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 | | Their experience regarding their artistic cooperation were discussed, during which Alexander Brener, fervently supported by Yury Leiderman, announced that the exhibition, in the manner it had proceeded to date, had no foundation to it and was a thoroughly spurious and hypocritical affair. |
 | | Alexander Brener, destroying Wenda Gu’s piece, declared his aim was to “break the bone, the structure of the exhibition”. |
 | | Kuik and Brener’s demonstration violated the established convention on radicalism, where a radical action is not an exacting of original essence, but only a positioning of oneself in the context of the system (which, incidentally, is quite natural for Russian artists who lack a developed art system). |
| www.educ.umu.se /~eslaca/provocation/conf/sp-r-1.htm (7077 words) |
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