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The Film Journal...Passionate and informed film criticism from an auteurist perspective. (Site not responding. Last check: 2007-10-26) |
 | | Indeed, the growing conservatism of the American majors meant issues like these, particularly by contrast with popular British, French and Australian films of the period, those by Stephen Frears, Chantal Akerman and Sally Potter, for example, were treated only in the blandest, most inoffensive terms. |
 | | Likewise acting as a mouthpiece for an American society increasingly denied a voice by mainstream Hollywood were so-called 'white male' independent directors. |
 | | American independent cinema by the end of the 1990s had it seemed, no matter what the approach, achieved every requirement to make it eligible for national cinema status: economic sovereignty, a genuine concern for the nation and, with the approval of great domestic film institutions, popular as well as critical acceptance. |
| www.thefilmjournal.com /issue6/americancinema.html (2987 words) |
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