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| | FILM REVIEW; Yielding To the Power of Persuasion - New York Times |
 | | In his haunting, beauteous ''Werckmeister Harmonies,'' the avant-garde Hungarian filmmaker Bela Tarr meditates on mankind's place in the cosmos, the wonders of God and the timeless immanence of evil and irrationality that loose anarchy and invite tyranny. |
 | | Flowing like a torturous dream on the brilliantly composed fl-and- white cinematography directed by Gabor Medvigy and an elegiac score by Mihaly Vig, the events of ''Werckmeister Harmonies,'' based on ''The Melancholy of Resistance,'' a novel by Laszlo Krasznahorkai, are witnessed by a young postman. |
 | | He is Janos Valushka (portrayed by Lars Rudolph), whose shaggy hair, gaunt visage and deep-set eyes eloquently communicate innate decency, innocent concern, horror and shock at the political upheaval that overwhelms him. |
| query.nytimes.com /gst/fullpage.html?res=9B01E6DF1E3CF933A25753C1A9679C8B63 (617 words) |
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