
	Where results make sense

Topic: Antiphon 1

	Antiphon (person) - Wikipedia, the free encyclopedia
		Antiphon of Rhamnus was an orator and statesman who took up rhetoric as a profession.
		Fifteen of Antiphon's speeches are extant: twelve are mere school exercises on fictitious cases, divided into tetralogies, each comprising two speeches for prosecution and defence—accusation, fence, reply, counter-reply; three refer to actual legal processes.
		Antiphon is also said to have composed a Τεχνη or art of Rhetoric.
	en.wikipedia.org /wiki/Antiphon_(person) (797 words)

	Barbara P. Wallach, section 1
		Antiphon 1 is unique among extant Attic forensic orations in that it involves the prosecution of a woman for murder and features half-brothers as in a homicide case, acting as prosecutor and defense counsel respectively.
		It is ironic that the father's avenger in Antiphon 1 is the, not the legitimate sons, but the prosecutor can at least imply that he is the only one acting as a legitimate son ought to.
		Gagarin (1997 above, note 1) 114-5 has noted that the prosecutor is careful to identify the guilty concubine as Philoneos', "suggesting that the speaker is concerned that the jurors might think of the other, his mother." At any rate, it makes sense for her son to avoid mentioning her.
	www.stoa.org /hopper/text.jsp?doc=Stoa:text:2001.01.0013 (9671 words)

	Bryn Mawr Classical Review 2002.09.38
		Antiphon the son of Sophilus of Rhamnus is the Antiphon of Ar.
		G claims that recent readings of the philosophical fragments make it easier to believe that they could have been written by the author of the law-court speeches, and concludes that the case for unity is not certain but is good enough to serve as a working hypothesis.
		He demonstrates, as he has demonstrated before, that the ancient evidence for distinguishing Antiphon the Sophist from the orator is weak and that the ancient evidence for distinguishing the author of the Tetralogies from the author of the law-court speeches is non-existent.
	ccat.sas.upenn.edu /bmcr/2002/2002-09-38.html (1242 words)

	Table of Contents and Excerpt, Gagarin and MacDowell, Antiphon and Andocides
		Antiphon's great strength as a logographer is argumentation, the selection, composition, and arrangement of arguments in such a way as to make the best possible case for a client.
		Thus the narrative in Antiphon 1 is more detailed and relatively much longer than in 5 or 6, in part because 1 is a speech for the prosecution and thus needs to present the first account of the facts to the jurors, but also because the speaker lacks the evidence that might support other arguments.
		Antiphon sometimes blurs the line between the different parts of a speech, moreover, so that even where he moves explicitly from the facts to the argument, as at 5.25, he in fact continues to present a mixture of both with only a shift in emphasis.
	www.utexas.edu /utpress/excerpts/exgagant.html (2898 words)

	Antiphon biography
		Antiphon published a number of works on philosophy which have been lost except for a small number of fragments which have been discovered together with some quotations from the works in the writings of other authors.
		Antiphon thought that in this way the area of the circle would be used up, and we should some time have a polygon inscribed in the circle the sides of which, owing to their smallness, coincide with the circumference of the circle.
		Antiphon therefore deserves an honourable place in the history of geometry as having originated the idea of exhausting an area by means of inscribed regular polygons with an ever increasing number of sides, an idea upon which...
	www-groups.dcs.st-and.ac.uk /~history/Biographies/Antiphon.html (1101 words)

	Center for Hellenic Studies - Athenian Law: Lectures, Gagarin
		However, despite the effectiveness of his arguments and in particular of the story he tells, or perhaps because of it, some scholars have suspected (as they have in the case of Antiphon 1) that this speech is also a fictitious literary exercise rather than a genuine speech written for an actual case.
		Crime and punishment is more often a story told by the prosecution, as in Antiphon 1, where the storyteller stops at a point just before the end, when only the jury's verdict of guilty is needed to bring the story to its proper conclusion.
		Antiphon (see Orator Biographies), who invented the art of logography (probably around 430), was the first of these professional speechwriters and had a very successful career for two decades (he died in 411).
	www.chs.harvard.edu /discussion_series.sec/athenian_law.ssp/athenian_law_lectures.pg (4234 words)

	Home Page
		(1) Antiphon Erat autem and Psalm 111 Beatus vir
		(2) Antiphon Tecum principium and Psalm 109 Dixit Dominus
		(3) Antiphon Surrexit Dominus and Psalm 94 Venite exsultemus
	ccat.sas.upenn.edu /music/music100 (915 words)

	[No title]
		The selection attributed to the daughter is an antiphon from the octoechos and appears in the section of chants in Mode IV Authentic.
		Since this antiphon is the only composition thus far attributed to the daughter of Ioannes Kladas, it serves as the only source of style for the composer.
		In Table 1 a catalogue of the types of compositions along with the incipits, modes, and occasions for which the chants of Kassia are performed may be found.
	symposium.music.org /cgi-bin/m_symp_show.pl?id=207 (3859 words)

	Table of Contents and Excerpt, Gagarin, Antiphon the Athenian
		At the time I put Antiphon aside to write a dissertation on Protagoras, and then went on to write on Aeschylus, justice, law, and rhetoric, which has now brought me back at last to this book on Antiphon.
		In the last two decades, as I have worked on other subjects, I have never strayed far from Antiphon, and the conviction has strengthened that his work is important for understanding the intellectual movement of the last half of the fifth century, and especially the origin and nature of forensic oratory.
		Antiphon's various identities—logographer, Sophist, political adviser, political leader, even dream-interpreter—suggest not so much a multiplicity of persons with the same name living and working in roughly the same time and place, but rather a single individual with a wide-ranging mind, ready to tackle most of the diverse intellectual interests of his day.
	www.utexas.edu /utpress/excerpts/exgagani.html (557 words)

	Hildegard von Bingen - A discography
		Psalm antiphon for the 11,000 virgins: In Matutinis laudibus [Studium divinitatis]
		Psalm antiphon for the 11,000 virgins: In Matutinis laudibus [Aer enim volat]
		Psalm antiphon for the 11,000 virgins: In Matutinis laudibus [Deus enim rorem]
	www.medieval.org /emfaq/composers/hildegard.html (6782 words)

	Plutarch: Lives of the Ten Orators (1)
		ANTIPHON, the son of Sophilus, from the deme of Rhamnus,
		He is most accurate in his orations, in invention subtle; and he would frequently baffle his adversary unawares, by a covert sort of pleading; in troublesome and intricate matters he was acute and sharp; and as he was a great admirer of ornamental speaking, he would always adapt his orations to both law and reason.
		But when those Four Hundred were overthrown, he with Archeptolemus, who was likewise one of the same number, was accused of the conspiracy, condemned, and sentenced to the punishment due to traitors, his body cast out unburied, and all his posterity infamous on record.
	www.attalus.org /old/orators1.html (7436 words)

	Antiphon
		Antiphon: A Journal for Liturgical Renewal (ISSN 1543-9925) is published three times annually by the Society for Catholic Liturgy and serves both the members of the Society and the Catholic Church in Anglophone countries.
		If you are a member of the Society and are not receiving Antiphon, be sure the publishers have your current mailing information by sending it to the address below, and be sure that your dues are current (see the Membership page for details).
		Submissions of articles to Antiphon are welcome from members of the Society and from non-members.
	www.liturgysociety.org /JOURNAL/antiphon.htm (254 words)

	Detail Page (Site not responding. Last check: 2007-10-25)
		The historian Thucydides (1) knew Antiphon and describes him as one of the most capable Athenians of the day.
		Antiphon rarely spoke in public, before the Assembly or law courts, preferring instead to advise or to compose speeches for clients.
		Antiphon's work survives in three rhetorical exercises for courtroom-speaking practice, plus two or three speeches written for actual court cases.
	www.fofweb.com /Onfiles/Ancient/AncientDetail.asp?iPin=GRE0057 (198 words)

	Catholic Culture : Liturgical Year : The Reproaches (Improperia) (Activity)
		During the Veneration of the Cross, the following Antiphon and verses known as "The Reproaches" (Improperia) are sung.
		Individual parts are indicated by no. 1 (first choir) and no. 2 (second choir); parts sung by both choirs together are indicated by nos.
		1: For your sake I scourged your captors
	www.catholicculture.org /lit/activities/view.cfm?id=1040 (327 words)

	BLESSINGS OF PLACES DESIGNATED FOR SACRED PURPOSES (Site not responding. Last check: 2007-10-25)
		Antiphon 3: The bodies of the saints are buried in peace, and their names shall live forevermore.
		Antiphon 1: The angel came and stood at the altar of the temple, carrying a golden censer.
		Antiphon 2: A great quantity of incense was given to him that he might offer it on the golden altar before the throne of the Lord.
	www.thesacredheart.com /blesdsr.htm (9233 words)

	Antiphon
		J S Morrison (PCPS (1961) 49-58) believes that Antiphon the Sophist and the orator Antiphon of Rhamnous (and indeed Antiphon the seer and dream-interpreter) are one and the same, and that this same man wrote On Truth (wherein the squaring of the circle appeared, as discussed by Aristotle Physics 1.2).
		In Athens at about the same time is/are (a) Antiphon the eponymous archon of 418, (b) Antiphon put to death by the 30 tyrants in 403, and (c) Antiphon the tragic poet.
		Our Antiphon was the first to write and publish forensic speeches.
	www.swan.ac.uk /classics/staff/ter/grst/People/Antiphon.htm (314 words)

	Untitled Document
		Intriot, originally a psalm with antiphon chanted during the entrance of the priest.
		Antiphons of the canticles are somewhat more elaborate than the psalms, examples are Magnificat, and Hodie Christus natus est.
		A form similar to the antiphon: a short verse is sung by a soloist and repeated by
	www.fortunecity.com /meltingpot/melwood/780/bardichall/documentation/musichistory/muhist1.html (1365 words)

	HTC: Glossary of Liturgical Terminology (Site not responding. Last check: 2007-10-25)
		Antiphon – a general title for a hymn or a section of the Psalter; the title describes the manner in which the hymn or Psalter are to be chanted, i.e., by two choirs in turn.
		At least theoretically each ode takes its theme from the Biblical canticle (e.g., Ode 1 is patterned after Exodus 15:1-19, the Canticle of Moses) which serves as its prototype.
		In current liturgical use, the Prokeimenon is reduced to the refrain and one to four verses of the Psalm being employed.
	www.holy-trinity.org /liturgics/lazor-glossary.html (1339 words)

	Tenebrae
		Antiphon: At Salem is his tabernacle, and his dwelling is in Zion.
		Antiphon: He was led like a lamb to the slaughter, and he opened not his mouth.
		Antiphon: They shall mourn for him as one mourns for an only child; for the Lord, who is without sin, is slain.
	www.liturgies.net /Lent/Tenebrae.htm (5172 words)

	Ambrosian Breviary Structure - Matins
		Antiphon 1 (from Decuria 1) In lege Domini...
		Psalms 1, 2, 3, 4, 5, 6, 7, 8
		Antiphon (from the psalter - please note that Saturday is not part of the 10 Decuria days, which are from Monday through Friday for 2 weeks).
	www.kellerbook.com /2AMBRO~1.HTM (464 words)

	A Celtic Breviary Vol 1
		Antiphon 12: Glory and honor to the Father and to the Son and to the Holy Spirit, now and ever, and unto ages of ages.
		Antiphon: After fires and swords, crosses and beasts the Saints are borne with great triumph into the Kingdom and rest.
		Antiphon: These are the ones who came forth in great tribulation and washed their stoles and made them white in the Blood of the Lamb.
	www.celticchristianity.org /library/brev1.html (17455 words)

	Orator Biographies
		1 (in text as: “On the Mysteries” (1)) ; Andoc.
		9.2) ; Isaeus 1 (in text as: 1) ; Isaeus 11 (in text as: 11) ; Isaeus 12 (in text as: “For Euphiletus” (12)).
		1 (in text as: 1 “For Lycophron”) ; Hyp.
	www.stoa.org /projects/demos/article_orator_biographies?page=index&greekEncoding=UnicodeC (672 words)

	The Transitus: A Rite of Intensification II
		Each Transitus ritual considered in the first part of this article [1] displays consistent elements: the antiphon, "O sanctissima anima"; the psalm, "Voce mea"; the hymn, "Salve, sancte Pater"; and a blessing with the relic of St. Francis.
		The rather lengthy reading is followed by the singing or recitation of the antiphon, "O most holy soul." The directives continue: "The priest or chanters then sing or recite Psalm 141 [sic] alternately with the choir or with the people." After the closing of the psalm, the antiphon is repeated and the candles extinguished.
		More often than not, the "O sanctissima anima" antiphon is lost or presented as an option; the five Our Fathers, Hail Marys, and Glorys are dropped; the "Salve, sancte Pater" and the use of relic as symbol disappear and then reappear later as an option.
	www.wtu.edu /Franciscan/pages/publications/cord/tran2.html (5040 words)

	SonyMusicStore: Andrew Parrott Gesualdo: Tenebrae (Site not responding. Last check: 2007-10-25)
		Antiphon - Alieni insurrexerunt/Psalm - Deus in nomine tuo (Ps 53)/Antiphon - Alieni insurrexerunt WM 28
		Antiphon - Captabunt in animam justi/Psalm - Deus ultionum Dominus (Ps 93)/Antiphon - Captabunt in animam justi WM 28
		Topping Billboard's Classical Chart at No. 1 for 8 weeks in a row with their debut album, the original all-sibling piano phenomenon the 5 Browns proved that they are classical music's five irresistible new champions.
	www.sonymusicstore.com /store/catalog/MerchandiseDetails.jsp?selectionId=062977 (438 words)

	La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical ...
		Decus namque mentis quod Antiphon for Gerald of Aurillac
		Decus praesulum Dunstanus Antiphon for Dunstan, Archbishop of Canterbury
		Dedisti hereditatem nomen Reliquie of Aarhus, Matins, Antiphon 5
	www.lib.latrobe.edu.au /MMDB/Alist/AfileD5.htm (744 words)

	History Review 1 (2004) (Site not responding. Last check: 2007-10-25)
		antiphon -- verse of psalm -- lesser doxology -- antiphon (repeated)
		"antiphon": type of chant, designed to alternate with a psalm, later developed into independent chants, such as this Introit.
		The chief musical feature of the Offices are psalms with their accompanying antiphons; also a hymn and readings from scripture.
	www.arts.arizona.edu /rosenblatt/review330A.html (3138 words)

	Sony Classical - Music
		Pacem relinquo vobis; Laudate Dominum omnes gentes Antiphon and Psalm 116
		Da pacem, Domine, in diebus nostris Antiphon and verse from Psalm 122
		Sancta Maria, succurre miseris Antiphon to Magnificat (I tone)
	www.sonyclassical.com /music/66705/tracks.html (189 words)

	The Writings of St. Francis: The Prayers
		Note, that this abovesaid antiphon is said at all hours; and it is said in place of the antiphon, chapter, hymn, versicle and prayer; and similarly at Matins and at all the hours.
		The Marian Antiphon, which is enumerated separately from Psalm I, is counted as having two verses; the final prayer, as well as all rubrics, are not counted.
		Here the rubrics omit mention of the Final Prayer, which is to be said after the final repetition of the Marian Antiphon, as can be seen from Psalm I. The psalms which follow Psalm I proceed in the same manner as Psalm I, with the Gloria, Marian Antiphon, and Closing prayer.
	www.franciscan-archive.org /patriarcha/opera/preces.html (7014 words)

	[No title]
		This Antiphon, and all subsequent ones, are specific to the season.
		The Office of Readings may be said in conjunction with any of the Hours or by itself anytime during the day.
		A seasonal Antiphon is said at the beginning of the Psalm, and again at the end of the Psalm, following the Doxology and Psalm Prayer.
	dwp.bigplanet.com /catholicenterusf/liturgyofthehours (984 words)

	La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical ...
		Venerandi patris Udalrici Antiphon for Ulric (Udalricus), Bishop of Augsburg
		Veniam nobis obtineam Antiphon for Nativity of BVM
		Veniat dilectus meus in Purificatio Mariae, In secundo nocturno: Antiphon
	www.lib.latrobe.edu.au /MMDB/Alist/AfileV3.htm (698 words)

	PROCESSIONS (Site not responding. Last check: 2007-10-25)
		The order of the procession is: first the thurifer carrying the thurible with the burning incense; the subdeacon vested in tunic and carrying the processional cross, and on either side of him the acolytes with lighted candles; the clergy in order of their rank; the celebrant accompanied by the deacon at his left.
		If one or several churches are visited along the way, then, having entered the church, the litany or the psalms are interrupted, and the antiphon of the patron of that church is sung, along with the versicle and oration.
		On leaving the church the chanting of the litany or psalms is resumed, and the procession continues in the same order as before until it has reentered the church from which it started.
	www.thesacredheart.com /blespros.htm (6281 words)

Try your search on: Qwika (all wikis)