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	Tate Britain \| Turner Prize History \| Artists: Angela Bulloch
		Angela Bulloch makes cool, immaculately fabricated mixed-media sculptures which often include functional elements that can be activated by the viewer, or that are modified by the passing of time.
		Angela Bulloch was born in Ontario, Canada in 1966 and studied at Goldsmiths College from 1985 to 1988.
		She was shortlisted in 1997 for her inventive use of a wide range of mixed media, as demonstrated in life/live at the Musée d'Art Moderne de la Ville de Paris.
	www.tate.org.uk /britain/turnerprize/history/bulloch.htm (156 words)

	Angela Bulloch - Wikipedia, the free encyclopedia
		Angela Bulloch (born 1966 in Ontario, Canada) is a London based sculptor who is recognised as one of the Young British Artists.
		She studied at Goldsmiths' College and was included in Freeze.
		Bulloch's earlier work made use of lighting to explore interactive systems and many of her works make use of bio-feedback systems.
	en.wikipedia.org /wiki/Angela_Bulloch (133 words)

	Galerie Micheline Szwajcer
		Since the end of the 1980s Angela Bulloch has produced works that vary greatly in appearance, they have nonetheless one topic in common: namely the handling and projections about the regulatory nature and organisational structures of our past and present life systems.
		Angela Bulloch's works are either of an impersonal, technical nature or their aesthetic is determined by the technology employed (video, film, sound or image processing, etc.).
		Bulloch collaborated with Holger Friese to create a special modular light mixing system that allows 1.6 million colours to be mixed thanks to fluorescent tubes in the three screen colours red, green and blue.
	www.gms.be /bulloch_exhibition_2002.html (425 words)

	Museum of Contemporary Art - Performance Anxiety (Site not responding. Last check: 2007-10-28)
		Angela Bulloch's sculptural works make use of simple technology to emit noise, produce light, and draw on the wall, among other things, at the touch, sound, or movement of the viewer.
		Bulloch's earliest participatory works were environments with light or sound that were affected by the presence of the viewer.
		Bulloch's interest in the process of how a work evolves through time is connected to her use of simple technology.
	www.mcachicago.org /MCA/Exhibit/past/anxiety/bulloch.html (1426 words)

	Angela Bulloch on artnet
		Angela Bulloch/Matrix 206: Macromatrix for your Pleasure, UC Berkeley Art Museum, Berkeley, CA, U.S.A. (solo)
		Herbert, Martin, Angela Bulloch – Talks about group of seven (one absent friend), 2005, in: Artforum, April, 2006, p.
		Coles, Alex, Angela Bulloch: A Storm in a Pixel, Contemporary, 65, 2004, pp.
	www.artnet.com /artist/3307/angela-bulloch.html (463 words)

	Kontakt. ANGELA BULLOCH
		At the Secession, Angela Bulloch is showing a new series of pixel boxes.
		Angela Bulloch works with the tension between geometrical grid patterns (floor and ceiling design in the main space, form of the box) and organic bodies, extending their relationship by means of projections onto and into the boxes.
		In this context, the factors of "time" and "movement", like the notion of the "pixel", are to be understood not as physical units but as a logical principle–as a conceptual space.
	www.kontakt.erstebankgroup.net /events/2005-10_Secession_Bulloch/en (259 words)

	Bulloch - Wikipedia, the free encyclopedia
		Bulloch is a surname, and may refer to
		James Dunwoody Bulloch, American overseas agent for the Confederate States
		This human name article is a disambiguation page — a list of pages that might otherwise share the same title, which is a person's or persons' name.
	en.wikipedia.org /wiki/Bulloch (100 words)

	Museum De Pont: the collection :: Angela Bulloch : more information
		Bulloch resists all ‘linguistic’ definitions that ignore the process-oriented aspect of the work.
		Bulloch has not concealed the technique; she wants the viewer to experience the way in which he is involved in a process of actions and events.
		Angela Bulloch has developed her Pixel Boxes in collaboration with ‘computer artist’ Holger Friese.
	www.depont.nl /nc/en/collection/the-collection/kunstenaar/123/info (603 words)

	Presse (Site not responding. Last check: 2007-10-28)
		The 34-year-old Canadian artist Angela Bulloch is the winner of the light competition conducted by the Province of Upper Austria and the company Gerngroß Kaufhaus AG.
		Angela Bulloch's concept includes 56 light units, which measure 50 x 50 cm each and are positioned in four significant locations.
		An essential component of Angela Bulloch's concept is the interactive use of the modular system.
	www.ok-centrum.at /english/imgfloatingpics/bulloch.html (227 words)

	Preis der Nationalgalerie für junge Kunst 2005 (Site not responding. Last check: 2007-10-28)
		Angela Bulloch creates binary systems within spaces which function according to the principle of "on" and "off".
		When we sit down on the "Sound Clash Benches", for example, the sound of a video displayed on a monitor is turned on ("Video Sound Systems", 1997), or a "drawing machine" is set in motion whose otherwise vertical lines run horizontally for the duration of time we remain seated ("Betaville", 1994).
		Bulloch's understanding of participation is based on the viewer's status as a social subject.
	www.preis2005.de /pr05_ku_ab_en.html (257 words)

	Museum De Pont: press release :: Angela Bulloch
		Perhaps the most characteristic example of this are the Rules compiled by Bulloch: a multitude of instructions, regulations and rules related to different areas of social intercourse.
		Bulloch wishes not only to expose such hidden structures but also to provide – through specific locations, circumstances or objects – insight on behavior and the interaction of ideas.
		It is as though Bulloch hereby provides the principles of minimal art with an unexpected but recognizably physical component, and the colorful installation becomes part of a nimble choreography.
	www.depont.nl /en/press/press-releases/release/pers/8 (942 words)

	Untitled Document
		With her work Bulloch thus moves at the interface between abstraction and imagined pictoriality: What happens here in terms of color never becomes completely detached from the processed original material, that is to say, it is never pure abstraction but always also an abstraction of SOMETHING.
		The pixel boxes thrive from this tension in all their different (theme-related) constellations: on the one hand, the minimalistic surface/form, and on the other, the semantic sound box – the trace of memory accompanying a given piece, based for instance on the filmic memories of the viewers.
		At the Engholm Engelhorn Galerie Angela Bulloch is also presenting a piece that refers to a photograph that was made from the inside of a pixel box.
	www.engholmengelhorn.com /NEWS/ABI7.html (503 words)

	aspen art museum (Site not responding. Last check: 2007-10-28)
		Like many artists of her generation, Canadian-born, Berlin-based Bulloch is drawn as much to the media as to the history of art.
		For this exhibition, her most significant in the U.S., Bulloch will present an installation centered on one of her large-scale "pixel box" works, which have been the primary focus of her energies in the last few years.
		While Bulloch's pixel box works refer both to various gridded, box-like, and light-based sculptures of Minimalism and Postminimalism, her interest in presenting actual subject matter in a striking visual spectacle aligns her firmly with more recent artistic practice.
	www.aspenartmuseum.org /exhibits/u_bulloch.htm (305 words)

	SECESSION (Site not responding. Last check: 2007-10-28)
		Angela Bulloch combines the series of three large boxes with two smaller formats.
		In the side aisles, Angela Bulloch uses the gallery's own wall system to create maze-like zones for further works: Flexible Single (Lobster/Tilleul) (2001) and Video Sound System (1997/2004) are both display systems.
		For the Secession, Angela Bulloch has selected eight tables: they can be recombined in numerous ways, serving the artist as a display for further works–including print-outs and posters–that are closely related to the overall concept of the show.
	www.secession.at /art/2005_bulloch_e.html (667 words)

	Cubitt Artists
		Bulloch and Gillick rejected this curatorial directive and chose to take a `pre-football, before Karaoke` stance.
		This action involved digging a hole decorated with bunting and protected by a Herold-like wooden structure outside the main entrance to the space; planting a meadow on the land surrounding the building; and producing a video-manifesto at the Frankfurt Sportverband Hostel where all the British artists were housed.
		Angela Bulloch (Canada/UK) and Liam Gillick (UK) have exhibited internationally since the early 90s.
	www.cubittartists.org.uk /bulloch_gillick.html (414 words)

	* Dusted Reviews - David Grubbs *
		Two Soundtracks for Angela Bulloch continues in this vein, though the relationship is more complicated, as the Bulloch works that Grubbs has soundtracked, Z Point and Horizontal Technicolour, refer back to Antonioni’s Zabriskie Point.
		Bulloch’s Z Point turns the explosion scene from Zabriskie Point into a ‘pixel module’ of blocks of color, and Grubbs uses explosion sounds as punctuation for his soundtrack.
		Grubbs’ instrumental compositions sound as though they are repeatedly questioning their own decisions; there is a critical internal rigor to Grubbs’ work, and his compositions shift slowly, taking on new meanings as they connect with varying contexts.
	www.dustedmagazine.com /reviews/2601 (394 words)

	Angela Bulloch (Site not responding. Last check: 2007-10-28)
		This is the second in a series of works for the Thames Path Public Art Strategy which provides artists with the opportunity to research and realise works which challenge our views of the Thames.
		Angela Bulloch¹s work takes us on a short abstracted journey from the narrow gap between the raising roadways of Tower Bridge the chink to the expansive view seen from the old loading pier in front of Bankside Power Station Panorama Island.
		Angela Bulloch has emerged as an artist of international significance over the past five years.
	www.padt.org.uk /projects/bulloch/bullochpr.html (265 words)

	Parkett #66: Angela Bulloch, Daniel Buren, Pierre Huyghe
		Raedecker creates haunting paintings--landscapes, abstract and figurative, sometimes a bit of both--with the use of oils and thread and gothic colors imbued with a sense of the spiritual and the humorous.
		Huyghe reassesses conceptual art concerns by reinterpreting familiar films and themes in popular culture; he also draws on disregarded aspects of everyday life, such as time and alienation, and brings them back into our awareness.
		Bulloch's participatory sculptures explore the physical and psychological aspects of space by using simple light and sound effects that require the viewer's active participation.
	www.artbook.com /3907582160.html (347 words)

	ANGELA BULLOCH / MATRIX 206 (Site not responding. Last check: 2007-10-28)
		MACROMATRIX will be installed vertically, with Angela Bulloch's sound sculpture placed in the museum lobby, Chiho Aoshima's site-specific digital wall mural on the wall of the lobby, and Cai Guo-Qiang's electric "fireworks" installation located in Gallery 2.
		Along with her astonishing, highly fabricated palette, it is a successful means by which to trick the viewer into looking.
		Angela Bulloch's earliest works were participatory environments that included light and/or sound that reacted to the presence of the viewer.
	www.bampfa.berkeley.edu /exhibits/206/content.html (605 words)

	left_frame (Site not responding. Last check: 2007-10-28)
		Galerie Eva Presenhuber is pleased to present Antimatter3, an exhibit displaying the new works of British artist Angela Bulloch, born in 1966.
		Already in January, 2000, Angela Bulloch presented works from the Pixel Box series.
		As she has already done in her earlier pixel works, Angela Bulloch constructs a discourse of tension between the film’s narrative and the formal scope of the work.
	www.presenhuber.com /SHOW0401_BULLOCH/show_left.html (730 words)

	Trevor Pateman: "The Turner Prize 1997: Gillian Wearing, Cornelia Parker, Angela Bulloch, Christine Borland" (Site not responding. Last check: 2007-10-28)
		As such, the work becomes a kind of democratic collaboration of action and choice between Bulloch and her audience' (Bussel 1987 p 85).
		It is as pompous as the title of the work, and symptomatic of what happens when an attempt is made to justify work in the gallery which doesn't need or belong in the gallery.
		What Bussel says doesn't distinguish Bulloch's inflatable from the rows of machines in the Tate Gallery's basement which are activated by the intervention of a democratic show of hands underneath their patent hot air vents.
	www.selectedworks.co.uk /turner1997.html (4127 words)

	Angela - new and used books
		ANGELA - all books, old, new and used
		With essays by Francesco Bonami, Michael Archer, Eric Troncy, Stephan Schmidt-Wulffen, Nicolas Bourriaud and Angela Vettese.
		The catalogue of the exhibition of Angela Grauerholz's photographs at the Westfälischer Kunstverein, Munster, from March 22 to May 5 1991.
	www.isbn.pl /T-angela (249 words)

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