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	Agostino Agazzari - Wikipedia, the free encyclopedia
		Agostino Agazzari (December 2, 1578 - April 10, 1640) was an Italian composer and music theorist.
		Agazzari was born in Siena to an aristocratic family.
		Agostino Agazzari, Del sonare sopra il basso, tr.
	en.wikipedia.org /wiki/Agostino_Agazzari (442 words)

	Agostino Agazzari - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links
		Agostino Agazzari was a composer and organist who was appointed to the position of "maestro di cappella" (Master of Songs) by 1603.
		Agazzari was a church musician composing motets in eight parts with a continuo, and a variety of masses,..
		Agazzari was a church musician composing motets in eight parts with a continuo, and a variety of masses, psalms and litanies.
	www.artistdirect.com /nad/music/artist/bio/0,,395777,00.html (339 words)

	WRITING SAMPLE (Site not responding. Last check: 2007-11-01)
		Agostino Agazzari, an Italian choirmaster, music teacher, and composer was born in 1578 in Siena and died there in 1640.
		Agazzari also notes that final cadences must always end with a major third, that dissonances should always resolve to their nearest consonance, that one should avoid duplicating the soprano note, and that parallel fifths and octaves should be avoided.
		Agazzari's shows a willingness to bend the rules in favor of what sounds pleasant, a traite he shares with many of his Baroque counterparts including J. Bach.
	www.depts.ttu.edu /music/theory/secondary/write.html (441 words)

	Agostino Agazzari (Site not responding. Last check: 2007-11-01)
		Agostino Agazzari (December 2, 1578 - April 10, 1640) was an Italian composer and writer on music.
		As a composer, he wrote several books of sacred music, madrigalss and the pastoral drama Eumelio (1606).
		Agostino is best known, however, for Del sonare sopra il basso (1607), one of the earliest and most important works on basso continuo.
	bopedia.com /en/wikipedia/a/ag/agostino_agazzari.html (114 words)

	[No title]
		Was wir dagegen eventuell zu vermissen meinen, muss für den damaligen fachkundigen Leser, an den sich Agazzari richtet, mehr oder weniger klar gewesen sein.
		Agostino Agazzari à un Virtuoso Sanese suo compatriotto.
		Agostino Agazzari to a virtuoso and Siena compatriot.
	www.bassus-generalis.org /agazzari/agazzari.html (15697 words)

	Agazzari about continuo in 1607
		Agostino Agazzari (1578-1640) wrote important views about continuo practice in early Italian baroque music in his book 'Del sonare sopra il basso' 1607.
		Agazzari's addition in parantheses is worth of noting.
		Agazzari goes on to the style of accompanying.
	www.cs.helsinki.fi /u/wikla/mus/agazzari.html (1272 words)

	Oxford University Press: Agostino Agazzari and Music at Siena Cathedral, 1597-1641: Colleen Reardon
		Agostino Agazzari and Music at Siena Cathedral, 1597-1641
		This book not only provides the first comprehensive study of his life and sacred works, it also opens a window on musical culture in Siena during the late sixteenth and early seventeenth centuries.
		Through the use of archival materials, Reardon documents Agazzari's long association with the Cathedral and furnishes valuable information on the personnel, repertory, and performance practices there.
	www.oup.com /us/catalog/24598/subject/Music/?view=usa&ci=9780198162728 (297 words)

	Venere Lute Quartet (Site not responding. Last check: 2007-11-01)
		Large numbers of lutenists (up to about 30) are known to have performed together in elaborate dramatic works, including the intermedi of the late sixteenth century and the Italian operas of the early seventeenth century.
		Composers such as Claudio Monteverdi and Agostino Agazzari used ensembles of lutes as the core of their “continuo bands” in the earliest Baroque operas.
		Whereas Italian lutenists in these operas realized an improvised part from the bass (“basso continuo”) to accompany singers, the lutenists in English masques were more likely to play from parts both in lute tablature and in staff notation, although they, too, surely improvised and added ornamentation.
	www.venerelutequartet.com /notes.html (1313 words)

	Amazon.fr : Agostino Agazzari and Music at Siena Cathedral, 1597-1641: Livres en anglais: Colleen Reardon (Site not responding. Last check: 2007-11-01)
		Amazon.fr : Agostino Agazzari and Music at Siena Cathedral, 1597-1641: Livres en anglais: Colleen Reardon
		Agostino Agazzari and Music at Siena Cathedral, 1597-1641 (Relié)
		She argues for a reassessment of the influences that shaped the composer's style and challenges the generally held view that Sienese culture stagnated after the fall of the Republic in 1555.
	www.amazon.fr /exec/obidos/ASIN/0198162723 (347 words)

	UCI - Department of Music, Faculty
		Her two monographs investigate different aspects of musical culture in Siena.
		Agostino Agazzari and Music at Siena Cathedral examines the life and works of the city's most famous composer and performance practice at the Duomo during the transition from the late Renaissance to the early Baroque.
		"Siena, Umanesimo e le prime composizioni sacre di Agostino Agazzari." In Umanesimo a Siena.
	music.arts.uci.edu /reardon.php (511 words)

	Atma Classique
		Erin Headley, Paul O'Dette, Stephen Stubbs, and Alexander Weimann are brought together by mutual admiration and a common dedication to a rediscovery of the musical riches of the basso continuo era.
		In 1600 Agostino Agazzari described the enormous palette of instrumental colour - including lutes, chitarrones, keyboards and lirones - necessary for the effec tive realization of an accompaniment.
		In repertoire ranging from Monteverdi to Bach, Tragicomedia explores every musical genre from lute song to fullystaged Baroque opera.
	www.atmaclassique.com /en/artistes/artistes_show.asp?id=141 (133 words)

	Jesuit do Not Sing, But Their Companions Do
		The importance of the German College for the history of music is evident from the quality of its teachers: musicians such as Vittoria, Agazzari and Carissimi taught there as maestri di cappella.
		The style of the letter is somewhat obsequious and convoluted, but illustrates how serious this teacher at the Germanicum was about his vocation to teach and compose music at the Germanicum and how content he was with his work.
		I should never have ventured to undertake that these things should appear in connection with your name, on account of your singular kindness since it [Agazzari's work] comes from the German College, which everyone knows to be preserved by no little care on your part.
	www.faculty.fairfield.edu /jmac/sj/cj/cj3music.html (3977 words)

	Journal of Seventeenth-Century Music \| Vol. 9 No. 1 \| Kendrick: What's So Sacred about "Sacred" Opera? Reflections on ...
		Our view of the nature of early opera on religious themes is also evident in the selection of pieces that might be subsumed under such a category.
		The issue of psychological veracity on stage, the third point, is also raised by the move from purely allegorical modes of discourse in Cavalieri and Agazzari to mixed modes in the Barberini pieces.
		In some ways, Tassi’s logical display of the vanities of worldly life require a spectator whose ratio takes in the argument and whose sensus is simultaneously conquered by the scenic and musical display of the piece.
	sscm-jscm.press.uiuc.edu /jscm/v9/no1/Kendrick.html (3934 words)

	The Friends of Chamber Music
		With its unique constellation of leading continuo and solo players from the world's greatest early music ensembles, Tragicomedia has been a familiar name and important influence in the field of early music since 1987, when Stephen Stubbs and Erin Headley founded the group.
		In 1600, Agostino Agazzari described the enormous palette of instrumental color - including lutes, chitarrones, harps, keyboards and lirones - necessary for the effective realization of an accompaniment.
		Though Tragicomedia has played for the Boston Early Music Festival since 1997, it has never toured the United States.
	www.chambermusic.org /ns/bio.cfm?PID=24 (654 words)

	Amazon.com: Agostino Agazzari and Music at Siena Cathedral, 1597-1641 (Oxford Monographs on Music): Books: Colleen ... (Site not responding. Last check: 2007-11-01)
		Agostino Agazzari and Music at Siena Cathedral, 1597-1641 (Oxford Monographs on Music) (Hardcover)
		archival materials, Reardon documents Agazzari's long association with the Cathedral and furnishes valuable information on the personnel, repertory, and performance practices there.
		She argues for a reassessment of the influences that shaped the composer's style and challenges the generally held
	www.amazon.com /exec/obidos/tg/detail/-/0198162723?v=glance (634 words)

	Publisher description for Library of Congress control number 93004378
		Publisher description for Agostino Agazzari and music at Siena Cathedral, 1597-1641 / Colleen Reardon.
		Bibliographic record and links to related information available from the Library of Congress catalog
		Agazzari, Agostino, -- 1578-1640 -- Criticism and interpretation.
	www.loc.gov /catdir/enhancements/fy0606/93004378-d.html (213 words)

	Music Director's Page
		He was instrumental in reviving interest in the work of J. Bach.
		On Thanksgiving Day, the choir will sing Make a Joyful Noise by Agostino Agazzari (1578-1640), based on Psalm 100.
		Praise My Soul, the King of Heaven will be the anthem on November 25, Christ the King Sunday.
	www.marinlutheran.com /music.html (656 words)

	Tragicomedia (Instrumental Ensemble) - Short History
		With its unusual instrumentarium of viola da gamba, lute, chitarrone, and harpsichord, the group has played a major role in realizing the musical riches of the basso continuo era.
		In 1600 Agostino Agazzari described the enormous palette of instrumental color—including lutes, chitarrones, keyboards and lirones—necessary for the effective realization of an accompaniment.
		In repertoire ranging from Monteverdi to Bach, Tragicomedia explores every musical genre from lute song to fully-staged Baroque opera.
	www.bach-cantatas.com /Bio/Tragicomedia.htm (234 words)

	Journal of Seventeenth-Century Music \| Vol. 6 No. 1 \| Oregan: Asprilio Pacelli, Ludovico da Viadana and the Origins of ...
		The first known Roman publication of small-scale concertato motets was Agostino Agazzari's Sacrae Cantiones (2, 3, 4 vv) of 1606; Giovanni Luca Conforti did publish the first of his three volumes of Salmi Passaggiati in 1601,
		Certainly the Collegio Germanico was, as we have seen, at the forefront of such developments.
		Graham Dixon has dealt with two of Pacelli's immediate successors there, Agostino Agazzari and Antonio Cifra, looking at the progressive tendencies in their small-scale concertato motets from a seventeenth-century perspective.
	sscm-jscm.press.uiuc.edu /jscm/v6/no1/Oregan.html (7031 words)

	Agostino Agazzari and Music at Siena Cathederal 1597-1641 - SHOP.COM
		Agostino Agazzari and Music at Siena Cathederal 1597-1641 - SHOP.COM
		Find the perfect gift for that special someone in
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	www.shop.com /op/aprod-p25516970 (195 words)

	Marius van Altena (Tenor) - Short Biography
		Expanded concert tours took him to Germany, England, Spain, Italy, Switzerland, Japan, Australia, Mexico and the USA.
		He appeared occasionally also in performances of Baroque operas, such as at the Holland Festival in 1974 in Eumelio by Agostino Agazzari, in 1974 at the same Festival in Seelewig by Sigmund Gottlieb Staden, and in 1980 in Gluck’s L'Isle de Merlin.
		From 1980 to 1984 he participated in opera performances of the group Spectaculum in Vienna, which presented stage works by Johann Joseph Fux, Kaiser Leopold I. von Österreich, and Francesco Bartolomeo Conti.
	www.bach-cantatas.com /Bio/Altena-Marius-van.htm (222 words)

	Reardon, Colleen: Agostino Agazzari and Music at Siena Cathedral, 1597-1641 (Site not responding. Last check: 2007-11-01)
		Reardon, Colleen: Agostino Agazzari and Music at Siena Cathedral, 1597-1641
		In order to perform regular system maintenance, we must shut this system down today, December 24th.
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	www.forbesbookclub.com /bookpage.asp?prod_cd=IHVYG (61 words)

	Sheet Music Plus - Virgo Search Results
		See more info or add to shopping cart
		Agazzari A Ave Virgo Gratiosa By Agostino Agazzari.
		Lead time before shipment-4 to 6 business days
	www.sheetmusicplus.com /a/phrase.html?id=72470&phrase=Virgo (179 words)

	Tata Giacobetti Music - Favorite Songs - Lyrics From
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		1578 - Agostino Agazzari, composer and music theorist (d.
		1578 - Agostino* Agazzari, Italian composer and music theorist (d.
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