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| | On kamï, their shrines, and their worship |
 | | These chigi and katsuogi, then, are among the field-marks of a sanctuary, as are the sacred straw rope (shimenawa) (Plate 2c), often decorated with short pendants of flax or zigzag-cut paper, suspended between (or simply hanging from) the sanctuary’s entrance pillars, and the one or more ceremonial gateway-arches, or torii, often set before the entrance. |
 | | Roof top chigi and katsuogi mark the sanctuary building: the low building in the foreground is an oratory (Manai-Jinja, Shimane pref.). |
 | | The honden within the sanctuary is generally set fairly far back from the front of the sanctuary structure, and shielded from view by a pair of swinging doors, most often closed. |
| home.att.net /~kojiki.tlvp/Pt1-Ch05/Part-1-ch-5-english.htm (3175 words) |
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