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ARCHITECTURE INK - www.architectureink.com - "Schinkel's Altes Museum, Monumentality, and the Memorial" - C.Voogt |
 | | As museums were still largely in political and religious hands at this time, thinkers and citizens alike had access to art primarily through such books, but the information was available nonetheless and thus acted as a catalyst to the development of new ideas about the role of art in society. |
 | | The museum’s relationship with the state only went so far as the façade, significantly, in that it bore an inscription acknowledging the king’s leading cultural role, yet “the museum was in no sense an extension of the court nor merely an expression of royal power. |
 | | Schinkel’s museum attempts to suggest how art is connected to the world socially, culturally, and morally, and seeks to resolve the apparent dichotomy between the museum’s autonomy within the context of the “three pillars of Prussian society,” as symbolized by the palace, arsenal, and cathedral. |
| www.architectureink.com /2002-06/voogt/voogt.htm (3447 words) |
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