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| | African Timelines Part III: African Slave Trade & European Imperialism |
 | | More recently, scholars argue that the development of photography, film, and television has produced an "image-based culture," and with it new modes of consciousness and ways of knowing (ie. |
 | | (on which the 1997 Steven Spielberg film was based) was"a shipboard uprising off the coast of Cuba that carried itself, inadvertently but fatefully, to the United States--where the Amistad Captives set off an intense legal, political, and popular debate over the slave trade, slavery, race, Africa, and ultimately America itself" |
 | | Copyright © 1997 - 2006, Cora Agatucci, Professor of English |
| web.cocc.edu /cagatucci/classes/hum211/timelines/htimeline3.htm (3454 words) |
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