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| | Classical Net Review - The History Of American Classical Music |
 | | In comparison with another recent book, Lyle Gann's American Music in the Twentieth Century (Schirmer, 1997), which focuses very heavily on experimental innovators, Struble attempts to give a more even-handed consideration to three main currents: the Americanist, the academic and the experimental. |
 | | This survey of American musical history might have been subtitled simply with the dates 1620-1993, because Struble opens with a chapter called "Forerunners," outlining seven distinct, and old, regional styles that had some influence on later developments. |
 | | Finally, in conclusion, Struble lays out alternative futures for classical music in America, along with a discussion of factors such as the enormous proliferation of composers, self-censorship by composers faced with funding and grant guidelines, "the double-edged sword" of recording and broadcasting developments, and audience concerns. |
| www.classical.net /music/books/reviews/081602927Xa.html (647 words) |
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