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Topic: Afro-Cuban jazz


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In the News (Fri 9 Jan 09)

  
 Afro-Cuban jazz - Wikipedia, the free encyclopedia
Afro-Cuban jazz was played in the U.S. directly after the bebop period, while Brazilian jazz became more popular in the 1960s and 1970s.
Afro-Cuban jazz is a variety of Latin jazz.
While the music was influenced by Cuban and Puerto Rican musicians like Tito Puente, there were many Americans who were drawing upon Cuban rhythms for their work.
en.wikipedia.org /wiki/Afro-Cuban_jazz

  
 Trombone Page of the World
Afro-Cuban jazz is a combination of jazz improvising and rhythms from Cuba and Africa; it is also known as Latin Jazz although several of its practioners prefer the former term.
Although virtually all jazz groups prior to the rise of bebop in the early to mid-'40s played for dancers, the term "dance bands" is used to describe orchestras of the 1920s and '30s whose primary function was to play background music for dancers rather than to serve as vehicles for jazz improvisations.
Another important consideration is that journalists and jazz fans of the 1930s and 1940s drew distinctions between bands that conveyed the most hard-driving rhythmic qualities and frequent solo improvisations and those that conveyed less pronounced swing feeling and improvisation.
www.trombone-usa.com /jazz_styles.htm

  
 Timba - New Styles in Afro-Cuban Popular Music
Cuban popular music has influenced many styles of Western music, from orchestral works to ragtime, from jazz to top 40 music.
Cuban musicians can belong to a group controlled by the state, as part of a group that had established itself as a quasi-independent company or as a free-lance musician for hire with groups or by impresarios from the outside.
Cubans are offended by the fact that there music is compared to, and called, salsa which has suffered from these very attacks of the industry.
www.chucksilverman.com /timbapaper.html

  
 Scott Yanow, Afro-Cuban Jazz
Most of the great jazz performers in the various forms of jazz have created several pieces that fall within the style of Afro-Cuban jazz, and Yanow includes these recordings in his descriptions of their work.
Afro-Cuban Jazz makes it clear that jazz, the first "world" music, is no easier to sort out than some of the more recent amalgamations of musical styles.
Yanow gives a brief chronological sketch of Afro-Cuban jazz's development and then cuts to the biographical and CD evaluations, which are listed in alphabetical ordering.
www.greenmanreview.com /afrocubanjazz.html

  
 African American - Wikipedia, the free encyclopedia
Hip hop, rock, RandB, funk, and other contemporary American musical forms evolved from blues, jazz, and gospel music, which themselves evolved from the spirituals sung by slaves.
Malcolm X originally coined the term at an OAAU (Organization of Afro American Unity) meeting, saying something along the lines of "…you African Americans… because this is what you are, Africans in America…"
The term "African American" gained wide usage after 1988, when presidential candidate Jesse Jackson urged Americans to used the term to refer to black people.
en.wikipedia.org /wiki/African_American

  
 "A Brief History of Latin Jazz" by Luis Moreno
In Cuban form, this improvisational approach is known as a descarga, and was evident in the sones played by septetos in the teens and twenties of the present century.
Whereas JAZZ in the United States arose from black blues and spiritual traditions, in Cuba black musical traditions were preserved in the development of the syncretic religion known as santeria.
Just as JAZZ was created by blacks who were generations removed from slavery, in New York something qualitatively new was created by musicians generationally as well as culturally removed from the land of Jose Martí.
www.brosociety.org /docs/history_of_latin_jazz.htm

  
 cuban jazz music
Afro- Cuban Jazz to prominence in the late '40s, when he blended Bop with the synocpations of traditional Cuban music...
Kenya: Afro- Cuban Jazz music CD is on sale for only $10.06 at BestPrices.Com - this CD is shipped brand new and factory sealed.
This page was designed to be similiar to a mini search engine for people looking for niche search engine listings such as cuban jazz music.
www.treblesearch.com /links/music/78/cuban-jazz-music.html

  
 CD Baby: JAZZ: Latin Jazz - music you will love.
Latin Jazz from a powerhouse quartet - from bebop to mambo to Trinidadian Soca
Beachside is a straight-ahead jazz quartet recording of original compositions by tenor saxophonist David Guidi that span a variety of grooves and contemporary harmonies.
Leslie's original tunes and arrangements of jazz standards reflect her wide-ranging musical interests and run the gamut from straight-ahead swing, bebop, and well-crafted ballads to driving Latin rhythms and jazz fusion.
www.cdbaby.com /style/77/all?cdbaby=8fbcdfbc1a34218f7ca6a6980b606002

  
 Arts: Music: Genres: Jazz - Open Site
Jazz is a musical form originating in the southern United States and is especially associated with New Orleans, Louisiana.
The instrumentation in early New Orleans Jazz and the Dixieland style was dominated by the brass instruments popular in the marches of the late nineteenth century.
The first recording by the all-white Original Dixieland Jazz Band is generally accepted as the official birth of Jazz.
open-site.org /Arts/Music/Genres/Jazz

  
 Snowboy "Afro Cuban Jazz"
Snowboy and the latin section play "Afro Cuban Jazz"
Cuban / NY Mambo, Brasilian, Latin - Fusion, BeBop and Afrobeat is danced to by fleet-footed contortionists with a thousand moves who, all at once, mix James Brown with Nicholas Bros. with Mambo with Breakdancing.
I've also equally always been influenced by the UK Jazz Dance scene of which I've been active as a musician and a DJ for over 20 years.
www.mrpmusicgroup.com /catalogue/snowboy.htm

  
 Latin Jazz Club - Mario Bauza and the Afro-Cuban Jazz Orchestra
A tune that she used to performed with Machito, Graciela returns with "Biri Bi Kum Bi." In true Afro-Cuban Jazz vintage fashion, Bauzà and his orchestra end the set with a tribute to the famed conguero Chano Pozo titled "Pozo" featuring some poetic chanting from Rudy Calzado in the old Cuban religious tradition.
It was April 27th, 1991, Mario and his orchestra was performing at New York's Synphony Space in celebration of his 80th birthday, when, according to Calzado, a man by the name of Götz Wörner of the famed record label Messidor Musik made his way backstage after the concert to Mario's dressing room.
Wörner was so impressed with the performance that he asked Mario Bauza, "I want to record this band." And the rest is history.
www.latinjazzclub.com /Mario_Bauza(944Columbus).html

  
 :: Jazzmandu 2004 ::
He enjoys exploring Jazz, Afro-Cuban, and other styles of music and is a young Nepali talent worth watching.
Suresh has acquired a taste for jazz and is joining Cadenza for the third year.
His love for music has led him into music education and his desire to share the joy of jazz has inspired him to help bring talented musicians from around the world to Nepal.
www.kathmandujazzfestival.com /cadenza.htm

  
 Afro Cuban
Explorations in Afro - Cuban Dance and Drum - Humboldt State University Office of Extended Education presents the 6th annual Explorations in Afro - Cuban Dance and Drum workshop to celebrate the folkloric music, songs, and dances of the Afro - Cuban people.
At the Crossroads: Afro - Cuban Orisha Arts - A multimedia exhibition at the Historical Museum of Southern Florida on traditional arts associated with the Afro - Cuban Orisha religion in Miami.
Mezcla Cuban Roots Fusion Ensemble - Havana group offers a mix of Cuban music styles: jazz, son, rumba, yoruba, and nueva trova is mixed with rock, blues, rap, reggae and souk.
www.findly.com /afro-cuban.htm

  
 Afro-Cuban Jazz
The road to contemporary Afro Cuban jazz runs through artists such as Scott Joplin, Jelly Roll Morton, Perez Prado and Machito, who in 1947 influenced such American jazz giants as Stan Kenton and Dizzy Gillespie.
The next night I heard a different band, this one playing a horn-led fusion of Madagascaran, Cuban and jazz styles that was so infectious and captivating that half the audience got up and danced.
Other Cuban jazz musicians such as Chico O'Farill, Cal Tjader, Mongo Santamaria, Willie Bobo, Arturo Sandoval and Chucho Valdez emerged to carry the music to new heights.
www.lively-arts.com /music/afro_cuban_jazz.htm

  
 Con Alma: Afro-Cuban Big Bands
JAZZ FROM LINCOLN CENTER IS PRODUCED BY JAZZ AT LINCOLN CENTER AND MURRAY STREET ENTERPRISE IN NEW YORK.
"Stravinsky was quite in vogue among the jazz players// in the late 40's and all throughout the 50's.
THE EXECUTIVE PRODUCER AND DIRECTOR OF JAZZ AT LINCOLN CENTER IS ROB GIBSON.
www.jazzatlincolncenter.org /radio/scripts/conalma.html

  
 SouthBendTribune.com: Gillespie lived a 'great gig'
Dizzy Gillespie, the trumpeter who would forever become associated with the birth of bebop, acquired his nickname as a teenager when he prowled Philadelphia's saloons and jazz clubs toting a $15 horn in a paper bag while dressed in shaggy pin-stripe suits from a local thrift shop.
The joke, of course, is that "Diz" was an innovator of intense focus and intellectual depth.
The older musicians who affectionately applied the label couldn't have foreseen how apt it was -- that the wacky prodigy soon would be flicking spitballs behind the back of bandleader Cab Calloway and lighting matches between the toes of dozing band mates.
www.southbendtribune.com /stories/2005/07/24/living.20050724-sbt-MICH-F8-Gillespie_lived_a__g.sto

  
 Amazon.ca: Books: Afro-Cuban Jazz: The Essential Listening Companion
Yet Bellson's record isn't listed under his own name in Yanow's section of prominent jazz musicians who have recorded Afro-Cuban jazz, and neither Bellson nor the album is indexed.
For those who are just learning about the genre, AFRO-CUBAN JAZZ will give you an overview, introduce you to most of the significant artists in the genre and even suggest (and rate) some of the major recordings.
Yanow study the roots and history of how Latin Jazz evolved from puro African drum rhythms and chants to Cuban "styles" like son montuno, charanga, changui, etc, to inclusion into be-bop and the rest of the jazz vocabulary as we know it today.
www.amazon.ca /exec/obidos/ASIN/087930619X/ref=nosim/bookssites05-20

  
 Amazon.ca: Music: Afro Cuban Jazz: 1947-1960 [IMPORT] [COMPILATION]
Featuring prime Latin jazz cuts from the heyday of the mambo, Afro Cuban Jazz: 1947-1960 is really a better than average showcase for one of the music's best: Machito.
Amazon.ca: Music: Afro Cuban Jazz: 1947-1960 [IMPORT] [COMPILATION]
That's not to overlook the presence of one of the supreme champions of Latin jazz, Dizzy Gillespie ("Manteca"), Stan Kenton and his mathematically frenetic bongo jams, and J.J. Johnson and Kai Winding teaming up for a couple of classics.
www.amazon.ca /exec/obidos/ASIN/B00000G1N3/geometrynet-20/ref=nosim

  
 Amazon.ca: Music: Kenya: Afro-Cuban Jazz
Classic Afro-Cuban jazz albums are not so plentiful that any can escape being called "essential." By 1958 the idiom had lost its original spontaneity and excitement, but new life had come from the recording possibilities of high-fidelity stereo.
Look for albums like Kenya: Afro-Cuban Jazz by subject:
On the bata-drum-driven blues "Congo Mulence," Adderley and Newman create inspired solos off of the clave, highlighting the wonderful Afro-American and Afro-Cuban musical language Machito spoke and swung so well.
www.amazon.ca /exec/obidos/ASIN/B000042OQU

  
 Amazon.com: Music: Afro-Cuban Jazz Moods
I have found that many people who are rock fans with little exposure to jazz respond well to the first piece on this album, and think that it is quite exciting and interesting.
Latin Jazz has never gotten the credit it deserves (did you hear Ken Burns mention it?), and Chico O'Farrill is unjustly left off most lists of our greatest 20th Century composers.
Especially as to the first piece (which was the entire 1st side of the vinyl album when it came out), the arrangement and performances are varied and exciting.
www.amazon.com /exec/obidos/tg/detail/-/B000000YOU?v=glance

  
 Africultures - Evenement agenda - concert Maraca and afro-cuban jazz masters
Africultures - Evenement agenda - concert Maraca and afro-cuban jazz masters
www.africultures.com /html/evenement_1919.htm

  
 Boston.com / A&E / Music / Afro-Cuban Tsunami Sweeps Mainstream Shores
There have been waves of Latin jazz over the years, but the latest tsunami of the Afro-Cuban hybrid has been particularly potent and wide-ranging.
One of the most significant and vibrant cross-pollinations in the history of jazz has been the so-called Latin tinge.
NEW YORK (Billboard) - One of the most significant and vibrant cross-pollinations in the history of jazz has been the so-called Latin tinge.
www.boston.com /ae/music/articles/2004/04/10/afro_cuban_tsunami_sweeps_mainstream_shores

  
 Latin Jazz Club - New School Afro-Cuban Jazz Orchestra lead by Bobby Sanabria
The Afro-Cuban Jazz tradition was born right here in NYC in 1940 with the Orchestra of Machito and his Afro-Cubans under Mario's baton.
New School University's Afro-Cuban Jazz Orchestra conducted by Bobby Sanabria was joined by special guest artists renowned flautist Dave Valentin and conga legend Cándido Camero on Tuesday, March 18, 2003 at 7:00 p.m., at Tishman Auditorium, New School University, 66 West 12th Street, NYC.
By 1952, Camero was hailed by New York Jazz critics as the greatest Cuban drummer to come to the U.S., since the spectacular Chano Pozo took New York by storm before being killed in 1948.
www.latinjazzclub.com /newschool.html

  
 Bates College 01-12-99 BATES PRESENTS AFRO-CUBAN JAZZ CONCERT
Vocalist Bellita will join Miranda and Alexánder Nápoles for jazz stylings on the piano, bass and conga.
The public is invited to attend free of charge.
www.bates.edu /x1466.xml

  
 Afro-Cuban All Stars
This is the latest touring incarnation of the band assembled by De Marcos, a singer and guitarist and the mastermind of "The Buena Vista Social Club," the project that first brought international acclaim to a collection of long-retired Cuban jazz giants.
As a reflection of their collective experience playing multiple percussion instruments and brightly lit trumpets, the Afro-Cuban All Stars churn with high drama, even while playing music that's paced with extravagant patience.
Repressing a nation of millions for more than 40 years can't be simple, but repressing a nation that makes music as liberating and spirited as the sons, mambos and cha-chas of this 17-member jazz orchestra -- that must take hard work and a twisted kind of genius.
www.afrocubaweb.com /afrocubanallstars.htm

  
 Canadian Jazz Musicians - canadajazz.com
Montréal Jazz Big Band Made up of high caliber profesional musicians that have worked together for over a decade, Montreal Jazz Big Band is specialised in the interpretation of swing and afro-cuban music.
Charlie Biddle Montreal bassist is a jazz institution.
U of A Jazz Choir Happnin' is the official jazz choir at the University of Alberta.
vancouverjazz.com /canada/artists.php

  
 Composers of African Descent
Cuban musical figure of his day; as a composer he was the first to
Leo Brouwer is a Cuban composer and classical guitarist of African descent.  He was born in Havana on March 1, 1939.  He began playing the guitar at age 13.  Brouwer was only 17 when he made his performance debut.  Early compositions include 
Kay played in a U.S. Navy band and in a jazz orchestra during the Second World War.
chevalierdesaintgeorges.homestead.com /Others.html

  
 Chuchito Valdez Afro-Cuban Ensemble
He has studied extensively, Cuban Music, Classical Music and Jazz Piano.
This ensemble was featured during December of 2000, at the 19th International Havana Jazz Festival, as well as at the Cancun International Jazz Festival in May of 2001.
He was a child prodigy who studied with many Cuban masters, such as the great Cuban pianist, Chucho Valdes (who also happens to be his father).
www.lrmproductions.com /Valdez.html

  
 Afro-Cuban Jazz, Scott Yanow
"The music that we call Afro-Cuban Jazz is among the world's most joyous and heartfelt music.
Mixing bebop-based improvisations with Cuban and African rhythms, inventive musicians such as American trumpeter Dizzy Gillespie and Cuban conquero Chano Pozo created a sizzling jazz style that still evolves today.
Scott Yanow has written an extensive overview of the history of Latin Jazz and the incredible musicians that have developed this exciting music.
www.jazzscript.co.uk /books/afroyanow.htm

  
 Gonzalo Rubalcaba Trio - Afro-Cuban Jazz
Traditionally, the later Jazz sets, such as this was, are relaxed and improvisational, and I was not disappointed.
This fusion of Jazz and Latin rhythms reminded me of Pablo Ziegler's recent performance at the Jazz Standard ( See Review) which exemplified the fusion of Jazz and Argentine Tango and of the recent review of the Django Reinhardt Festival ( See Birdland Review) that spoke of the fusion of Jazz and Gypsy Guitar.
The pieces with Sanchez' wild saxophone were mostly progressive Jazz, while the pieces that focused on Rubalcaba's piano lead were performed in Latin Clave beat, or danceable Rhumbas, Cha-Cha's, Merengues, and Salsas.
www.exploredance.com /musicreview11103.html

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