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| | Anthony Minghella on Madama Butterfly - the Metropolitan Opera |
 | | Choa, who is the productionâs associate director and its choreographer, was born and raised in Hong Kong, so this cross-cultural terrain was familiar ground: in addition to her extensive experience in dance and opera, she has a keen interest in experimental theater, particularly work influenced by Asian theatrical traditions. |
 | | Knowing that Minghella and Choa did not want to stray from the traditional shape of kimonos, Han Feng threw her energy into colors, textures, and patterns, playing with traditional elements such as polka dots, stripes, and Chinese peonies. |
 | | Minghella suggested waiting to see if the production was a success in London before committing it to New York, but Gelb insisted, not only on being a cocommissioner but also on scheduling the piece to open his first season. |
| www.metoperafamily.org /metopera/news/features/minghella_butterfly_effect.aspx (1185 words) |
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