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	EYEWITNESS GLIMPSE with ANNE WALDMAN at The Jack Kerouac Festival Lowell, Massachusetts October 1997
		Anne: I talked to him on the phone in the early sixties; it was before the Poetry Conference of '65.
		Anne: Yes, and then I went back to New York, where I was from, and started working at the St. Mark's Poetry Project the next year--and worked there almost twelve years, until 1978.
		Anne: Well, there had been open readings, and in '66, we got a grant from the Office of Economic Opportunity under Lyndon Johnson, to work with alienated youth on the Lower East Side, and it was being administrated through the New School.
	www.angelfire.com /music/squawk/waldman.html (980 words)

	Jacket 27 - April 2005 - Laura Bardwell: Anne Waldman’s Buddhist “Both Both”
		Waldman examines the view of yab yum or “both both” by looking at the polar representation of female and male energy separately and through paradox — the image of the hermaphrodite and the image of the twin.
		Waldman is simply drawing attention to the fact that just because she is writing out of a female body, it is still a body inspired by male energy as well as female energy: a witnessing body inspired to act.
		Waldman’s phrase “both both” draws attention to duality or the idea that two things are at the same time existing, but defeats the ideas of an either/ or and hierarchy, which are so ingrained in binary cultures.
	www.jacketmagazine.com /27/w-bard.html (3737 words)

	College of Wooster: News
		Waldman, who was a close friend and colleague of many first-generation Beat writers, including Allen Ginsberg, William Burroughs, and Gregory Corso, remains a major figure in American and global avant garde poetry.
		Born April 2, 1945, in Millville, N.J., and raised in New York City, Waldman is a Distinguished Professor of Poetics at The Jack Kerouac School of Disembodied Poetics at the Naropa University in Boulder, Colo., a program she co-founded with Ginsberg in 1974.
		Waldman is the recipient of grants from the National Endowment for the Arts, the Foundation for Contemporary Performance Arts, and the Poetry Foundation.
	www.wooster.edu /News/0607/events/PoetWaldman.php (303 words)

	Museum of American Poetics
		Anne Waldman is a poet & teacher, and with Allen Ginsberg co-founded of the Jack Kerouac School of Disembodied Poetics at Naropa Institute in Boulder, Colorado in 1974.
		Waldman is one of the most interesting, vibrant and unpredictable members of the post-Beat poetry community.
		Waldman's goal for her poetry is simple, and yet anything but simple to achieve.
	www.poetspath.com /waldman.html (393 words)

	Anne (Lesley) Waldman Biography \| Dictionary of Literary Biography
		The poet Anne Waldman's most direct link with the Beat Generation writers is her association since 1975 with Allen Ginsberg as codirector of the Jack Kerouac School of Disembodied Poetics at Naropa Institute in Boulder, Colorado.
		Waldman is, however, more often characterized as a member of the community of younger East Side New York City poets than she is called a Beat writer.
		Anne Waldman was born on 2 April 1945 in Millville, New Jersey.
	www.bookrags.com /biography/anne-lesley-waldman-dlb (206 words)

	Jacket 27 - April 2005 - Rachel Blau DuPlessis: Anne Waldman: Standing Corporeally in One’s Time
		Waldman, like Alice Notley and other women loosely in the avant-garde and not in the women’s poetry movement (as it centered its canon of interests in the mid-70s through mid-late 80s), was very resistant to any victimization theorizing and against any sense that women have little or no agency.
		Waldman asks what possibilities they model, and whether (using John Waldman, her own father, here), a woman in the “daughter” position finds it is plausible, easy, reasonable, or forbidden to “inherit” from these men.
		Waldman, inside her choices, justifies the looseness and assimilative flair of the work with a “Beat Buddhist” (and incidentally Olsonic) aesthetic enunciated (Notley, “Iovis,” 128-29) as an “energy pulse” — form is activity, form is energy.
	jacketmagazine.com /27/w-dupl.html (8121 words)

	Anne Waldman Interview - R A I N T A X I o n l i n e (Site not responding. Last check: 2007-10-24)
		Anne Waldman Interview - R A I N T A X I o n l i n e
		It's the name of Anne Waldman's 1975 book of chants and essays, but it's a fitting epithet for the poet herself.
		Waldman exudes energy, on and off the page.
	www.raintaxi.com /online/1998winter/waldman.shtml (6586 words)

	PRX » Pieces » 1995 Anne Waldman - Simulacrum (Not a Real Life, Cheap Imitation)
		This is a political piece by Anne Waldman, a lively performance from 1995 at Naropa University.
		Waldman is a legendary figure in New American Poetry, having run the poetry project at St. Marks Church for a decade before coming to Naropa at the request of Allen Ginsberg.
		Anne Waldman and Allen Ginsberg founded the Kerouac School, an avant-garde writing program, in 1974, and for 30 years they brought a group of counter culture writers, artists and thinkers to Boulder for a Summer Program.
	www.prx.org /piece/3809 (245 words)

	Euroseek.com - Search Results
		Anne Waldman and her work are often associated with the group known as the Beat
		Anne Waldman, a prominent figure in the beat poetry generation, was born in
		Anne Waldman was part of the late Sixties poetry scene in the East Village.
	www.euroseek.com /query?ilang=en&width=468&height=60&lang=world&domain=world&query=anne+waldman&Search.x=32&Search.y=5 (230 words)

	Coffee House Press: Books
		"On the map from east to west and across the scale from treble to bass, Anne Waldman is possessed with a passion to witness, to understand, and to describe.
		Waldman dates her metamorphosis into a committed writer to the Berkeley Poetry Conference, circa 1965, where Charles Olson rhapsodized on the poet-mind.
		Rhizome, an underground stem bearing roots and flowers, and a postructuralist metaphor for nomadic traits, is a trope that Waldman exploits to describe hybrid, cross-genre poetics and intuitive constellations: Allen Ginsberg, Bob Dylan, Vaclav Havel and the Dalai Lama interfacing on a tour she documents with great love and humor.
	www.coffeehousepress.org /vowtopoetryreviews.asp (626 words)

	Anne Waldman
		Already at primary school, Anne Waldman started writing poems and became interested in performance, working at the Stratford Shakespeare Festival in Connecticut during her high school years.
		A key event for Waldman was attending the Berkeley Poetry Conference in the summer of 1965 (the summer before her graduation in literature from Bennington College where she studied with Howard Nemerov and Bernard Malamud) where she met Allen Ginsberg, Charles Olson and founded Angel Hair magazine and Books.
		Waldman is the recipient of many prizes, including the Shelley Award for Poetry (1996) and grants from the National Endowment for the Arts, the Foundation for Contemporary Performance Art and the Poetry Foundation.
	www.literaturfestival.com /bios1_3_6_493.html (744 words)

	CSIndy: Warp Speed (November 22 - November 28, 2001)
		The author of over 30 volumes of poetry, editor of many magazines and several anthologies, and professor/director at the Jack Kerouac School of Disembodied Poetics in Boulder, Waldman is at the apex of her career, and the legitimate heir to Allen Ginsberg's crown as America's underground "poet-ambassador" laureate.
		Waldman and her partner at that time, Lewis Warsh, ran Angel Hair Press, a small mimeo outfit that first published Joe Brainard's I Remember, and many other small editions by her friends.
		Waldman's most recent book, Marriage: A Sentence, based on the haibun form, "in which a proselike poem is coupled with a condensed lyric poem of the same theme," shows her mind at its most electrically synthetic.
	www.csindy.com /csindy/2001-11-22/fineprint.html (949 words)

	Compare Prices and Read Reviews on Anne Waldman - Fast Speaking Woman: Chants & Essays at Epinions.com
		Waldman studied both Buddhism and Shamanism and would later teach classes on these subjects.
		Waldman does have a deft touch for cutting lines and putting thoughts into poetic sequence.
		I don’t know how often Waldman does spoken word events now but it would be worthwhile to hear her read the poems aloud.
	www.epinions.com /content_117534854788 (1026 words)

	Anne Waldman — Les Filles électriques
		Anne Waldman is an internationally known poet, performer, professor, editor, with strong personal links to the New York School, the Beat Literary Movement, and the experimental strands of the New American Poetry.
		Anne Waldman has also been on the guest faculty of the Institute of American Indian Arts in Santa Fe, and advisor to the Prazska Skola Projekt in Prague.
		Anne Waldman founded the activist Coalition Poetry is News with Ammiel Alcalay and has been active in recent anti-war protest including the Poems Not Fit For the White House Event at Lincoln Center, and the VERSUS reading at the Paul Cooper Gallery in New York.
	www.electriques.ca /filles/artistes.e/w/waldman_an.php (671 words)

	Jacket 27 - April 2005 - Lorenzo Thomas: Anne Waldman: Finding Poetry's Public Voice
		Anne Waldman is the vessel of a different voice — a poet who works her way into Art as a way of finding a public voice.
		Waldman has seen herself as participating in what she terms “a hybrid outsider tradition” influenced by the New York School, the San Francisco Renaissance of the early 1950s, Charles Olson’s Black Mountain College aesthetic, Jerome Rothenberg’s explorations of ethnopoetics, and a number of other approaches that brought her “magnificent epiphanies” (Knight 288).
		Waldman does, however, present us with a model of how one may — to utilize a broader sense of the terms raised by Archibald MacLeish and others — achieve a poetry of consequence and compassion, of worthy and necessary witness.
	jacketmagazine.com /27/w-thom.html (4454 words)

	Jacket # 7 - Libbie Rifkin - Anne Waldman, Bernadette Mayer and the Gender of an Avant-Garde Institution
		They were both powerful players in that first decade: Waldman was Director for the better part of it, and Mayer ran a workshop at the Project in the early 70s which has been considered critical to the development of innovative poetry since.
		However much The World, and Waldman's own poetry from that period, may have reflected a kind of "house aesthetic" - call it, "friendly recycling" - the Poetry Project was not a monolith, and I'd argue that its major difference from certain "New American" institutions is that it didn't strive to be one.
		Waldman borrowed the chant form of the poem from a 1956 recording of a Mazatec Indian shamaness named Maria Sabina.
	www.jacketmagazine.com /07/rifkin07.html (2645 words)

	Anne Waldman, Fast Speaking Woman (Site not responding. Last check: 2007-10-24)
		As director and co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, Anne Waldman continues to make herself known as one of the leading figured in the poetics and performance poetry field.
		Waldman functions on the principle that poetry is meant to be heard, not read.
		Waldman's collection is a must for anyone who enjoys performance poetry or playing around with language structures.
	www.rambles.net /waldman_fast.html (403 words)

	Post-beat poet Anne Waldman draws rave reviews (Site not responding. Last check: 2007-10-24)
		Codrescu’s poem, “Who’s Afraid of Anne Waldman?” offered a historical perspective of his memories of Waldman, her involvement with the St. Mark’s Poetry Project in New York City, her activist career and the “counterculture,” her involvement with the Naropa University community, her many friends, and an overall tribute to her and her poetry.
		“Anne’s genius then as always, is to give back in talk what the world gave her in sound—texture, fact, gossip and news—intense talk, thick with the density of various streams, not just language hoping to win the lottery,” Codrescu said.
		Waldman is a Distinguished Professor of Poetics at The Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, Colo., a program she co-founded with poet Allen Ginsberg in 1974.
	www.umich.edu /~urecord/0102/Mar18_02/11.htm (426 words)

	The Jim Carroll Website: Features: Friends and Influences (Site not responding. Last check: 2007-10-24)
		Anne Waldman is probably one of the most important figures in Carroll's literary career.
		A renowned author of more than 30 books of poetry herself, she ran the St. Mark’s Poetry Project and edited The World, the literary magazine in which Carroll first began publishing his poems and diaries in the late 1960s, and she included his work in her two World anthologies.
		Waldman is now Distinguished Professor of Poetics at the Writing and Poetics Department (AKA the Jack Kerouac School of Disembodied Poetics) of the Naropa Institute, and has vowed to carry on Allen Ginsberg's work there.
	www.catholicboy.com /catholicboy.com-asp/waldman.asp (181 words)

	Anne Waldman at the Blue Neon Alley
		Anne Waldman class on poetics and female writers, August, 1977.
		Anne Waldman and Bobbie Louise Hawkins class, I is another, July, 1988.
		Anne Waldman and Allen Ginsberg lecture on dharma poetics, June, 1996.
	www.neonalley.org /waldman.html (769 words)

	Vow to Poetry -- Anne Waldman (Site not responding. Last check: 2007-10-24)
		She was the director of the legendary Poetry Project at St. Mark’s Church-in-the-Bowery, and in 1974 she co-founded the influential Jack Kerouac School of Disembodied Poetics at Naropa University.
		Waldman’s engaging style, as she freely admits, moves from soapbox orator in one piece to schoolmarm in another.
		The vitality of Anne Waldman’s engagement with poetry is manifest in every piece collected here, and taken together they demonstrate not only the depth but also the scope and duration of that engagement.
	www.frontlist.com /detail/1566891124 (245 words)

	New York State Writers Institute - Anne Waldman (Site not responding. Last check: 2007-10-24)
		As an energetic performer, Anne Waldman has read her work from coast-to-coast as well as throughout the world.
		Waldman has published numerous books of poetry including “Baby Breakdown” (1970), “Fast Speaking Woman” (1975), “Makeup on Empty Space” (1983), and more recently “Helping the Dreamer: New and Selected Poems, 1966-1988” (1989), “Iovis: All is Full of Jove” (1993), and “Troubairitz” (1993).
		Waldman is co-founder of the Jack Kerouac School of Disembodied Poetics at Naropa Institute.
	www.albany.edu /writers.inst/waldman.html (237 words)

	Amazon.ca: Penguin Poets Marriage A Sentence: Books: Anne Waldman (Site not responding. Last check: 2007-10-24)
		In a book-length series of haibun, a Japanese form in which prose pieces are juxtaposed with verse responses, Waldman (Fast Speaking Woman; The Beat Book; etc.) energetically invokes and explodes a plethora of marriage-related myths, histories and traditions.
		This collection is a valuable and compelling companion to Waldman's epic Iovis books, which delved into male personae.
		Anne Waldman's new collection is a set of high-spirited poetic meditations on the delights and pitfalls of marriage in all its guises--traditional marriages, same sex marriages, the nuclear couple in the contemporary context.
	www.amazon.ca /Penguin-Poets-Marriage-Sentence-Waldman/dp/0140589228 (483 words)

	Anne Waldman books for sale
		Anne Waldman has inscribed the title page with a piece of writing advice, "for ___, Write in the same spot, every day, same time, for 5 days running.
		Anne Waldman." Ambrose Bye has also signed the book, on the same page.
		The publisher says "Vow To Poetry is a clarion call...This stirring assemblage of autobiography, interviews, essays on politics, poetics, Buddhism, and Naropa University lays bare a life dedicated to the imperatives of experimental poetry and cultural activism." Includes a bibliography and an index.
	www.emptymirrorbooks.com /books/waldman.html (441 words)

	arborweb reviews - review: Anne Waldman
		When Waldman presents her own poetry in public, her voice becomes an instrument that can move from whisper to scream to spine-tingling howl in the space of a very few syllables.
		Though her rants are fun and often funny, Waldman is best when sticking close to her artistic home: when writing about the poets she has known and about their work.
		Waldman reads from her work at the Hatcher Graduate Library on Friday, March 15, as part of a three-day U-M conference celebrating Waldman and her work and influence.
	www.arborweb.com /reviews/0203.waldman-review.html (409 words)

	Letralia 102 \| Artículos y reportajes \| Anne Waldman: una mujer de palabras veloces \| Esteban Moore
		Anne Waldman: una mujer de palabras veloces
		Anne Waldman nació en 1945 en Milville, Nueva Jersey, y vivió los años de su infancia en el Greenwich Village, Nueva York.
		La poesía de Anne Waldman, que en muchas ocasiones ha sido identificada con la poética de los Beats, ha recibido también una fuerte influencia de los procedimientos más formales de la Escuela de Nueva York, ella logra de diversas maneras reunir los efectos duraderos de estas dos escuelas en su propia poética.
	www.letralia.com /102/articulo02.htm (1303 words)

	rhubarb is susan: Anne Waldman : Home In On
		In the face of what both Waldman and I seem to think of as a moral outrage, the promotion of torture by the US government, this poem never dares to lay a naked moral claim on the reader.
		I don't mean to dismiss Waldman's concerns, which, again, are my own in many ways, but I do want to ask: why write this as a poem, and not a letter to the editor, or a letter to a friend, or speak it in a conversation to a neighbour?
		But they have an obligation to their audience, at least, to go beyond it, to open up avenues of experience, both aesthetic and moral, that can not be considered to arise from that chair.
	rhubarbissusan.blogspot.com /2005/12/anne-waldman-home-in-on.html (1183 words)

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