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Topic: Agostino Carracci

	Carracci
		Agostino helped in the decoration of nearly every great palace in Bologna, and his poetic imagination was of great avail when with the matter-of- fact Annibale he assisted in the decoration of the Farnese Palace in Rome.
		Agostino was a master of engraving: he introduced what is called "the large style", and the lines of his plates were broadly and boldly laid.
		Agostino assisted him in this work but left before a year was over, either from Annibale's jealousy, as some assert, or because of the latter's quarrelsome disposition.
	www.catholicity.com /encyclopedia/c/carracci.html (1402 words)

	Carracci - HighBeam Encyclopedia (Site not responding. Last check: 2007-10-09)
		CARRACCI [Carracci], family of Italian painters of the Bolognese school, founders of an important academy of painting.
		Lodovico Carracci, 1555-1619, a pupil of Tintoretto in Venice, was influenced by Correggio and Titian.
		With his cousins, Agostino and Annibale, and with Anthony de la Tour, he established in Bologna an academy of painting that sought to unite in one system the preeminent characteristics of each of the great masters.
	www.encyclopedia.com /doc/1E1-carracci.html (642 words)

	Biography (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-09)
		Family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.
		Agostino assisted Annibale in the Farnese Gallery from 1597 to 1600, but he was important mainly as a teacher and engraver.
		Their full rehabilitation had to wait until the second half of the 20th century (the great Carracci exhibition held in Bologna in 1956 was a notable event), but Annibale has now regained his place as one of the giants of Italian painting.
	www.kfki.hu.cob-web.org:8888 /~arthp/bio/c/carracci/agostino/biograph.html (962 words)

	Art and the Viewer in 17th Century Italy by Raichel Le Goff
		Agostino's contribution to the formation of the Carracci academic method, and its relationship to the broader academic movement.
		Agostino entered the workshop of Prospero Fontana, but is reported as being a difficult student, and he was removed to the studio of the engraver and architect, Domenico Tebaldi.
		Agostino also taught his students how light and shade could be used as the foundation of perfect illusion by taking them to study the Jupiter fresco in the Palazzo Fava - which was painted in chiarascuro with such illusionary effect that it appeared not painting, but sculpture.
	epublishingcorp.com /articlesRaichel/Art-Research/N-carrac.htm (3493 words)

	AGOSTINO CARRACCI Omnia Vincit Amor, oil on copper - by Raichel le Goff
		This late painting of Agostino’s is a fine example of the Carracci’s “ideal” landscape style in the years around his arrival in Rome, where he began to work in Palazzo Farnese circa 1598.
		Agostino’s invention and subtleties of execution so evident in Omnia vincit Amor are easier to observe in the actual cartoons for the frescoes.
		Agostino’s cartoons for the ceiling were the subject of a recent conservation treatment and a major exhibition at London’s National Gallery (1995-96).
	epublishingcorp.com /articlesRaichel/Pre-20thcenturyArt/Bkomnia.htm (905 words)

	Agostino Carracci after Federico Barocci: Aeneas and His Family Fleeing Troy (47.100.1023) \| Object Page \| Timeline of ... (Site not responding. Last check: 2007-10-09)
		Agostino's manner of engraving owed much to Cort's example, but it does not seem that Barocci sought out Agostino to take the place of Cort, who had died some years earlier.
		Agostino's biographer Malvasia tells us that Agostino created this engraving "for study, and to please himself." Agostino succeeded in pleasing himself but did not please Barocci, to whom he sent two impressions of the engraving and received a rather nasty letter in return.
		Yet Agostino did not imitate the subtly flowing and dissolving network of swelling lines that Goltzius had used to blur contours and blend tones in that work, but rather the emphatic and exaggerated burin line that Goltzius had earlier applied to heroic subjects and Roman statues
	www.metmuseum.org /toah/hd/carr/hod_47.100.1023.htm (455 words)

	Agostino Carracci (1557 - 1602) Artwork Images, Exhibitions, Reviews
		Agostino Carracci, Satyr Whipping a Nymph, 1590 - 1600
		Agostino Carracci, Andromeda (or, Hesion), circa 1590 - 1595
		The Birth of Baroque: The Carracci at the Metropolitan
	wwar.com /masters/c/carracci-agostino.html (943 words)

	What is Art? What is an Artist? Drawing by Agostino Carracci
		Agostino Carracci is associated with his theoretical ideas of art.
		Carracci was a well educated man, with a wealth of knowledge in philosophy, astronomy, natural sciences, history, and poetry.
		Due to Carracci's fascination of anatomy, the details of the anatomical structure are very precise, and true to human form.
	www.arthistory.sbc.edu /artartists/drawcarracci.html (292 words)

	Agostino Carracci Online (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-09)
		Carracci's students included Francesco Albani, Giovanni Francesco Grimaldi, Giovanni Lanfranco, Remigio Cantagallina, Giacomo Cavedone and Pietro Faccini.
		Agostino Carracci at the Metropolitan Museum of Art, New York City
		Agostino Carracci at the National Gallery, London, UK A Woman borne off by a Sea God
	www.artcyclopedia.com.cob-web.org:8888 /artists/carracci_agostino.html (407 words)

	Agostino Carracci (Getty Museum)
		When Agostino, his brother Annibale, and their cousin Lodovico sat down to meals, they held bread in one hand and charcoal in the other.
		In 1582, the Carracci founded the Accademia degli Incamminati (Academy of the Progressives), which began as an informal gathering of artists.
		Agostino was principally an engraver as well as a gifted teacher.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=493&page=1 (190 words)

	ANNIBALE CARRACCI - SpanishArts
		Annibale, with Ludovico (1555-1619) and Agostino Carracci (1557-1602), established the Accademia degli Incamminati en 1582.
		Carracci, The Choice of Heracles, c.1596, oil on canvas, 167 x 273 cm, Museo Nazionale di Capodimonte, Naples.
		Carracci, Triumph of Bacchus and Ariadne, c.1595-1605, fresco, Palazzo Farnese, Rome.
	www.spanisharts.com /history/barroco/i_barroco_carracci.html (242 words)

	Agostino Carracci (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-09)
		Agostino Carracci was an Italian painter and graphical artist who posited the ideal in nature.
		When Agostino, his brother Annibale, and their cousin Ludovico sat down to meals, they held bread in one hand and charcoal in the other.
		In 1582, the Carracci founded the Accademia degli Incamminati (Academy of the Initiated), which began as an informal gathering of artists.
	www.renownedart.com.cob-web.org:8888 /Carracci (197 words)

	Annibale Carracci, cat. 1 - NGA
		The questions of attribution that have surrounded the painting are reflected also in the history of the drawing, which was first published as the work of Agostino Carracci.
		Even the Bassano family, active in Venice and known to Agostino, customarily justified the subjects of daily life in their paintings (kitchens, marketplaces, etc.) by including episodes from sacred stories.
		Contrary to Robertson's view (Oxford and London 1996-1997), it seems to me that the very existence of these variants between the drawings and the painting voids the theory that the butchers at work in the painting are the Carracci themselves and that the painting is an allegory of the Accademia degli Incamminati (Martin 1963).
	www.nga.gov /exhibitions/car_01.htm (1065 words)

	Agostino Carracci (1557-1602) : Library of Congress Citations (Site not responding. Last check: 2007-10-09)
		Title: Visual fact over verbal fiction : a study of the Carracci and the criticism, theory, and practice of art in Renaissance and Baroque Italy / Carl Goldstein.
		Carracci, Annibale, -- 1560-1609 -- Criticism and interpretation.
		Carracci, Lodovico, -- 1555-1619 -- Criticism and interpretation.
	www.mala.bc.ca /~mcneil/cit/citlccarracci1.htm (379 words)

	Annibale Carracci
		Born in Bologna in 1560, the son of a tailor, Annibale Carracci was trained in painting by his cousin Ludovico (1555-1619) and learned engraving from his brother Agostino (1557-1602).
		Annibale Carracci: The Farnese Palace, Rome, by Charles Dempsey.
		Ideal Landscape: Annibale Carracci, Nicolas Poussin and Claude Lorrain, by Margaretha Rossholm Lagerlof.
	www.artchive.com /artchive/C/carracci.html (526 words)

	Agostino Carracci Artworks and Fine Art at arthistorynet.com
		During the late 16th century, the Carracci brothers--Annibale and Agostino and their cousin Ludovi...
		The first exhibition of drawings to focus primarily on the relationship between the front and the ba...
		CARRACCI, Agostino CARRACCI, Agostino Italian painter, Bolognese school (b.
	www.absolutearts.com /masters/c/carracci-agostino.html (373 words)

	Annibale Carracci Online (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-09)
		Carracci's students included Francesco Albani, Giovanni Francesco Grimaldi, Giovanni Lanfranco, Remigio Cantagallina and Pietro Faccini.
		Annibale Carracci at the National Gallery, London, UK Annibale Carracci at the Prado Museum, Madrid
		All images and text on this Annibale Carracci page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com.cob-web.org:8888 /artists/carracci_annibale.html (481 words)

	Carracci, Annibale
		Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Art in Renaissance and Baroque Italy
		Annibale Carracci;: A study in the reform of Italian painting around 1590 (National Gallery of Art: Kress Foundation studies in the history of European art)
		Amor mutuus: Annibale Carraccis Galleria-Farnese-Fresken und das Bild-Denken der Renaissance (Pictura et poesis)
	www.iyares.com /resources/books/?n=1160 (135 words)

	Carracci, Agostino (Italian, 1557-1602) \| Artist Index \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-10-09)
		Aeneas and His Family Fleeing Troy, 1595, Agostino Carracci (Italian, Bolognese, 1557–1602), after Federico Barocci (Italian, ca.
		Omnia vincit Amor, 1599, Agostino Carracci (Italian, Bolognese, 1557–1602) (17.3.1853)
		Portrait of a Woman (recto); Study of a Girl (verso), Agostino Carracci (Italian, Bolognese, 1557–1602), Red chalk, over traces of fl chalk, on light brown paper (1994.143)
	www.metmuseum.org /toah/hi/hi_carrag.htm (70 words)

	Agostino Carracci - Wikipedia, the free encyclopedia
		The post-Tridentine (Council of Trent) environment encouraged religious, though particularly secular, art.
		In this more religious and closed atmosphere, Agostino profited from the making of engravings of graphic and explicit sexual images of mythologic or heroic love-making scenes.
		This page was last modified 23:38, 11 November 2006.
	en.wikipedia.org /wiki/Agostino_Carracci (242 words)

	Ludovico Carracci Artworks and Fine Art at arthistorynet.com
		Giuseppe Maria Mitelli, Aeneas and his Family Fleeing Troy, plate 6 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in
		Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
		Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663
	www.absolutearts.com /masters/c/carracci-ludovico.html (1095 words)

	Agostino Carracci
		- Giuseppe Maria Mitelli, Man Subduing a Harpy, one of eight unnumbered plates of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino C
		- Giuseppe Maria Mitelli, Aeneas departs for the Battle, plate 5 of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from of a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the
		- Giuseppe Maria Mitelli, Frontispiece of L"Enea Vagante Pitture dei Caracci (Wanderings of Aeneas Painted by the Carracci), from a set of twenty prints after the paintings by Ludovico, Annibale, and Agostino Carracci in the Palazzo Fava, Bologna, 1663
	wwar.com /masters/c/carracci-agostino-works.html (989 words)

	Agostino Carracci famous artist information (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-09)
		Agostino Carracci famous artist information (via CobWeb/3.1 planet03.csc.ncsu.edu)
		[[Image:Carracci Agostino Faun.jpgrightthumb250px''Head of a Faun'' (c.1595) 181 x 187 mm Pen and brown ink on laid paper National Gallery of Art, Washington]] '''Agostino Carracci''' (or '''Caracci''') ([[August 16]], [[1557]], in [[Bologna]] - [[March 22]], [[1602]], in [[Parma]]) was an [[ItalyItalian]] [[painter]] and graphical artist.
		He posited the ideal in nature, and was the founder of the competing school to the more gritty (for lack of a better term) view of nature as expressed by [[Michelangelo MerisiCaravaggio]].
	www.artbrain.co.uk.cob-web.org:8888 /famous-painters/agostino-carracci.htm (167 words)

	A Group of Shepherds, and Other Studies (Getty Museum)
		Below and near the right margin is the head of a man with a wispy beard who may be the same person as the man shown on the left of the medal.
		Agostino Caracci's design for the Adoration of the Shepherds was used in a painting by his brother, Annibale Carracci.
		The painting is now lost, but a copy by Domenichino, Annibale's pupil, is in the National Gallery of Scotland, Edinburgh.
	www.getty.edu /art/gettyguide/artObjectDetails?artobj=197 (199 words)

	The Lute -- 16th-17th Century: Index
		Cremona: 16/17: VII Allegory Geographical: Agostino Carracci Pr --
		X Portraits: Agostino Carracci Pa, L Carracci Pa Carracci, Annibale.
		X Portraits: Annibale Carracci Pa Gabrieli, Giovanni (lutenist).
	www.unh.edu /music/Icon/ilthitid.htm (2070 words)

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