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Topic: Aleksei Kruchenykh

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	The Letter as such: 2003 Friends of St Bride conference proceedings
		Kruchenykh defies the dominant designation of typography as a means for utilitarian efficiency and expedience, and explores the expressive potential of letterforms and the process itself.
		Kruchenykh’s appreciation and reverence for the physical form of the written word is further apparent in the editions he created between 1917 and 1921.
		Kruchenykh is the first of a number of artist-designer-typographers whose significant contributions to typographic innovation and advancement in Russia in the 1910s-1930s are not yet entirely recognized or known.
	stbride.org /friends/conference/hiddentypography/letterassuch.html (1790 words)

	Igra v adu / Aleksei Kruchenykh et al. (via CobWeb/3.1 planet03.csc.ncsu.edu) (Site not responding. Last check: 2007-10-07)
		Igra v adu / Aleksei Kruchenykh et al.
		Poems by Aleksei Kruchenykh and Velimir Khlebnikov; illus.
		This is a collaborative poetic work by Aleksei Kruchenykh and Velimir Khlebnikov, acting as central figures of the Futurists in the beginning of the 20th century.
	www.wul.waseda.ac.jp.cob-web.org:8888 /collect/yo/fh775-e.html (287 words)

	[No title] (Site not responding. Last check: 2007-10-07)
		Kruchenykh, without formal training in poetics, had no aesthetic inhibitions and was able to carry the idea of the self-sufficient word to extravagant lengths, reaching a level of abstractionism that bordered on the absurd.
		Kruchenykh considered transreason the manifestation of a spontaneous, noncodified language.
		For all its declared spontaneity, the effect of the explosion was obviously calculated to emphasize the shape of words and letters and thereby enhance their visual expressiveness.
	www.newacademia.com /revolutionexcerpt.htm (4432 words)

	Russia 1913-1922 - Exhibition 2003
		From 1912 to her premature death in 1918, Olga Rozanova (born 1886), painter, engraver and poet, was connected to Aleksei Kruchenykh (1886-1968), painter and collagist, by an intense partnership, intimate yet separated by distance and—above all—esthetic.
		She was a prolific and inventive participant in the rapidly succeeding Russian art movements of primitivism, cubo-futurism, and suprematism.
		In her version, Rozanova produced wood engravings, some with collage; on his side, Kruchenykh presented an astonishing series of collages on a blue background.
	www.ville-ge.ch /musinfo/mahg/musee/cde/russieexpo2.html (211 words)

	A Chant of Universal Flowering
		Filonov applied a similar device to his paintings, taking primary "syllables" such as a face or head, fragmenting and repeating them in numerous variations, and producing the simultaneous effect of familiarity and estrangement.
		Perhaps for these reasons Kruchenykh spoke of the “rhythmized displacements” in Filonov’s text.
		A Chant of Universal Flowering is a dramatic poem (or poetical drama) about violence, with references not only to the military escapade of the Great War, but also to the ancient division of Cain and Abel, the battles of Mediaeval Russia, and the revengeful darkness of pagan myth.
	www.usc.edu /dept/las/sll/Filonov/Bowlt_chant.htm (548 words)

	Antiquarian Books :: ILAB-LILA :: International League of Antiquarian Booksellers
		This copy includes a witty dedication from Kruchenykh on the title page: "In this exceptionally unusual book, typos were left uncorrected.
		An intriguing association as Gordeev was an avant-garde poet of the period.
		An important document of the famous avant-garde opera, this copy is in unusually fine condition.
	www.ilab.org /db/books1712.html (2008 words)

	Olga Rozanova - Wikipedia, the free encyclopedia
		In 1911 she became one of the most active members of the Union of the Youth (Sojus Molod'ozhi).
		In 1912 Rozanova started a friendship with the Futurist poets Velimir Khlebnikov and Aleksei Kruchenykh, her future husband.
		In 1916, she joined the group of Russian avant-garde artists Supremus that was led by Kazimir Malevich.
	en.wikipedia.org /wiki/Olga_Rozanova (260 words)

	The Future \| Tendencies
		That conviction was shared by the artists that practised Constructivism (Lissitzky, Mayakovsky, Malevich, Rodchenko…), and was essential to its development long before it was adopted by the Soviet regime that emerged form the 1917 Revolution.
		Mayakovsky and Aleksei Kruchenykh, as part of the Russian Futurist movement, had been working for years on the creation of a new poetry, based on the notion of zaum’;.
		Translated as ‘transrational’ or ‘beyonsense’, it designated a poetic form that resulted from the elimination of logic, the extraction of words from their normal context, the isolation of word fragments and the exploitation of the graphic identity of letters in search of potential new meaning.
	www.jjcharlesworth.com /thefuture/tend.html (1377 words)

	Futurist Books (Site not responding. Last check: 2007-10-07)
		In 1912 writer Aleksei Kruchenykh and the artist Mikhail Larionov produced a lithographed, handwritten and illustrated book titled Old-time Love.
		They soon followed with anthologies of the "Donkey's Tail" group, including Worldbackwards and one which took its title from the manifesto written for it by David Burliuk, A Slap in the Face of Public Taste.
		In 1913 Kruchenykh and Larionov produced Pomade, with a mimeographed text and hand colored lithographs.
	colophon.com /gallery/minsky/futurist.htm (412 words)

	Rare Books Collection - Amherst College Russian Center
		SergeiRafalovich: Kruchenykh i dvenadtsat ; oblozhka Nagorskoi, zastavki Kliuna.
		Aleksandr Kruchenykh, Benedikt Livshits, Vladimir Maiakovskii, Viktor Khliebnikov.
		Konstantin Bolshakov, Burliuki: David, Vladimir, Nikolai, Vasilii Kamenskii, A. Kruchenykh, Benedikt Livshits, Vladimir Maiakovskii, Viktor Khliebnikov, Vadim Shershenevich.
	www.amherst.edu /~acrc/rare/rare_book_collection.html (1551 words)

	Victory over the sun; Russian books and prints 1912–1935 (Site not responding. Last check: 2007-10-07)
		Sets and costumes were designed by the painter Kasimir Malevich, the music was written by composer and painter Mikhail Matyushin and the libretto by poet and painter Aleksei Kruchënykh.
		This performance encapsulated much of the avant-garde artistic activity of pre-war Russia: the form was shocking, the presentation anarchic, and the message nihilist.
		The authors signalled their intention not just by the title, but by the appearance of the volume: it was covered in burlap, or sackcloth, a plebeian material which asserted that art was a matter for all, not just the cultivated upper-class few.
	www.nga.gov.au /RevolutionaryRussians/sun.cfm (3825 words)

	RBSC : 2002-2003 Visiting Fellows - Friends of the Princeton University Library (Site not responding. Last check: 2007-10-07)
		A key figure for this area of my dissertation is the Futurist poet and theorist Aleksei Kruchenykh, who collected children's own writings and published these alongside his own.
		Rare materials related to this aspect of Kruchenykh's poetic practice that I have been able to examine at Cotsen are the first edition of Porosiata (1913), which Kruchenykh co-authored with an eleven-year-old girl, and his first collection of children's drawings and writings, Sobstvennye razskazy I risunki detei (1914).
		In addition to these presentations, I intend to submit a research article to be considered for publication by the Princeton University Library Chronicle, as I was encouraged to do by its editor Gretchen Oberfranc.
	www.princeton.edu /rbsc/fellowships/2003-04/panke.html (1285 words)

	COLLECTION OF THE RUSSIAN AVANT - GARDE BOOK
		The book is in good condition, with the exception of the covers.
		A total of 34 watercolors (32 pages, front and back cover) are in the book, accompanied by the poetry of Alexei Kruchenykh.
		The authors of these watercolors (Kazimir Malevich, Nikolai Kul’bin, Natalia Goncharova and Natan Al'tman) made their contribution to the first two editions and some watercolors were done by Aleksandr Rodchenko.
	www.artmedia.co.yu /inter/vzorval_explodity/vzorval.htm (511 words)

	The Russian Avant-Garde Book, 1910—1934 - Museum of Modern Art - Absolutearts.com
		The first section is titled after an early manifesto by artists and poets, in which they responded to what they considered the stultifying conventions of academic taste and bourgeois sensibility.
		Natalia Goncharova, Mikhail Larionov, Olga Rozanova, Kazimir Malevich, among others, collaborated with writers and poets, including Aleksei Kruchenykh, Velimir Khlebnikov, and Vasilii Kamenskii, to forge a new language of abstraction through experimentation with Cubo-Futurism, Primitivism, and Rayonism.
		Many of these poets and painters practiced both mediums, and most were friends, siblings, or spouses; collaboration on books was one important result of this creative ferment.
	www.absolutearts.com /artsnews/2002/03/27/29754.html (856 words)

	"The Russian Avant-Garde Book 1910-1934" - Reviews - Brief Article ArtForum - Find Articles
		There are less familiar names too--Gileia leader David Burliuk; Aleksei Kruchenykh, who like Mayakovsky attended art school before becoming a poet.
		Also on view in an interesting subsection on Judaica were Lissitzky's Tale of a Goat, 1919, which tells a "House that Jack Built" story in Hebrew, and several letterpress books by and about Marc Chagall.
		Tragic as some of their later histories were, these Russian visionaries did, graphically, transform the world.
	www.findarticles.com /p/articles/mi_m0268/is_1_41/ai_91202146 (668 words)

	The Pulp Heroes: R (Site not responding. Last check: 2007-10-07)
		He is not capable of surviving out of water for long periods, and he falls in love with a beautiful local girl, Guttiere, and, well, one thing leads to another and it all ends unhappily.
		Vanka Kain appeared in Aleksei Kruchenykh's "Vanka Kain, the Famous Moscow Detective" in 1910.
		He is a detective who is imprisoned and then goes mad and bad, finally joining a band of brigands along the Volga.
	www.geocities.com /jjnevins/pulpsr.html (10444 words)

	New Book, Once Upon a Revolution, Russia 1910-1934 - Johnson's Russia List 7-31-02
		Great collaborations like those between Rodchenko, a hardworking designer, and Mayakovsky, a political prisoner at the age of 13 who later lived in a m?nage ?
		trois, or Kruchenykh, important as a publisher and collector as well as a designer, and Khlebnikov, a vagabond who wrote experimental poetry in an idiolect, deserve their own books.
		"They ask us about the ideal, about pathos?" wrote Kruchenykh and Khlebnikov in their manifesto, The Word as Such.
	www.cdi.org /russia/Johnson/6378-9.cfm (785 words)

	ASVA
		Asva also amplify ambience through delicate drones and visceral vocals in their world of minimalist music.
		G. Stuart Dahlquist: "Futurist's Against The Ocean" is actually taken from the title of a simple collage ["Futurist's Battle With The Ocean"] in a twelve page chapbook by Aleksei Kruchenykh called "Universal War" [aka "Vselenskja Vojna"] [Download Info.pdf].
		Each page is collage, simple, and elegant, just a few pieces of colored shapes against a solid background of blue, white, pink, or purple.
	www.xtrememusic.org /features/asva.html (3485 words)

	Amazon.ca: Pamiat' Teper' Mnogoe Razvorachivaet: Iz Literaturnogo Naslediia Kruchenykh: Books: Aleksei Kruchenykh,Nina ... (Site not responding. Last check: 2007-10-07)
		Amazon.ca: Pamiat' Teper' Mnogoe Razvorachivaet: Iz Literaturnogo Naslediia Kruchenykh: Books: Aleksei Kruchenykh,Nina Gourianova
		Publisher: learn how customers can search inside this book.
		If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available.
	www.amazon.ca /Pamiat-Teper-Mnogoe-Razvorachivaet-Literaturnogo/dp/1572010525 (107 words)

	II Web: Faculty and Staff Publications
		The lively and imaginative translations by Lawton and Eagle capture the distinctive polemical style of the Russian Futurists-jarring, provocative, neologistic-and reproduce their often idiosyncratic typography.
		Among many Futurists represented are Vladimir Mayakovsky, Viktor Khlebnikov, Aleksei Kruchenykh, David Burliuk, Vadim Shershenevich, and Boris Pasternak.
		Herbert Eagle is associate professor of Slavic languages and literature, a faculty member of the Residential College, and a faculty associate of the Center for Russian and East European Studies at the University of Michigan.
	www.umich.edu /~iinet/iisite/pubs/fac_staff_pubs.html (15550 words)

	Nucleus
		How did that begin, the CD title and the history behind the songs?
		The title “Futurists Against the Ocean” came directly from an extraordinary chap book of collage by Aleksei Kruchenykh called “Universal War”.
		The artworks are are really simple, just shapes cut from solid colored paper, two or three or four to a page with captions that really tie them together.
	www.nucleusprog.com.ar /ingles/r-asva.htm (1485 words)

	AddALL.com - Pamiat' Teper' Mnogoe Razvorachivaet: Iz Literaturnogo Naslediia Kruchenykh
		AddALL.com - Pamiat' Teper' Mnogoe Razvorachivaet: Iz Literaturnogo Naslediia Kruchenykh
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	www.addall.com /detail/1572010525.html (66 words)

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