| |
| | The History of Algorithmic Composition |
 | | This idea was also given poetic form by Plato in the myth of the "music of the spheres," the unheard music "produced by the revolutions of the planets" (Grout, 1996), and the notion was later invoked by writers on music throughout the Middle Ages, including Shakespeare and Milton (Grout, 1996). |
 | | This is a large and mathematically complex field of algorithmic composition, and the author refers the interested reader to my website on the topic as well as to the article by Jeremy Leach ("Nature, Music, and Algorithmic Composition." Computer Music Journal, 1995) as good starting points for more in-depth investigation. |
 | | These new techniques could also potentially improve algorithmic composition, it would seem, since the "critic" functions that we have seen in examples of genetic programming could gain much improvement from their insights into how humans listen to music: the computer could, then, better judge itself as to the quality of its output. |
| ccrma-www.stanford.edu /~blackrse/algorithm.html (3211 words) |
|