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| | Slant Magazine - Film Review: Trash |
 | | Holly gets all the big scenes, but then there's Andrea Feldman, who shows up for only one scene as an ambiguously wealthy, LSD-fried nutcase and who, as an actress, defies just about any description, though she claims Morrissey called her the best actress he ever worked with. |
 | | Last and least, there is Joe himself, who in the two years since playing Venus as a boy in Flesh had devolved into a somnambulistic personification of perpetual hangover. |
 | | If Joe, Holly, Andrea, and company are "lost souls," it's only in the sense that they fell for the eschatology of a young, vibrant collective, the notion that the era's "happening" would ultimately lead somewhere else than "what happened?" |
| www.slantmagazine.com /film/film_review.asp?ID=1727 (1144 words) |
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