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| | hss_bonds_hisofmusic_1|Chapter 23: New Currents After 1945|Objectives |
 | | The chapter closes with a section on "Postmodernism," a kind of "bookend" for the end of a century which had begun with the modernist revolution, examining the wide diversity of music styles, historical periods, influences, organizing principles, and philosophical bases that obtained at the end of the 20th century. |
 | | Sketch the interaction of technology, popular culture, musical aesthetics, and individual composers' choice which expanded the parameters and usages of electronic music in the post-War period, and discuss further developments in the areas of synthesized and computer music. |
 | | Provide a survey--an informed perspective--on the state of music at the end of the 20th century, drawing examples from a variety of genres and several different composers, and showing how music interacted with other cultural factors in the period. |
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