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| | From British Drama 1890 to 1950 |
 | | This can partly be attributed to the fact that without copyright laws protecting them playwrights had gotten out of the habit of publishing their plays (except as prompt books) and thus of thinking of them as literature, subject to criticism. |
 | | But George Bernard Shaw, this era’s chief playwright, argued and demonstrated that, technological progress notwithstanding, backwardness was so deeply entrenched in the moral, religious, and governmental systems of the day that it was not too much to call the entire age a dark age and to play its “progressiveness” as an ironic joke. |
 | | On the continent, Émile Zola had argued in 1873 that playwrights should be scientists too, “realistically” and tough-mindedly examining in the laboratory of the stage the physical operation of human society and human consciousness. |
| chuma.cas.usf.edu /~dietrich/britishdrama1.htm (8251 words) |
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