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Notes on The Gaze |
 | | Kress and van Leeuwen argue that the horizontal angle adopted represents ‘whether or not the image-producer (and hence, willy-nilly, the viewer) is "involved" with the represented participants or not’ (Kress and van Leeuwen 1996, 143), with the frontal angle representing involvement and an oblique angle representing detachment. |
 | | Messaris notes that a low angle combined with a frontal view and a direct gaze at the viewer may be interpreted as overbearing, intimidating or menacing, and that when the intention is to use low angles to suggest noble or heroic qualities, side views are more common (Messaris 1997, 38). |
 | | In travel advertisements where there are rear views of people this tends to be either in longshots of landscapes or in midshots or close-ups of semi-naked bodies in seascapes (Messaris 1997, 24-7). |
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