge" while simultaneously upholding philosophical realism. Because he rejects isomorphism, Bhaskar proposes a "critical" philosophical realism, one which conceptualizes the knowledge process as an inferential one involving the distinction between real objects, which belong for Bhaskar to an "intransitive dimension" (ontology), and objects of knowledge, which belong to a "transitive dimension" (epistemology). eserver.org /clogic/3-1&2/lewis.html   (1723 words)

[20040901] GARDEN AND THE WORKSHOP Budapest, however, was a dense city surrounded by factories, whose cultural leaders referred to the offices and cafes where they met as "workshops." These differences were reflected, he argues, in the contrast between Vienna's aesthetic and individualistic culture and Budapest's more moralistic and socially engaged approach. But it is likewise for anyone interested in seeing what Hanak implicitly shows time and time again, namely the many points that postmodernist fin-de-siecle relativism shares with our own fin-de-siecle (or should I say fin-de-millennium?) postmodernist variety of same. In comparing the two cities, Hanak notes that Vienna, famed for its spacious parks and gardens, was often characterized as a "garden" of esoteric culture. maths.ticmundi.com /0-691-01554-6.html   (1723 words)

Æ - Plato, Justice, and the Beautiful Soul Similarly, aesthetic relativism claims that it is not the case that the objects of our experience please us because they are beautiful, but that we find them to be beautiful simply because they please us. The notion of health is particularly appropriate because in the Republic Socrates argues that justice is precisely the health of the human soul, namely, that ordering of the parts of the soul by virtue of which it is able to function properly. He freely admits that we often judge an action to be moral or an object to be beautiful because they produce pleasure in us, and that these reactions are often highly idiosyncratic. www.uqtr.uquebec.ca /AE/Vol_7/Aes&justice/2-Byrne.html   (691 words)

disinformation lee smolin: the new einstein? Smolin agrees--the aesthetic discipline and intellectual rigor that is required by post-quantum physics may be the perfect antidote to the extreme relativism and subtle reductionism of some postmodern exponents. Lee Smolin is currently an associate of the University of Pittsburgh's Center for the Philosophy of Science. Smolin explains why he perceives the structure of space-time as lattices, the possibility for region variations and the implications for cosmology. www.disinfo.com /archive/pages/dossier/id461/pg1   (2661 words)

SurfWax: News, Reviews and Articles On Contemporary Art The despair and vacuity in contemporary art no less than in education results from the wholesale abandonment of the centuries-old assumption and pursuit of transcendent and unbargainable moral, aesthetic and intellectual standards in favor of the deceptive depth of what is nothing but the inky shallowness of instrumentalism, subjectivism, and relativism. Art Basel is regarded as the most important annual meeting of the art world and is indisputably the biggest and most important fair for modern and contemporary art, figuring alongside the Venice Biennale as the highlight of the 2005 summer art season. But with contemporary art and artists gaining greater prominence in the public eye, Gilbert and George have acquired iconic status, not least because of their distinctive style of dress, which manages to be both archly conservative and deeply eccentric. art.surfwax.com /files/Contemporary_Art_Art.html   (2661 words)

GANDHI French postmodern philosophy is also criticized for its relativism, but the difference between it and Gandhi is that he believed in an absolute truth behind our failed attempts to reach it. Central to the postmodern vision of process philosophy is Whitehead's "analogy of organism," in which every element of the universe is internally related and in which a noncoercive deity attempts to harmonize these elements into an aesthetic whole. Modern philosophy generally separates fact and value, the "is" and the "ought," science and faith, politics and religion, the public from the private, and theory from practice. www.class.uidaho.edu /ngier/gpm.htm   (8204 words)

relativism However, I am not going to carefully distinguish ethics from aesthetics here because ethical relativists are almost always also aesthetic relativists. An objection like this was first formulated by Plato in his dialogue, the Theatetus (Stephanus 170e ff.). It is an interpretation of Protagoras' doctrine that Plato discusses in his Theatetus (Stephanus 152a ff.), a dialogue which I mentioned in an earlier note. faculty.vassar.edu /brvannor/relativism.html   (8204 words)

Amazon.com: Books: Cultural Literacy : What Every American Needs to Know Bloom's book made me more aware of the intrusion of relativism about values and truth that has intruded into our universities, as well as the historical genesis of that intrusion by tracing our present day situation to the German philosophical tradition. Hirsch's argument breaks down here because he tries to force the popular culture of a different age upon the public so that they will have a common experience with him, instead of exposing himself current pop culture simply because it doesn't meet his narrow aesthetic criteria. Cultural literacy is the background information we need to know in order to understand and to communicate in our society. www.amazon.com /exec/obidos/tg/detail/-/0394758439?v=glance   (8204 words)

Goodman's Aesthetics His unorthodox approach to art is part of a general approach to knowledge and reality, and is always pervasively informed by his cognitivism, nominalism, relativism, and constructivism. Nelson Goodman has certainly been one of the most influential figures in contemporary aesthetics and analytic philosophy in general (in addition to aesthetics, his contributions cover the areas of applied logic, metaphysics, epistemology, and philosophy of science). Wollheim, Richard, 1968, Art and Its Objects: An Introduction to Aesthetics. plato.stanford.edu /entries/goodman-aesthetics   (9339 words)

booth Abrams concentrates almost entirely on whether his critical pluralism is finally a skeptical relativism. He had made his case so forcefully against "the confrontation model of aesthetic criticism," and so effectively argued against "simplified" and "invariable" models of the art work and of "the function of criticism," that some readers thought he had thrown overboard the very possibility of a rational criticism tested by objective criteria. When M. Abrams published a defense, in 1972, of "theorizing about the arts," www.uchicago.edu /research/jnl-crit-inq/issues/date/v1-v19/v2n3.booth.html   (347 words)

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