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| | Music in American Popular Culture |
 | | It is a product of its time, when integrated musicals were first coming into vogue, and when sexual politics were in flux; and of its place, since its form is distinctly American. |
 | | This shift increased “interest and scope while supporting differentiation of character/mood and moving toward dramatic/musical integrity.” In musical comedies and operettas, the songs were not only there to show off the singers’ voices and entertain the audience; now, a song could illuminate a character, and his realizations, aspirations, and perceptions. |
 | | It is the most-produced American musical in light opera houses around the world, and barely a summer-stock, high school, or college theatrical experience would be complete without a performance. |
| www.americanpopularculture.com /music.htm (3224 words) |
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