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Topic: Alfred Stelzner


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In the News (Sun 27 May 12)

  
  Dr. Alfred Stelzner: forgotten 19th century German polymath
Alfred Stelzner, a forgotten 19th century German polymath, thought himself a failure at the time of his suicide in 1906.
His advanced education in mathematics, physics, and music had come together in his determination to explore the science of violin acoustics and in his decision to redesign the violin family according to modern acoustical principles.
Alfred Stelzner: Pioneer in Violin Acoustics, by James Christensen [updated: July 2007]
www.draeseke.org /stelzner   (391 words)

  
  Alfred Stelzner - Wikipedia, the free encyclopedia
Alfred Stelzner (November 29, 1852 - July 9, 1906) was a composer and designer of string instruments.
Alfred Stelzner was born in Hamburg, Germany and educated in both music and mathematics.
Faced with overwhelming financial difficulties, Stelzner committed suicide at his home in Dresden.
en.wikipedia.org /wiki/Alfred_Stelzner   (155 words)

  
 James Christensen
Stelzner, a physicist-mathematician and amateur musician and composer, used modern acoustical principles to redesign instruments in the violin family.
Stelzner's company failed after producing about 330 instruments in 10 years.
Stelzner's instruments were well enough received in the 1890s that German composer Felix Draeseke, at the Dresden Conservatory, wrote a quintet specifically for them.
findusat309.com /articles/2004/James_Christensen.html   (591 words)

  
 Visiting Artists Will Play Unique Matched Set Of Instruments April 6
The instruments, members of the violin family, were designed by Alfred Stelzner, a 19th-century mathematician-physicist-musician whose work achieved fame in Europe for a time but faded into obscurity in the 20th century.
They include Stelzner's redesigned violin, viola and cello, plus two instruments that he invented: the violotta, played like a violin but tuned one octave below a violin; and the cellone, played like a cello but tuned two octaves below a violin.
Stelzner believed he could achieve superior tonal results over the traditional violin family by creating the instruments using elliptical rather than circular shaped designs.
www.uiowa.edu /~ournews/2005/march/032405summit-players.html   (1008 words)

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