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| | The Observer | Review | Alex Garland: Coma chameleon |
 | | Garland recalls how, after he wrote his second novel, The Tesseract, a far more complex and demanding narrative set in Manila, he was sat down by an editor in America who said: 'Look, Alex, your strength is young people, backpackers in search of Utopia. |
 | | Garland had become a novelist a bit by accident, The Beach had grown quickly out of a comic book he had been drawing, and suddenly it felt too much like a career choice. |
 | | Garland was very keen to make the novel a collaborative effort, in part because he had enjoyed that experience when working on the screenplay for the film 28 Days later with Andrew Macdonald and Danny Boyle, who also directed the film of The Beach. |
| observer.guardian.co.uk /review/story/0,6903,1248127,00.html (1160 words) |
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