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	culturebase.net \| The international artist database \| Ann Hui
		Ann Hui was born in 1947 in Anshan, Manchuria and has lived in Hong Kong since 1952.
		In 1999 Ann Hui is invited, as on numerous previous occasions, to the Berlin Film Festival where her film 'Qian Yan Wan Yu' / 'Ordinary Heroes' enters the competition.
		Ann Hui was born 23 May 1947 in Anshan, Manchuria and has lived in Hong Kong since 1952.
	www.culturebase.net /artist.php?527 (951 words)

	Ann Hui - Wikipedia, the free encyclopedia
		Ann Hui On-Wah (許鞍華, Pinyin: Xǔ Ānhuá, Hepburn: Kyo Anka) born May 23, 1947 to a Chinese father and a Japanese mother is a Hong Kong film director, one of the most critically acclaimed amongst the Hong Kong New Wave.
		Hui was born in Anshan, Manchuria and she moved to Macao, then to Hong Kong when she was five.
		Hui experimented with special effects and daring angles, though her preoccupation with sensitive political and social issues would make them a feature in most of her subsequent films.
	en.wikipedia.org /wiki/Ann_Hui (522 words)

	The Story Of Woo Viet - DVD Review
		Ann Hui on the other hand had assisted the great director King Hu early on in her career and subsequently moved on to TV-directing in the late 70s.
		Ann Hui also deserves a huge amount of kudos and credit for being probably the first feature film director to really tap into the skills of Chow Yun-Fat.
		Ann Hui's The Story Of Woo Viet is one of those dramas opting for strong social commentary on a rough filmmaking surface but those who decides to stick with it will find after the final frame that a powerful, sometimes shocking, tale exists under the low-fi nature of the film.
	www.sogoodreviews.com /reviews/thestoryofwooviet.htm (1422 words)

	MTV Movies \| Ann Hui \| Biography
		Hui left television and made her first feature film, Feng Jie (The Secret), in 1979, a thriller based on a real-life murder case and starring famous Hong Kong actress Sylvia Chang.
		Hui used the story -- set in the days before Hong Kong's fall to the Japanese in 1941 -- to comment on the anxiety felt by Hong Kong residences about the Chinese takeover of 1997.
		Ann Hui's films have always revealed a strong sense of history and almost without exception featured strong female characters.
	www.mtv.com /movies/person/84003/bio.jhtml (433 words)

	Hong Kong New Wave - Wikipedia, the free encyclopedia
		The Hong Kong New Wave was a blanket term applied to a number of young, groundbreaking Hong Kong filmmakers of the late 1970s and 1980s, many trained in overseas film programs and with experience in the territory's thriving television drama scene.
		Among the most notable members are Tsui Hark, Ann Hui, Patrick Tam, Yim Ho and Allen Fong.
		The New Wave filmmakers were particularly given to revisionist explorations of popular genres, like the thriller (Hui's 1979 The Secret, Tam's 1981 Love Massacre), martial arts (Tsui's 1979 The Butterfly Murders, Tam's 1980 The Sword) and crime (Alex Cheung's 1979 Cops and Robbers, Yim's 1980 The Happenings).
	en.wikipedia.org /wiki/Hong_Kong_New_Wave (318 words)

	Ann Hui - Famous Chinese People - Chinese
		Ann Hui On-Wah (許鞍華, pinyin: Xǔ Ānhuá, born May 23, 1947) is a Hong Kong film director, one of the most critically acclaimed amongst the Hong Kong New Wave.
		Hui was born in Anshan, Manchuria and she moved to Macao, then to Hong Kong when she was five.
		Hui experimented with special effects and daring angles, though her preoccupation with sensitive political and social issues would make them a feature in most of her subsequent films.
	www.famouschinese.com /virtual/Ann_Hui (565 words)

	Border crossings: Ann Hui's cinema
		Hui endows the major characters with vitality and nobility, though she does not shrink from displaying their trying imperfections and aberrations.
		Hui studied comparative literature at university before she went to London to study filmmaking, and did her thesis on the fiction of Alain Robbe-Grillet.
		Hui here seems to be positing an alternative world of strong and enduring women, disrupting patriarchal and patrilineal conceptions of nationality and filiation.
	www.sensesofcinema.com /contents/02/22/hui.html (3009 words)

	Hong Kong Film Director Ann Hui to Visit UW-Madison (Feb 3, 1997)
		Ann Hui's arrival in Madison will form the centerpiece of an international symposium, "New Trends in East Asian Cinema" Feb. 14 and 15.
		Two examples of Hui's work in that arena will be shown as part of the film series "Light in the East." "Song of the Exile" (1990) chronicles a woman's emigration plans and her daughter's coming to terms with the decision.
		In addition to discussing her films, Hui also will consider recent developments in both the films and societies of Hong Kong (her native country), Japan, Taiwan and China at the symposium.
	www.news.wisc.edu /4328.html (343 words)

	Visible Secret
		nn Hui, the critical darling who has successfully managed to blend popular and personal filmmaking, returned to the horror genre for the first time since 'The Spooky Gang' (1980) with this offbeat, darkly comic romantic chiller.
		Hui's low-key direction is assisted by cinematographer Arthur ('Once Upon A Time In China', 'New Dragon Gate Inn') Wong's chilling blue visual style and the deep reds he uses to suggest the supernatural (again cribbed from 'The Sixth Sense').
		But, Hui allows ample time for the supporting players to flesh out their characters, and is rewarded with memorable turns from Wong and Lee as Peter’s father and best friend respectively.
	www.dragonsdenuk.com /reviews/visible_secret.htm (648 words)

	Ann Hui (Site not responding. Last check: 2007-10-30)
		Born in China in 1947, Ann Hui moved to Hong Kong when whe was...
		Anne Hui / On Hui / Anhua Xu
		Ann Hui has 1 in-development credit available on IMDbPro.com.
	us.imdb.com /name/nm0401176 (684 words)

	Asiaweek.com
		Hui had a critical and commercial breakthrough in 1982 with Boat People, a gritty tale about a group of refugees trying to flee an oppressive Vietnam.
		Though Hui's integrity drew a core of admirers, more than 10 years were to pass before she was able to silence her detractors.
		Ann Hui retrospectives started to pop up on the international art-house circuit.
	www.pathfinder.com /asiaweek/97/1017/feat3.html (851 words)

	Eighteen springs : review by Shelly Kraicer
		The films of Ann Hui have always stood apart from the mainstream of Hong Kong cinema.
		Hui provides a visual frame for only one side of this, though.
		Eighteen Springs adopts the structure of melodrama, only to subvert it (a move which is not unexpected, given both melodrama's focus on female characters and lives, and its essentially patriarchal assumptions about those characters); inflecting it with a specific sense of time passing, one which acknowledges loss, but forestalls nostalgia.
	www.chinesecinemas.org /eighteen.html (1313 words)

	[No title]
		Vous devrez éviter de manger des plats trop épicés hui hui ou de faire un.
		hui N allez pas vous couper en quatre pour leur faire plaisir en vous chargeant.
		Ce sera hui surtout hui le cas pour ceux hui d entre vous hui qui.
	www.searchingwww.net /doortest (1007 words)

	Amazon.ca: July Rhapsody: DVD (Site not responding. Last check: 2007-10-30)
		An acclaimed veteran director, Hui has a penchant for elliptical storytelling, which rendered her previous effort, the ghost movie Visible Secret, nearly incomprehensible.
		Where Wong's film is aggressively formalist, Hui tempers hers with a more conventional structure that still allows for her personal touches.
		A subtle study in the deterioration of relationships and the strains of a broken marriage, director Ann Hui's character driven drama draws on Chinese poetry to tell a tale of infidelity and pensive yearning.
	www.amazon.ca /exec/obidos/ASIN/B00006CXHQ (380 words)

	Ann Hui - Moviefone
		Bio: One of the most important figures of Hong Kong cinema, Ann Hui was born in Manchuria in 1947 and moved to Hong Kong when she was five years old.
		Get It Postmodern Life of My Aunt (Yi na de hou xian dai sheng huo)
		All about Ann Hui and Ann Hui facts.
	movies.aol.com /celebrity/ann-hui/95126/main (86 words)

	Visible Secret (2001)
		A polished, mature genre-bending horror from Ann Hui.
		After a decade of disappointments, Hui comes back to what made her so influential: interesting characters, a capable handle of film technique, and an involving pace.
		Fans of director Ann Hui, who set Hong Kong Cinema on fire during the eighties, didn't have too much to be excited about in the last decade.
	www.lovehkfilm.com /reviews/visible_secret.htm (646 words)

	Amazon.com: Ah Kam: DVD: Ann Hui,Michelle Yeoh,Sammo Hung Kam-Bo,Ken Lo,Hoi Mang,Micheal Lam,Nick Cheung,Paco ... (Site not responding. Last check: 2007-10-30)
		Anne Hui, the director of this film, is that rare bird, a Hong Kong art house director, and this is reflected in Ah Kam.
		It's a film that's more interesting than exciting, and is probably best suited for international film buffs and people who are interested in the genre's real life machinations.
		Ann Hui - Director, Kin Chung Chan - Writer, Man Keung Chan - Writer, Raymond Chow - Producer (producer), Catherine Hun - Producer (producer), David Lau - Producer (producer)...
	www.amazon.com /exec/obidos/tg/detail/-/B0000X97C4?v=glance (889 words)

	Search - tvguide.com (Site not responding. Last check: 2007-10-30)
		Lee Ann Womack was plum happier than a beagle at a jerky fac...
		I was just wondering if Leslie Hope or Julie Ann Emery will...
		I'm trying to decide what was crazier ?
	online.tvguide.com /newsearch/?keyword=Ann (127 words)

	Below The Lion Rock: Ann Hui Box Set (Remastered) DVD Hong Kong Movies Carol Cheng Ida Chan Gigi Wong Suk Yee Cheung ...
		Below The Lion Rock: Ann Hui Box Set (Remastered) DVD Hong Kong Movies Carol Cheng Ida Chan Gigi Wong Suk Yee Cheung Ying Ann Hui On-Wah
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		Below The Lion Rock: Ann Hui Box Set (Remastered)
	www.fivestarlaser.com /shop/movies/12156.html (390 words)

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