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| | Flak Magazine: Review of Amadeus, 04-19-02 |
 | | But Amadeus may be his crowning achievement, because it brings so many of his themes together and, more importantly, gives them to us through the eyes of someone more like us than his iconoclast protagonists. |
 | | Amadeus, written by Peter Shaffer from his own play, is told from the perspective of Antonio Salieri (F. Murray Abraham), the Habsburg court composer during Wolfgang Amadeus Mozart's brief but ridiculously productive career and the man rumored to have facilitated, if not caused, the death of possibly the world's greatest musician. |
 | | Mozart, at least as far as Amadeus is concerned, was an annoying, immature prankster, and at the film's end, when he is buried penniless in a potter's field, we feel sympathy for the wife and child he leaves behind, but not him. |
| flakmag.com /film/amadeus.html (1065 words) |
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